Marta Moreno Vega | |
---|---|
Born | East Harlem New York, U.S. | January 3, 1942
Nationality | American |
Occupation(s) | Founder, CCCADI |
Years active | 1969-present |
Marta Moreno Vega is the founder of the Caribbean Cultural Center African Diaspora Institute (CCCADI). She led El Museo del Barrio, is one of the founders of the Association of Hispanic Arts, and founded the Network of Centers of Color and the Roundtable of Institutions of Colors. [1] [2] Vega is also a visual artist and an Afro-Latina activist. [3] [4]
Vega was born in the East Harlem neighborhood of New York City. Her family is of Yoruba origin and she describes herself as Afro-Puerto Rican. Her parents were born in Puerto Rico: her mother in Caguas and her father in Loiza, Puerto Rico. [5]
She received her B.A. and M.A. in education from New York University and in 1995 received a PhD in African Studies from Temple University. [6]
Vega began her career in education obtaining a Bachelor's and a master's degree in education from New York University. She started by teaching history and arts-in-education to junior high and high schools around New York City. [7]
In the spring of 1971, Vega was voted in as the second Director of El Museo del Barrio. [8] As Director, she continued the founder's, Rafael Montañez Ortiz, work in educating the community about the need to support a museum depicting their history. In June 1974, she curated an exhibition documenting slavery and Afro-Puerto Rican heritage called Aspectos de la esclavitud en Puerto Rico. [8] She served as director until March 1975.
She was one of the founders of the Association of Hispanic Arts (AHA), which was created in 1975. AHA is a nonprofit organization dedicated to promoting the work of Hispanic artists. [9]
In 1976, she founded and became the Director of the Caribbean Cultural Center African Diaspora Institute (CCCADI) in New York City. [10] The CCCADI is an international nonprofit dedicated to maintaining the history and traditions of the African diaspora in the Americas and promoting social activism, among other things. Vega was inspired to create the CCCADI after realizing that there was limited information about the African and Native cultures from the Caribbean and Latin American countries. In January 2018, Vega became an advisor to the Board of Directors, with Margarita Rosa, Esq. present as the role of interim director of CCCADI. [11]
From 1996 to 2000, she was an assistant professor at Baruch College of City University of New York in the Black and Hispanic Studies department. She began this position after earning her doctorate in African Studies from Temple University the year prior. [12]
In 2000, Vega served as co-director of the Global Afro-Latino and Caribbean Initiative(GALCI) at Hunter College. The program promoted to make known the struggles of the Afro-Latino communities, which are less visible, and insisting that the human, civil, and cultural rights of these communities be respected and acknowledged. [13] The program was terminated years later. That same year, she wrote her first book, The Altar of My Soul: The Living Traditions of Santeria. [14] The book dives into the Santeria religion, detailing its origin, themes, and practices while connecting them to Vega's experiences both from her childhood, where she has seen her grandmother practice the religion and as an adult practicing it herself. In 2004, a few years later, Vega published a personal memoir based on the documentary, When the Spirits Dance Mambo: Growing Up Nuyorican in El Barrio. [15] It covers the range of issues such as the influence of African culture in South America, Afro-Caribbean-American identity in the Latin community, and the religious aspects of the Santeria religion. She discusses the experience of living in Spanish Harlem, delving into her life as a woman of color. Her book, When the Spirits Dance Mambo, was reprinted and released in April 2018. [16]
In addition to Dr.Vega being a Yoruba Priestess, she is also a lead researcher in the culture and religion. Vega has been a professor at many universities throughout America during her career after the GALCI program at Hunter College. Vega has taught at El Centro de Estudios Avanzados Puertorriquenos de Puerto Rico y El Caribe in San Juan, Puerto Rico, was an adjunct professor at the Interamerican University of Puerto Rico, and an adjunct professor in New York University's Department of Arts and Public Policy. [17]
Vega founded the program, Creative Justice Initiative, whose focus is to allow a fluid creative process of gathering thought makers essentially to create thoughtful and intentional change. [18]
In 2011 Vega was one of five New Yorkers [19] featured in the HBO documentary by Timothy Greenfield-Sanders called The Latino List. [20] [21] In 2012, Vega gave a talk at the TEDxHarlem detailing Afro-Latino spirituality in Puerto Rican and other Caribbean cultures. In April 2013, Dr. Vega launched a campaign to raise funds to create Let the Spirit Move You: The Documentary. The campaign was completely funded by in total a month later. [22] It focused on Santeria, the African diaspora, and the importance of community. [23] Dr. Moreno-Vega has been referenced in Edgardo Miranda-Rodriguez's Guardians of Infinity #3. The comic features Groot as having a Puerto Rican background. In it, Dr. Moreno-Vega's personage is caricatured by a character named Abuela Estela. When asked about this similarity, Miranda-Rodriguez stated "I've known Marta since I was about 19. She has always supported me as a young professional... That's why I made her the abuela. The [idea] literally came from her mouth." [24] In 2018, Vega was featured in the Brooklyn Museum's exhibit, Radical Women: Latin American Art, 1960–1985. [3]
She has two children: Sergio and Omar Vega. Although she grew up in Catholic religion, she rejected that religion and now practices Santería. [21] [25] [26]
Down These Mean Streets is a memoir by Piri Thomas, a Latino of Puerto Rican and Cuban descent who grew up in Spanish Harlem, a section of Harlem with a large Puerto Rican population. The book follows Piri through the first few decades of his life, lives in poverty, joins and fights with street gangs, faces racism, travels, succumbs to heroin addiction, gets involved in crime, is imprisoned, and is finally released.
