Mary Florentine

Last updated
Mary Florentine
Alma mater Northeastern University, Massachusetts Institute of Technology
Known for Softness Imperception, Binaural Loudness Summation
AwardsDistinguished Researcher Award (1985), Excellence-in-Teaching Award (1986), Matthews Distinguished Professor (1995)
Scientific career
Fields psychoacoustics, loudness, hearing, audiology

Mary Florentine is a Matthews Distinguished Professor at Northeastern University [1] specialising in psychoacoustics with interests in models of hearing (normal and impaired), non-native speech comprehension in background noise, cross-cultural attitudes towards noise, and hearing loss prevention. Her primary collaborator is Søren Buus.

Contents

Biography

Career

Florentine completed her undergraduate degree in experimental psychology at Northeastern University in 1973. She continued her graduate study at Northeastern University, earning a master's degree in experimental psychology and auditory perception in 1975. After some time spent studying pre-doctoral electronic engineering at the Technical University of Munich in Germany and at the Audiology and ENT Department at Copenhagen University Hospital in Denmark, she completed her PhD at Northeastern University in 1978. She then went on to work as a post-doctoral research fellow at Massachusetts Institute of Technology (MIT) in Cambridge, Massachusetts. Since then, she has also worked as a visiting scientist at the National Centre for Scientific Research in Marseille, France; the Osaka University in Toyonaka, Japan; and, on several occasions, at the acoustics laboratory at the Danish Technical University. [2]

In 1980 she returned to Northeastern University as the director of the Communication Research Laboratory and in 1986 commenced a long-term collaboration with her husband, Søren Buus, at the Hearing Research Laboratory until he died in 2004. [3] At Northeastern University, Florentine is an effective and popular teacher, securing the Excellence-in-Teaching Award only a few years after starting her faculty position. Her academic work has also appealed to more general audiences and she has been interviewed for TIME , Redbook and National Public Radio’s All Things Considered . [4] Florentine co-edited and (co-)wrote a few chapters in the recently published textbook Loudness (Springer Handbook of Auditory Research), which explains some conceptual thinking relating to loudness, issues of loudness study and measurement, hearing and hearing loss models, and physiological effects of loud sounds. [5]

Personal

Florentine was born in Nutley, New Jersey, and was the eldest in a family with five children. She moved to Boston, Massachusetts, to take up her undergraduate study, which was fully supported by a merit grant, and has lived there ever since, except for brief periods of study and work abroad. While abroad, she met her husband Søren Buus, who also became her primary collaborator, and they married in 1980. They have one daughter, born in 1987.

Notable work

Softness Imperception

Softness Imperception (SI) is a term coined by Florentine and colleagues to describe the inability to hear quiet sounds that are audible to normal listeners. [6] This phenomenon is particularly common among people with cochlear hearing loss. [7] When a person with SI hears a sound at threshold, it sounds louder than a sound at threshold would do for a normal listener. [8] Therefore, people with hearing loss may find softer sounds more intrusive when fitted with hearing aids that simply amplify all soft sounds to threshold.

Binaural Loudness Summation

Florentine's most recent work has been on binaural loudness summation, and her research with Michael J. Epstein has indicated that, in more ecologically valid experiments, the binaural loudness summation ratio is found to be significantly lower than previously thought. [9]

Related Research Articles

<span class="mw-page-title-main">Absolute threshold of hearing</span> Minimum sound level that an average human can hear

The absolute threshold of hearing (ATH), also known as the absolute hearing threshold or auditory threshold, is the minimum sound level of a pure tone that an average human ear with normal hearing can hear with no other sound present. The absolute threshold relates to the sound that can just be heard by the organism. The absolute threshold is not a discrete point and is therefore classed as the point at which a sound elicits a response a specified percentage of the time.

<span class="mw-page-title-main">Loudness</span> Subjective perception of sound pressure

In acoustics, loudness is the subjective perception of sound pressure. More formally, it is defined as the "attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". The relation of physical attributes of sound to perceived loudness consists of physical, physiological and psychological components. The study of apparent loudness is included in the topic of psychoacoustics and employs methods of psychophysics.

