This article's tone or style may not reflect the encyclopedic tone used on Wikipedia.(July 2022) |
The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall. It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers. [1]
Notable musicians who have used this amplifier include David Gilmour, [2] The Rolling Stones, [2] and Jimi Hendrix, [3] among others.
Prototyping of the JTM45 began in 1962, after London musical instrument retailer Jim Marshall decided to create a new amplifier in response to local guitarists' desire for an alternative to imported American Fender amplifiers. Marshall sought the advice of his shop repairman Ken Bran, who recommended electronics "whiz kid" Dudley Craven as the chief circuit designer. Marshall then arranged for Pete Townshend and Ritchie Blackmore demo prototypes to be constructed by Bran and Craven, settling on the sixth prototype as the production model. [4]
This model was dubbed the "JTM45" – for Jim and his son Terry Marshall, and 45 for the RMS-rated wattage [3] – the amplifier mimicked the circuitry of the Fender Bassman but had an all-aluminum chassis, and a 12AX7 valve as the first in the chain (while the Bassman had a 12AY7). In addition, it featured Celestion speakers with a closed cabinet (rather than open-backed Jensen speakers), and a modified negative feedback circuit, which affected the harmonics produced by the amplifier[ citation needed ].
As Bran later said, "The JTM also had different harmonic content, and this was due to the large amount of feedback that Dudley Craven had given it." [5] Early versions used 6L6 or US 5881 valves (a version of the 6L6 [6] ) in the output stage; later models used KT66 (from 1964), EL34 (from 1966), or KT88 (from 1967; in the 200W Major), and ECC83 (12AX7) valves in the pre-amplification stage. [1] The amplifier was also available in the bass format (although this model lacked a "bright" capacitor) and an additional PA version (which lacked a "mixer" capacitor). [5] Because of its power, Marshall decided early on to build it as a "head," with a separate 4×12" cabinet with Celestion speakers.
The first-ever use of this JTM 45 model in a live performance was in September 1963, when the amplifier was tested at the Ealing Club, a short distance from the original Marshall shops.[ citation needed ] By the mid-1960s, the JTM45 had become so popular that it began to supplant the ubiquitous Vox amplifiers, including the Vox AC50, even though the Vox amplifier was equally powerful to the Marshall amplifier. [7]
In late 1965, Marshall introduced its now standard script lettering, in white. By early 1966 it began calling the amplifiers "JTM 50". [5] Some 100 early models had red lettering, and are especially sought after by collectors. [1] Other cosmetic changes included a gradual change to different knobs. The JTM 45 became the basis for many subsequent Marshall amplifiers, most notably the Marshall 1962 combo (later referred to as the "Bluesbreaker" due to its use by Eric Clapton with John Mayall's Bluesbreakers). [8] Production of this model ceased in 1966, but it was reissued in 1989, albeit with a modern printed circuit board and 6L6 output valves. [5] In 2014 Marshall reissued a "handwired" 30 W amplifier based on the JTM45, the 2245THW, whose circuitry is identical to the 1962 combo circuit; it is a "fine high-end piece" according to Vintage Guitar , listed at $4,800. [9]
The first JTM45s did not have the standard Marshall numbers that later amplifiers had; models that derived from the JTM 45 did not receive serial numbers until 1964–1965 when backplates began to be applied. [5] However, at random some of the early amplifiers had serial numbers stamped into the chassis on their reverse side.
Model number | Watts | Dates | Features | Notes |
---|---|---|---|---|
JTM45 | 35–45 [10] | 1963–1964 | 2 channels, 4 inputs | Also available in bass and PA versions |
1963 | 50 | 1965–1966 | 4 channels, 8 inputs | PA version; "JTM50 MK III" |
1985 | 45 | 1965–1966 | 2 channels, 4 inputs | PA version of JTM50 MK II |
1986 | 45 | 1965–1966 | High treble and normal channels | Bass version of JTM50 MK II |
1987 | 45 | 1965–1966 | High treble and normal channels | Lead version of JTM50 MK II; also with tremolo as Model T1987 |
1989 | 45 | 1965–1966 | For electronic organs | Also with tremolo as Model T1989 |
JTM 45 (2245 [11] ) | 30 | 1989– | 2 channels, 4 inputs | Reissue of original JTM45 (1987) |
2245THW [9] | 30 | 2014– | Handwired head, circuitry identical with Bluesbreaker |
For all of its differences when compared with the Bassman, the sound of the JTM45 is still described as "like a tweed Fender", and is favored for blues and rock rather than for hard rock and metal. [12] The JTM 45 delivers a smooth Marshall sound with a warm bass response due to the EL34/KT66 valves.[ citation needed ]
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg.
