Martin Bagge | |
|---|---|
 in 2014 | |
| Born | 29 November 1958 Mölnlycke, Sweden |
| Occupation | Musician |
| Known for | interpreting Carl Michael Bellman |
Martin Bagge (born 29 November 1958) is a Swedish musician and composer known for his interpretations of Carl Michael Bellman's songs.
Martin Bagge was educated at the Academy of Music at the University of Gothenburg. As a songwriter, he specializes in older Swedish songwriters such as Carl Michael Bellman, [1] Olof von Dalin, [1] and Lasse Lucidor, [1] but he has also set to music lyrics by writers such as Harry Martinson and Elisabet Hermodsson. He also performs Bellman songs abroad, for example in Germany and Denmark. As a choral composer, he has attracted attention for his settings of poems by Federico García Lorca and Ebba Lindqvist.
His recordings include many of Carl Michael Bellman's 1790 Fredman's Epistles and 1791 Fredman's Songs , such as "Glimmande nymf", "Ack, du min moder", "Vila vid denna källa", and "Fjäriln vingad syns på Haga". Like Bellman, he plays a cittern. His approach, in the opinion of Ingrid Strömdahl, writing in Svenska Dagbladet , is respectful of the poetry and of Bellman's sharp observation of human nature, the environment, and unusual ways of being; he interprets the work "with heart and soul". [2]
Together with the literary scholar David Anthin, he has during the summers of 2015, 2017-2019 carried out four sailing trips on the cruiser Flory on Sweden's west coast, and performed songs by Evert Taube on beach trips, and as lunchtime theatre in Gothenburg, in a program called "Cruising with Taube". [3] [4]
Martin Bagge has collaborated with musicians including Alf Hambe, Lars Jansson, Lars Danielsson, Dan Berglund and Cajsa Román.
Carl Michael Bellman was a Swedish songwriter, composer, musician, poet, and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique.
Axel Evert Taube was a Swedish author, artist, composer and singer. He is widely regarded as one of Sweden's most respected musicians and the foremost troubadour of the Swedish ballad tradition in the 20th century.
Sven-Bertil Gunnar Evert Taube was a Swedish singer and actor. Internationally, he was perhaps better known for his acting career. Taube played Henrik Vanger in the film The Girl with the Dragon Tattoo, and the lead role in Puppet on a Chain.
Fredmans epistlar is a collection of 82 poems set to music by Carl Michael Bellman, a major figure in Swedish 18th century song. Though first published in 1790, it was created over a period of twenty years from 1768 onwards. A companion volume, Fredmans sånger was published the following year.
James Rhea Massengale is an American musicologist and former professor at UCLA, who has specialised in the Swedish poets Carl Michael Bellman and Olof von Dalin. He is a member of the Royal Swedish Academy of Music. He was educated at Yale University, Cambridge University, and Harvard University. He was a professor at UCLA from 1970 to his retirement in 2006.
Ulla! min Ulla! säj, får jag dig bjuda, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 71. A pastorale, it depicts the Rococo muse Ulla Winblad, as the narrator offers her "reddest strawberries in milk and wine" in the Djurgården countryside north of Stockholm.
Hvila vid denna källa is a song by the Swedish poet and performer Carl Michael Bellman from his 1790 collection, Fredman's Epistles, where it is No. 82, the final Epistle. It is subtitled "Eller Oförmodade avsked, förkunnat vid Ulla Winblads frukost en sommarmorgon i det gröna. Pastoral dedicerad till Kgl. Sekreteraren Leopoldt" . It depicts the Rococo muse Ulla Winblad, as the narrator offers a "little breakfast" of "red wine with burnet, and a newly-shot snipe" in a pastoral setting in the Stockholm countryside.
Så lunka vi så småningom is a song from the Swedish poet and performer Carl Michael Bellman's 1791 collection, Fredman's Songs, where it is No. 21. The song, written a few months after the death of his son Eli, is addressed to his hosts at a meal. It makes light of death, while presenting it to each person individually, of high or low rank in society. The refrain sings of a pair of gravediggers discussing whether the grave is too deep, taking repeated swigs from a bottle of brandy.
