Emil Jannings was a Swiss-born German actor, popular in the 1920s in Hollywood. He was the first recipient of the Academy Award for Best Actor for his roles in The Last Command and The Way of All Flesh. As of 2023, Jannings is the only German ever to have won the category.
Pola Negri was a Polish stage and film actress and singer. She achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles and was acknowledged as a sex symbol.
The following lists events that happened during 1924 in the Weimar Republic.
Ferdinand "Fred" Immler was a German stage and film actor.
Katharina "Käthe" Dorsch was a German stage and film actor.
Sumurun is a 1920 German silent film directed by Ernst Lubitsch based on a pantomime by Friedrich Freksa.
Dimitri Buchowetzki (1885–1932) born Dmitry Savelyevych Bukhovecky was a Russian film director, screenwriter, and actor in Germany, Sweden, United States, United Kingdom, and France.
Madame DuBarry is a 1919 German silent film on the life of Madame Du Barry. It was directed by Ernst Lubitsch, written by Norbert Falk and Hanns Kräly with the title role taken by Pola Negri and Louis XV played by Emil Jannings. Its alternative title for United States distribution was Passion.
Der Gelbe Schein is a 1918 German silent film starring Pola Negri in a double role as Lea and her mother Lydia, Victor Janson as Ossip Storki, and Harry Liedtke as Dimitri. It was directed by Victor Janson and Eugen Illés.
Die Augen der Mumie Ma is a 1918 German silent film directed by Ernst Lubitsch. The film stars Pola Negri as Ma, Emil Jannings as Radu, and Harry Liedtke as Wendland. It was the first collaboration between Lubitsch and Negri, a pairing that would go on to make worldwide successes such as Carmen (1918), Madame DuBarry (1919), and Sumurun (1920).
The Projektions-AG Union was a German film production company which operated between 1911 and 1924 during the silent era. From 1917 onwards, the company functioned as an independent unit of Universum Film AG, and was eventually merged into it entirely.
Carmen is a 1918 German silent drama film directed by Ernst Lubitsch and starring Pola Negri, Harry Liedtke, and Leopold von Ledebur. It was based on the novella Carmen by Prosper Mérimée. Like Bizet's opera Carmen, this film only adapts the third part of Mérimée's novella and transforms the character of Don José at the beginning of the story from bandit on the run to honest man in love with his childhood sweetheart. The film was released with English intertitles in the United States in 1921 under the alternative title Gypsy Blood.
Lulu is a 1917 German silent film directed by Alexander Antalffy and starring Erna Morena, Adolf Klein and Harry Liedtke.
The Daughter of Mehemed was a 1919 German silent film directed by Alfred Halm and starring Ellen Richter, Emil Jannings and Harry Liedtke.
The Carousel of Life is a 1919 German silent drama film directed by Georg Jacoby and starring Pola Negri, Harry Liedtke, and Reinhold Schünzel. In the United States, it is also known by the alternative title of The Last Payment. It is now considered to be a lost film.
The Woman at the Crossroads is a 1919 German silent film directed by Georg Jacoby and starring Pola Negri, Harry Liedtke and Albert Patry. It is now believed to be a lost film.
Intrigue or The Martyrium is a 1920 German silent drama film directed by Paul L. Stein and starring Pola Negri and Eduard von Winterstein.
Countess Doddy is a 1919 German silent comedy film directed by Georg Jacoby and starring Pola Negri, Harry Liedtke and Victor Janson.
The Ring of Giuditta Foscari is a 1917 German silent film directed by Alfred Halm and starring Emil Jannings, Harry Liedtke, and Erna Morena. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Paul Leni.
The EFA Studios or Halensee Studios were film studios located in the Berlin suburb of Halensee. They were a prominent centre of film production in the silent and early sound era. Constructed in 1919 after the First World War, they were part of a wave of modern studios that used artificial lighting rather than the earlier glasshouse studios that relied on natural light. Early productions included The Head of Janus by F.W. Murnau. They were located close to Berlin Zoo and were sometimes also known as the Zoo Studios.