KT66 is the designator for a beam power tube introduced by Marconi-Osram Valve Co. Ltd. (M-OV) of Britain in 1937 and marketed for application as a power amplifier for audio frequencies and driver for radio frequencies. The KT66 is a beam tetrode that utilizes partially collimated electron beams to form a low potential space charge region between the anode and screen grid to return anode secondary emission electrons to the anode and offers significant performance improvements over comparable power pentodes. In the 21st century, the KT66 is manufactured and used in some high fidelity audio amplifiers and musical instrument amplifiers.
Marshall Amplification designs and manufactures music amplifiers and speaker cabinets. Founded in London by Jim Marshall, shop owner and drummer, the company is based in Bletchley, Milton Keynes, England. Marshall Amplification is one of several divisions of Stockholm-based Marshall Group since March 2023.
The EL34 is a thermionic vacuum tube of the power pentode type. The EL34 was introduced in 1955 by Mullard, who were owned by Philips. The EL34 has an octal base and is found mainly in the final output stages of audio amplification circuits; it was also designed to be suitable as a series regulator by virtue of its high permissible voltage between heater and cathode and other parameters. The American RETMA tube designation number for this tube is 6CA7. The USSR analog was 6P27S.
The Vox AC30 is a guitar amplifier manufactured by Vox. It was introduced in 1958 to meet the growing demand for louder amplifiers. Characterised by its "jangly" high-end sound it has become widely recognized by British musicians and others, such as George Harrison and John Lennon of the Beatles, Bill Wyman of the Rolling Stones, Brian May of Queen, Dave Davies of the Kinks and Hank Marvin.
The Echoplex is a tape delay effect, first made in 1959. Designed by Mike Battle, the Echoplex set a standard for the effect in the 1960s—it is still regarded as "the standard by which everything else is measured." It was used by some of the most notable guitar players of the era; original Echoplexes are highly sought after.
The KT88 is a beam tetrode/kinkless tetrode vacuum tube for audio amplification.
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone.
This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period.
The Fender Hot Rod DeVille is a combo tube guitar amplifier manufactured and sold by Fender. It was introduced in 1996 as part of Fender's Hot Rod line of amplifiers, and since then has been in continuous production. The Hot Rod DeVille is a modified version of the earlier Fender Blues DeVille from the Blues amplifier line and has a higher level of gain in its preamplification signal. The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 utilized 10" Fender Special Design speakers made by Eminence and was available for versions II and III. The 212 has been available through versions II, III and IV. The 212 has offered the following speakers: 12" Fender Special Design by Eminence for version II, 12" Celestion G12-P80 for version III, and 12" Celestion A-Type for version IV. Fender described version III as incorporating modifications to the preamp to provide the drive channels with "more modern distortion," switching to Celestion speakers for the 212, and changing the control panel from chrome to black, for better visibility on stage. Fender described version IV as incorporating modifications to the preamp to provide the drive channels with "better definition of the notes," changing the type of Celestion speaker, and modifying the reverb unit to provide "smoother" and more controllable reverb. The DeVille is the sister amplifier of the Fender Hot Rod Deluxe.
Carr Amplifiers is a Pittsboro, North Carolina, manufacturer of high-end, hand-wired tube guitar amplifiers.
The Fender Super was a guitar amplifier made by Fender between 1947 and 1963 and, as the Super Reverb, until 1981. Though it was designed for a clean sound, its overdriven sound is praised by players and critics.
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972.
The Marshall Major was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200". It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the Sound City amps. For the second series, in late 1968, Marshall reverted to ordinary passive tone controls, and was called "Marshall Major". Some authors claim the first version had active tone controls but this is incorrect, the schematics for all versions are available online.
The Marshall Super Lead Model 1959 is a guitar amplifier head made by Marshall. One of the famous Marshall Plexis, it was introduced in 1965 and with its associated 4×12″ cabinets gave rise to the "Marshall stack".
The Peavey 5150 is a vacuum tube based guitar amplifier made by Peavey Electronics from 1992 on. The amplifier was initially created as a signature model for Eddie Van Halen. After Van Halen and Peavey parted ways in 2004, the name was changed to Peavey 6505 in celebration of Peavey's 40th anniversary (1965–2005). The 5150 name was used again by Van Halen in partnership with Fender under the EVH brand in 2007 and 2011.
The Fender Deluxe guitar amplifier is a range of non-reverb guitar amplifiers produced by Fender. The amplifiers were originally produced from early 1948 to 1966 and reissues are in current production. Its predecessor was the Fender Model 26 "Woodie" produced from 1946 to 1948.
The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
The JCM800 series is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981. The JCM800 amplifiers became a staple of 1980s hard rock and heavy metal bands.
Traynor is a brand of bass amplifiers and guitar amplifiers, the first brand formed by Yorkville Sound. The Traynor brand, named for founder Peter Traynor, began in 1963 with the Dynabass bass amplifier, a rental product. Traynor first became popular in Canada by providing less expensive versions of the circuits used in Marshall and Fender amplifiers of the time. The revived brand now produces a wide range of electric, acoustic, and bass guitar amps.