Marriage Strike | |
---|---|
German | Ehestreik |
Directed by | Georg Jacoby |
Written by | Julius Pohl (play) Walter Forster Alois Johannes Lippl |
Produced by | Karl Ritter |
Starring | Trude Marlen Paul Richter Erika von Thellmann |
Cinematography | Carl Drews |
Edited by | Wolfgang Becker |
Music by | Ernst Erich Buder Willy Geisler |
Production company | |
Distributed by | UFA |
Release date |
|
Running time | 85 minutes |
Country | Nazi Germany |
Language | German |
Marriage Strike or Matrimonial Strike (German : Ehestreik) is a 1935 German comedy film directed by Georg Jacoby and starring Trude Marlen, Paul Richter and Erika von Thellmann. [1] It was remade in 1953.
The film's sets were designed by the art directors Erich Kettelhut and Max Mellin.
Dir zuliebe is a 1944 German comedy film directed by Martin Frič.
Trude Marlen was an Austrian stage and film actress. She was the second wife of Wolf Albach-Retty, and moved to Germany to live with him during the Nazi era where she was well-connected with the Nazi leadership. She appeared in lead roles in several German films of the 1930s such as Bachelor's Paradise (1939) although she remained primarily a theatre actress. She later relocated to Vienna and appeared in a number of Austrian films during the post-Second World War years such as Who Kisses Whom? (1947).
Young Hearts is a 1944 German drama film directed by Boleslaw Barlog and starring Harald Holberg, Ingrid Lutz, and Lisca Malbran. The film's sets were designed by art director Anton Weber. It was made by German's largest studio of the era UFA. The film was shot at the Babelsberg Studios and at the Hostivar Studios in Prague.
Erika von Thellmann (1902–1988) was an Austrian actress who appeared in more than a hundred films and television series during her career.
The Grey Lady, also known as Sherlock Holmes, is a 1937 German mystery film directed by Erich Engels and starring Hermann Speelmans, Trude Marlen and Elisabeth Wendt.
Romance is a 1936 Austrian drama film directed by Herbert Selpin and starring Christl Mardayn, Carl Esmond and Trude Marlen.
The Spanish Fly is a 1955 West German comedy film directed by Carl Boese and starring Joe Stöckel, Erika von Thellmann and Rudolf Platte. It was shot at the Göttingen Studios with sets designed by the art director Ernst Klose. It was based on the 1913 play The Spanish Fly by Franz Arnold and Ernst Bach. A previous adaptation had been released in 1931.
A Hoax is a 1936 German comedy film directed by E. W. Emo and starring Paul Hörbiger, Trude Marlen, and Hans Moser. It was shot at the National Studios in Berlin. The film's sets were designed by Otto Erdmann and Hans Sohnle.
Knall and Fall as Detectives is a 1953 Austrian-West German comedy film directed by Hans Heinrich and starring Hans Richter, Rudolf Carl, and Ingrid Lutz. It was made as a sequel to the 1952 film Knall and Fall as Imposters. It was shot at the Spandau Studios in Berlin. The film's sets were designed by the art director Rolf Zehetbauer.
The Violin Maker of Mittenwald is a 1950 West German drama film directed by Rudolf Schündler and starring Willy Rösner, Paul Richter and Franziska Kinz.
The Sold Grandfather is a 1962 West German comedy film directed by Hans Albin and starring Hans Moser, Vivi Bach and Hubert von Meyerinck. It is a remake of the 1942 film of the same title and is based on a play of the same name.
Love Letters from Engadin or Love Letters from the Engadine is a 1938 German romantic comedy film directed by Luis Trenker and Werner Klingler and starring Trenker, Carla Rust and Erika von Thellmann. It contains elements of the mountain film genre for which Trenker was best known. It is set in London and in the Engadin valley in the Swiss Alps, where much of the location shooting took place. Interiors were shot at the Sievering and Schönbrunn Studios in Vienna, which had recently been annexed by Germany. The film's sets were designed by the art director Fritz Maurischat. It was distributed by Terra Film.
Holiday in Tyrol is a 1956 West German drama film directed by Wolfgang Schleif and starring Hans Söhnker, Edith Mill and Michael Ande. It was shot at the Bavaria Studios in Munich and on location in Bavaria, Austria and Switzerland. The film's sets were designed by the art directors Hans Ledersteger and Ernst Richter.
I Am Sebastian Ott is a 1939 German crime film directed by Willi Forst and starring Forst, Gustav Diessl and Trude Marlen. Some of the film was shot by the assistant director Viktor Becker. It was shot partly at the Sievering Studios in Vienna. It premiered at the Gloria-Palast in Berlin shortly before the outbreak of the Second World War. The film's sets were designed by the art director Kurt Herlth and Werner Schlichting. The plot revolves around art fraud with Forst playing the dual role of twins, one honest and the other corrupt.
Opera Ball is a 1939 German musical comedy film directed by Géza von Bolváry and starring Heli Finkenzeller, Fita Benkhoff, and Marte Harell. An operetta film, it is based on the 1898 work of the same name composed by Richard Heuberger. In 1956 it was remade as Opera Ball in Austria with some of the same personnel.
Kissing Is No Sin is a 1950 Austrian-German comedy film directed by Hubert Marischka and starring Curd Jürgens, Hans Olden and Hans Moser. The film takes its title from the waltz "Küssen ist keine Sünd" in Edmund Eysler's 1903 operetta Bruder Straubinger and features the song in its soundtrack.
The Irresistible Man is a 1937 German romantic comedy film directed by Géza von Bolváry and starring Anny Ondra, Hans Söhnker, and Trude Hesterberg.
My Daughter Doesn't Do That is a 1940 German romantic comedy film directed by Hans H. Zerlett and starring Ralph Arthur Roberts, Erika von Thellmann, and Geraldine Katt.
Kohlhiesel's Daughters is a 1943 German comedy film directed by Kurt Hoffmann and starring Eduard Köck, Heli Finkenzeller and Oskar Sima. It is one of a number of film adaptations of Hanns Kräly's play of the same name.
The Green Domino is a 1935 German mystery drama film directed by Herbert Selpin and starring Brigitte Horney, Karl Ludwig Diehl and Theodor Loos. It was shot at the Babelsberg Studios in Berlin and on location in Bavaria around Munich and the Tegernsee. The film's sets were designed by the art directors Otto Hunte and Willy Schiller. It is based on the novel Der Fall Claasen by Erich Ebermayer. A separate French-language version Le Domino vert was also produced, directed by Selpin and Henri Decoin but featuring a different cast.