Bröderna fara väl vilse ibland, is a song by the Swedish poet and performer Carl Michael Bellman, from his 1790 collection, Fredman's Epistles, where it is No. 35. The epistle is subtitled "Angående sin Sköna och hännes obeständighet.". The first verse ends "My girl has forgotten me, I'll die faithful. Night and day in drunkenness, shall all my sorrow pass away."
Ack du min moder, originally written Ach! du min Moder, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 23. The collection is ostensibly of drinking-songs, but they vary in character from laments to pastorales, often simultaneously realistic and elegantly rococo in style. The song has two parts, despairing and celebratory: it begins as a lament, with Jean Fredman lying drunk in a Stockholm gutter outside the Crawl-in tavern, and repeatedly cursing his mother for conceiving him. Then he goes in, is revived by a stiff drink, and repeatedly thanks his mother and father for his life.
Käraste Bröder Systrar och Vänner is Epistle No. 9 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. The epistle is subtitled with the dedication "Til Gumman på Thermopolium Boreale och hännes Jungfrur.", Barbara Ekenberg. It describes the fictional Jean Fredman's cheerful world of brandy, women, and dance, in the setting of a tavern which is halfway to a brothel. The song ends with Fredman's credo, a celebration of everything that is delightful in life.
Blåsen nu alla, "All blow now!", is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 25. It is a pastorale, based on François Boucher's rococo 1740 painting Triumph of Venus.
Fjäril'n vingad syns på Haga is one of Carl Michael Bellman's collection of songs called Fredmans sånger, published in 1791, where it is No. 64. The song describes Haga Park, the attractive natural setting of King Gustav III's never-completed Haga Palace just north of Stockholm. An earlier version of the song was a verse petition to obtain a job for Bellman's wife. The composition is one of the most popular of Bellman's songs, being known by many Swedes by heart. It has been recorded many times from 1904 onwards, and translated into English verse at least four times.
Gråt Fader Berg och spela is No. 12 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. The epistle is subtitled "Elegi över Slagsmålet på Gröna Lund". It is a lament over a pub brawl, caused by Fredman's drinking a soldier's beer and dancing with someone else's girlfriend. Set to the melody from the aria "The flocks shall leave the mountains" in George Frideric Handel's opera Acis and Galatea, it is the best-known of his poems describing the consequences of brandy-drinking. Bellman used the contrast between the romantic associations of the melody and the brutal reality of heavy drinking to humorous effect.
Stolta stad! is Epistle No. 33 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. One of his best-known works, it combines both spoken and sung sections. In the spoken sections, Bellman, as composer and as performer, imitates a whole crowd of people of many descriptions. It has been described as Swedish literature's most congenial portrait of the country's capital city, Stockholm.
Movitz blåste en konsert is epistle No. 51 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. The epistle is subtitled "Angående konserten på Tre Byttor", naming a restaurant in Stockholm's Djurgården park. It was written after Bellman had become a court musician to the new King Gustav III in 1773. The melody was borrowed from George Frideric Handel's 1718 opera, Acis and Galatea.
Tjenare Mollberg, hur är det fatt? is No. 45 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. The epistle is subtitled "Till fader Mollberg rörande hans harpa, och tillika et slags ad notitiam at Mollberg led oskyldigt på Krogen Rostock" ; the song is sometimes known under this name. It describes a fight in a tavern that starts when Mollberg innocently plays a Polska on his harp, leading his audience to assume it was propaganda for Poland.
Elis Chiewitz, born 13 April 1784 in Stockholm, died 24 June 1839 in Hammarlund, Åland, was a Swedish musician and artist.
Charon i Luren tutar is epistle No. 79 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. The epistle is subtitled "Afsked til Matronorna, synnerligen til Mor Maja Myra i Solgränden vid Stortorget, Anno 1785". The song describes Jean Fredman's departure from the world.
| Works |  | |
|---|---|---|
| Characters | ||
| Interpreters, Albums | ||
| Scholars, Translators | ||
| Other |
| |