Auditory neuropathy (AN) is a hearing disorder in which the outer hair cells of the cochlea are present and functional, but sound information is not transmitted sufficiently by the auditory nerve to the brain. Hearing loss with AN can range from normal hearing sensitivity to profound hearing loss.

Unilateral hearing loss (UHL) is a type of hearing impairment where there is normal hearing in one ear and impaired hearing in the other ear.

<span class="mw-page-title-main">Audiogram</span> Graph showing audible frequencies

An audiogram is a graph that shows the audible threshold for standardized frequencies as measured by an audiometer. The Y axis represents intensity measured in decibels (dB) and the X axis represents frequency measured in hertz (Hz). The threshold of hearing is plotted relative to a standardised curve that represents 'normal' hearing, in dB(HL). They are not the same as equal-loudness contours, which are a set of curves representing equal loudness at different levels, as well as at the threshold of hearing, in absolute terms measured in dB SPL.

The auditory brainstem response (ABR), also called brainstem evoked response audiometry (BERA), is an auditory evoked potential extracted from ongoing electrical activity in the brain and recorded via electrodes placed on the scalp. The measured recording is a series of six to seven vertex positive waves of which I through V are evaluated. These waves, labeled with Roman numerals in Jewett and Williston convention, occur in the first 10 milliseconds after onset of an auditory stimulus. The ABR is considered an exogenous response because it is dependent upon external factors.

Binaural fusion or binaural integration is a cognitive process that involves the combination of different auditory information presented binaurally, or to each ear. In humans, this process is essential in understanding speech as one ear may pick up more information about the speech stimuli than the other.

<span class="mw-page-title-main">Pure-tone audiometry</span>

Pure-tone audiometry is the main hearing test used to identify hearing threshold levels of an individual, enabling determination of the degree, type and configuration of a hearing loss and thus providing a basis for diagnosis and management. Pure-tone audiometry is a subjective, behavioural measurement of a hearing threshold, as it relies on patient responses to pure tone stimuli. Therefore, pure-tone audiometry is only used on adults and children old enough to cooperate with the test procedure. As with most clinical tests, standardized calibration of the test environment, the equipment and the stimuli is needed before testing proceeds. Pure-tone audiometry only measures audibility thresholds, rather than other aspects of hearing such as sound localization and speech recognition. However, there are benefits to using pure-tone audiometry over other forms of hearing test, such as click auditory brainstem response (ABR). Pure-tone audiometry provides ear specific thresholds, and uses frequency specific pure tones to give place specific responses, so that the configuration of a hearing loss can be identified. As pure-tone audiometry uses both air and bone conduction audiometry, the type of loss can also be identified via the air-bone gap. Although pure-tone audiometry has many clinical benefits, it is not perfect at identifying all losses, such as ‘dead regions’ of the cochlea and neuropathies such as auditory processing disorder (APD). This raises the question of whether or not audiograms accurately predict someone's perceived degree of disability.

Auditory processing disorder (APD), rarely known as King-Kopetzky syndrome or auditory disability with normal hearing (ADN), is a neurodevelopmental disorder affecting the way the brain processes sounds. Individuals with APD usually have normal structure and function of the outer, middle, and inner ear. However, they cannot process the information they hear in the same way as others do, which leads to difficulties in recognizing and interpreting sounds, especially the sounds composing speech. It is thought that these difficulties arise from dysfunction in the central nervous system.

Diplacusis, also known as diplacusis binauralis, binauralis disharmonica or interaural pitch difference (IPD), is a hearing disorder whereby a single auditory stimulus is perceived as different pitches between ears. It is typically experienced as a secondary symptom of sensorineural hearing loss, although not all patients with sensorineural hearing loss experience diplacusis or tinnitus. The onset is usually spontaneous and can occur following an acoustic trauma, for example an explosive noise, or in the presence of an ear infection. Sufferers may experience the effect permanently, or it may resolve on its own. Diplacusis can be particularly disruptive to individuals working within fields requiring acute audition, such as musicians, sound engineers or performing artists.

