Related Research Articles
Sir Joshua Reynolds was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769.
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
George Stubbs was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the eighteenth century such as Reynolds or Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His most famous painting, Whistlejacket, hangs in the National Gallery, London.
The Yale Center for British Art at Yale University in downtown New Haven, Connecticut, houses the largest and most comprehensive collection of British art outside the United Kingdom. The collection of paintings, sculpture, drawings, prints, rare books, and manuscripts reflects the development of British art and culture from the Elizabethan period onward.
The Society of Dilettanti is a British society of noblemen and scholars that sponsors the study of ancient Greek and Roman art, and the creation of new work in the style.
The Paul Mellon Centre for Studies in British Art is a scholarly centre in London devoted to supporting original research into the history of British Art. It was founded in 1970 and endowed by a gift from Paul Mellon. Since 1996, it has been situated at 16 Bedford Square in a Grade I listed building. This building houses an outstanding library of 26,000 publications focused on British art and architecture, and over 25 collected archives which include papers of eminent art historians such as Ellis K. Waterhouse, Oliver Millar, Brian Sewell and Brinsley Ford. It also holds the records of its own institutional archives, including a growing oral history collection. The centre compiled its own photographic archive from 1970-1996 and now also holds the Tate photographic archive. All of these research collections are available to consult in the Centre's Public Study Room.
Sir William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Sir Ellis Kirkham Waterhouse was an English art historian and museum director who specialised in Roman baroque and English painting. He was Director of the National Galleries of Scotland (1949–52) and held the Barber chair at Birmingham University until his official retirement in 1970.
John Trevor Hayes was a British art historian and museum director. He was an authority on the paintings of Thomas Gainsborough.
Sir Gerald Festus Kelly PRA was a British painter best known for his portraits.
Fancy pictures are a sub-genre of genre paintings in 18th-century English art, featuring scenes of everyday life but with an imaginative or storytelling element, usually sentimental. The usage of the term varied, and there was often an overlap with the conversation piece, a type of group portrait showing the subjects engaged in some activity.
Harold Knight was an English portrait, genre and landscape painter.
The Age of Innocence is an oil on canvas painting by Sir Joshua Reynolds, created in either 1785 or 1788 and measuring 765 x 638 mm. The sitter is unknown, but possibly, was Reynolds's great-niece, Theophila Gwatkin, or Lady Anne Spencer (1773–1865), the youngest daughter of the 4th Duke of Marlborough, who would have been twelve in 1785 and fifteen in 1788. The painting was presented to the National Gallery in 1847 by Robert Vernon and has hung in the Tate Britain since 1951.
Professor Mark Hallett is an art historian specialising in the history of British art. He is currently Director of Studies at the Paul Mellon Centre for Studies in British Art.
John Anderson Stuart Ingamells was a British art historian, writer, and former director of the Wallace Collection.
John Oliver Pearce Edgcumbe, FRCP, was a British medical practitioner who became Devon's first consultant haematologist. He was a collateral descendant of the painter Joshua Reynolds and co-edited, with John Ingamells, a new edition of the letters of Sir Joshua, the first for over 70 years.
Michael J. Rosenthal is emeritus professor of the history of art at the University of Warwick. He is a specialist both in British art and culture of the eighteenth and early nineteenth centuries, and the arts of early colonial Australia.
David Garrick Between Tragedy and Comedy is a 1761 painting by the English painter Joshua Reynolds, depicting the actor and playwright David Garrick caught between the Muses of Tragedy and Comedy. It is regarded as one of Reynolds's most studied and well-known paintings, and is now in the collection of Waddesdon Manor, Buckinghamshire.
Dennis Larry Ashwell Farr was a British art historian and curator. Through his writings and the exhibitions he organised in his positions as director of City Museums and Art Gallery in Birmingham (1969–1980) and subsequently as director of the Courtauld Institute Galleries (1980-93), Farr established a reputation as a champion of 20th century British art.
References
- 1 2 Alumnotes. News Issue No. 7 Spring 1999. Courtauld Institute of Art. Archived at Internet Archive. Retrieved 20 February 2016.
- 1 2 3 Martin Postle. Paul Mellon Centre for Studies in British Art. Retrieved 20 February 2016.