The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans. It originated in the late 1960s and early 1970s in neighborhoods such as Loisaida, East Harlem, Williamsburg, and the South Bronx as a means to validate Puerto Rican experience in the United States, particularly for poor and working-class people who suffered from marginalization, ostracism, and discrimination.
Piri Thomas was a Puerto Rican-Cuban writer and poet whose memoir Down These Mean Streets became a best-seller.
Pedro Pietri was a Nuyorican poet and playwright and one of the co-founders of the Nuyorican Movement. He was considered by some as the poet laureate of the Nuyorican Movement.
Puerto Ricans have both immigrated and migrated to New York City. The first group of Puerto Ricans immigrated to New York City in the mid-19th century when Puerto Rico was a Spanish colony and its people Spanish subjects. The following wave of Puerto Ricans to move to New York City did so after the Spanish–American War in 1898. Puerto Ricans were no longer Spanish subjects and citizens of Spain, they were now Puerto Rican citizens of an American possession and needed passports to travel to the Contiguous United States.
Afro–Puerto Ricans are Puerto Ricans who are of African descent. The history of Puerto Ricans of African descent begins with free African men, known as libertos, who accompanied the Spanish Conquistadors in the invasion of the island. The Spaniards enslaved the Taínos, many of whom died as a result of new infectious diseases and the Spaniards' oppressive colonization efforts. Spain's royal government needed laborers and began to rely on African slavery to staff their mining and fort-building operations. The Crown authorized importing enslaved West Africans. As a result, the majority of the African peoples who entered Puerto Rico were the result of the Atlantic slave trade, and came from many different cultures and peoples of the African continent.
The culture of Puerto Rico is the result of a number of internal and indigenous influences, both past and present. Modern cultural manifestations showcase the island's rich history and help create an identity that is uniquely Puerto Rican - Taíno, Spanish, African, and North American.
Stateside Puerto Ricans, also ambiguously known as Puerto Rican Americans, or Puerto Ricans in the United States, are Puerto Ricans who are in the United States proper of the 50 states and the District of Columbia who were born in or trace any family ancestry to the unincorporated US territory of Puerto Rico.
Espiritismo is a term used in Latin America and the Caribbean to refer to the popular belief that evolved and less evolved spirits can affect health, luck and other aspects of human life.
Nicholasa Mohr is one of the best known Nuyorican writers, born in the United States to Puerto Rican parents. In 1973, she became the first Nuyorican woman in the 20th century to have her literary works published by the major commercial publishing houses, and has had the longest creative writing career of any Nuyorican female writer for these publishing houses. She centers her works on the female experience as a child and adult in Puerto Rican communities in New York City, with much of writing containing semi-autobiographical content. In addition to her prominent novels and short stories, she has written screenplays, plays, and television scripts.
Manny Vega is an American painter, illustrator, printmaker, muralist, mosaicist, and set and costume designer. His work portrays the history and traditions of the African Diaspora that exist in the United States, the Caribbean, and Latin America.
Sandra María Esteves is a Latina poet and graphic artist. She was born and raised in the Bronx, New York, and is one of the founders of the Nuyorican poetry movement. She has published collections of poetry and has conducted literary programs at New York City Board of Education, the Caribbean Cultural Center, and El Museo del Barrio. Esteves has served as the executive director of the African Caribbean Poetry Theater. She is the author of Bluestown Mockinbird Mambo and Yerba Buena. She lives in the Bronx.
Lucumí consists of a lexicon of words and short phrases derived from the Yoruba language and used for ritual purposes in Cuba, Dominican Republic, Puerto Rico and their Diasporas. It is used as the liturgical language of Santería in the Spanish Caribbean and other communities that practice Santería/Orisa/the Lucumí religion/Regla de Ocha.
The Seal of the Institute of Puerto Rican Culture (Jorge Soto Version) is an artwork created circa 1975 by Nuyorican artist Jorge Soto. Based on the original design, Soto's version distorts and abstracts the seal as a means to critique its representation of Puerto Rican culture.
The Caribbean Cultural Center African Diaspora Institute (CCCADI) is a nonprofit organization based in East Harlem in New York City that serves as an Afro-Caribbean center of culture and community for members of the African diaspora.
Edgardo Miranda-Rodriguez is a writer at Marvel Entertainment, Editor-in-Chief at Darryl Makes Comics LLC, Art Director/Owner at Somos Arte and Studio Edgardo creative services, and creator of La Borinqueña, an original comic book character that has grown into a cultural phenomenon and a nationally recognized symbol of Puerto Rican patriotism, social justice, and equality.
Vanessa K. Valdés is an author, educator, writer, editor, historian, and associate professor of Spanish and Portuguese at the City College of New York. She is a Puerto Rican of African descent. She is the author of Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg. Schomburg was one of the founding fathers of Black History in North America, and the father of the Global African Diaspora. She has also written Oshun's Daughters: The Search for Womanhood in the Americas. In Oshun's Daughters she examines African Diasporic sense of womanhood, examining novels, poems, etc., written by Diaspora women from the United States, the Caribbean, and Brazil. Writings that show how these women use traditional Yoruba religion as alternative models for their womanhood differing from western concepts of being a woman.
Santería is an Afro-Cuban religion that arose in the 19th century.
Jorge Soto Sánchez (1947-1987) was a Puerto Rican visual artist from New York City. He is known for his involvement in the Nuyorican movement and the Taller Boricua. His work often incorporated elements of Pre-Columbian as well as Afro-Latinx visual culture. As such, he is often regarded as an important proponent of intersectionality in Latin American art.