Martin Harrison (born 1945) is a British art historian, author and curator, noted for his work on photography, on the medium of stained glass and its history, and as an authority on the work of the painter Francis Bacon.
In the 1960s, Harrison worked as a photographer's assistant at Vogue. [1] Harrison was a founding trustee of the English Stained Glass Museum, located at Ely Cathedral, and curator of its collection from 1975 to 1980. He has curated exhibitions at the Victoria and Albert Museum and National Portrait Gallery in London, and others in Italy, the United States, Mexico, and Germany, where he co-curated a Bacon exhibition in 2006 at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf. He contributed an essay to the catalogue of the Bacon centennial retrospective exhibition shown in 2008–2009 at Tate Britain, the Prado in Madrid and the Metropolitan Museum of Art in New York. [2]
Harrison's 1998 book Young Meteors: British Photojournalism, 1957–1965 is a broad survey, also discussing fashion photography (the subject of other books by Harrison). Its title, borrowed from Jonathan Aitken's 1967 book The Young Meteors, [3] popularized the term, which other writers later applied to the photographers it covered without any mention of the book or its author. [4] [5] [6]
Harrison encouraged Lillian Bassman to republish her fashion photography years after she had given up in disgust. [7] [8] He also edited Early Color, a collection of the photography of Saul Leiter, [9] and prepared the work of Ron Traeger for exhibition. [1]
Harrison is one of the foremost scholars in the field of Francis Bacon studies, and has published several books about the British artist's work, [10] including the catalogue raisonné of Bacon's works. beginning with Points of Reference in 1999. [2] Peter Conrad praised the careful investigation and deft criticism of his In Camera: Francis Bacon, concluding that it was "an opulent, paradoxically beautiful book". [11] In 2013 he is continuing work with the Francis Bacon Estate editing The Francis Bacon Catalogue Raisonné . [2] His writings on Bacon emphasize the importance to the artist's work of cinema and the photographs, often torn from magazines, that Bacon collected and referred to when working. [12]
Francis Bacon was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style.
Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography by having a rigid ethical framework which demands an honest but impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.
Roger Mayne was an English photographer, best known for his documentation of the children of Southam Street, London.
The International Center of Photography (ICP), in the Lower East Side of Manhattan, New York City, consists of a museum for photography and visual culture and a school offering an array of educational courses and programming. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974.
Sir Donald McCullin is a British photojournalist, particularly recognised for his war photography and images of urban strife. His career, which began in 1959, has specialised in examining the underside of society, and his photographs have depicted the unemployed, downtrodden and impoverished.
Anthony David Bernard Sylvester was a British art critic and curator. Although he received no formal education in the arts, during his long career he was influential in promoting modern artists, in particular Francis Bacon, Joan Miró, and Lucian Freud.
John Deakin was an English photographer, best known for his work centred on members of Francis Bacon's Soho inner circle. Bacon based a number of famous paintings on photographs he commissioned from Deakin, including Portrait of Henrietta Moraes, Henrietta Moraes on a Bed and Three Studies of Lucian Freud.
Figure in a landscape is a 1945 painting by the Irish-born artist Francis Bacon. Based on a photograph of Eric Hall dozing on a seat in Hyde Park, also the basis of another painting, Figure in a landscape (1945), which was bought by Diana Watson and later in 1950 by the Tate Gallery.
Isabel Rawsthorne, also known at various times as Isabel Nicholas, Isabel Delmer, and Isabel Lambert, was a British painter, scenery designer and occasional artists' model. During the Second World War she worked in black propaganda. She was part of and flourished in an artistic bohemian society that included Jacob Epstein, Alberto Giacometti and Francis Bacon.
Christopher Bucklow is a British artist and art-historian. His work has been exhibited internationally and is held in numerous public collections including the Guggenheim Museum, Museum of Modern Art (MoMA), Museum of Modern Art, San Francisco (SFMoMA), and The Metropolitan Museum of Art among others. He has received residencies at The British Museum, London, the Banff Center for the Arts, Alberta, and The Centre for Studies in British Romanticism, Grasmere. Bucklow is best known for his ongoing photographic series Guests (1993–present) and his improvisational paintings from the series To Reach Inside A Vault (2006–present). He is the author of numerous books and essays including The Sea of Time and Space, "This is Personal: Blake and Mental Fight" in Blake & Sons, Lifestyles and Mysticism in Contemporary Art, What is in the Dwat: The Universe of Guston’s Final Decade, and the co-author of Bacon and the Mind: Art, Neuroscience and Psychology.
Francis Towne was a British watercolour painter of landscapes that range from the English Lake District to Naples and Rome. After a long period of obscurity, his work has been increasingly recognised from the early 20th century onwards.
Saul Leiter was an American photographer and painter whose early work in the 1940s and 1950s was an important contribution to what came to be recognized as the New York school of photography.
Brian Clarke is a British painter, architectural artist and printmaker, known for his large-scale stained glass and mosaic projects, symbolist paintings, set designs, and collaborations with major figures in Modern and contemporary architecture.
Lillian Bassman was an American photographer and painter.
Dorothy Bohm is a photographer based in London, known for her portraiture, street photography, early adoption of colour, and photography of London and Paris; she is considered one of the doyennes of British photography.
Lillian Gertrude Browse was a London-based art dealer and art historian, and was a partner in two London galleries, first Roland, Browse and Delbanco and then Browse & Darby. During the Second World War she organised exhibitions at the National Gallery, whose collections had been removed to the country for safety. She wrote a number of monographs on 20th-century artists, including important works on Walter Sickert and Sir William Nicholson. She was nicknamed "The Duchess of Cork Street", and used that name as the title of her autobiography.
Graham Scott Finlayson (1932–1999) was an English photojournalist who first worked for the Daily Mail and the Guardian, and later freelanced.
John Bulmer is a photographer, notable for his early use of colour in photojournalism, and a filmmaker.
The Lucie Awards is an annual event honoring achievements in photography, founded in 2003 by Hossein Farmani.
The Geometry of Fear was an informal group or school of young British sculptors in the years after the Second World War. The term was coined by Herbert Read in 1952 in his description of the work of the eight British artists represented in the "New Aspects of British Sculpture" exhibition at the Biennale di Venezia of 1952.