Auditory fatigue is defined as a temporary loss of hearing after exposure to sound. This results in a temporary shift of the auditory threshold known as a temporary threshold shift (TTS). The damage can become permanent if sufficient recovery time is not allowed before continued sound exposure. When the hearing loss is rooted from a traumatic occurrence, it may be classified as noise-induced hearing loss, or NIHL.

Spatial hearing loss refers to a form of deafness that is an inability to use spatial cues about where a sound originates from in space. Poor sound localization in turn affects the ability to understand speech in the presence of background noise.

Amblyaudia is a term coined by Dr. Deborah Moncrieff to characterize a specific pattern of performance from dichotic listening tests. Dichotic listening tests are widely used to assess individuals for binaural integration, a type of auditory processing skill. During the tests, individuals are asked to identify different words presented simultaneously to the two ears. Normal listeners can identify the words fairly well and show a small difference between the two ears with one ear slightly dominant over the other. For the majority of listeners, this small difference is referred to as a "right-ear advantage" because their right ear performs slightly better than their left ear. But some normal individuals produce a "left-ear advantage" during dichotic tests and others perform at equal levels in the two ears. Amblyaudia is diagnosed when the scores from the two ears are significantly different with the individual's dominant ear score much higher than the score in the non-dominant ear Researchers interested in understanding the neurophysiological underpinnings of amblyaudia consider it to be a brain based hearing disorder that may be inherited or that may result from auditory deprivation during critical periods of brain development. Individuals with amblyaudia have normal hearing sensitivity but have difficulty hearing in noisy environments like restaurants or classrooms. Even in quiet environments, individuals with amblyaudia may fail to understand what they are hearing, especially if the information is new or complicated. Amblyaudia can be conceptualized as the auditory analog of the better known central visual disorder amblyopia. The term “lazy ear” has been used to describe amblyaudia although it is currently not known whether it stems from deficits in the auditory periphery or from other parts of the auditory system in the brain, or both. A characteristic of amblyaudia is suppression of activity in the non-dominant auditory pathway by activity in the dominant pathway which may be genetically determined and which could also be exacerbated by conditions throughout early development.

The frequency following response (FFR), also referred to as frequency following potential (FFP) or envelope following response (EFR), is an evoked potential generated by periodic or nearly-periodic auditory stimuli. Part of the auditory brainstem response (ABR), the FFR reflects sustained neural activity integrated over a population of neural elements: "the brainstem response...can be divided into transient and sustained portions, namely the onset response and the frequency-following response (FFR)". It is often phase-locked to the individual cycles of the stimulus waveform and/or the envelope of the periodic stimuli. It has not been well studied with respect to its clinical utility, although it can be used as part of a test battery for helping to diagnose auditory neuropathy. This may be in conjunction with, or as a replacement for, otoacoustic emissions.

<span class="mw-page-title-main">Tone decay test</span>

The tone decay test is used in audiology to detect and measure auditory fatigue. It was developed by Raymond Carhart in 1957. In people with normal hearing, a tone whose intensity is only slightly above their absolute threshold of hearing can be heard continuously for 60 seconds. The tone decay test produces a measure of the "decibels of decay", i.e. the number of decibels above the patient's absolute threshold of hearing that are required for the tone to be heard for 60 seconds. A decay of between 15 and 20 decibels is indicative of cochlear hearing loss. A decay of more than 25 decibels is indicative of damage to the vestibulocochlear nerve.

Monita Chatterjee is an auditory scientist and the Director of the Auditory Prostheses & Perception Laboratory at Boys Town National Research Hospital. She investigates the basic mechanisms underlying auditory processing by cochlear implant listeners.

Temporal envelope (ENV) and temporal fine structure (TFS) are changes in the amplitude and frequency of sound perceived by humans over time. These temporal changes are responsible for several aspects of auditory perception, including loudness, pitch and timbre perception and spatial hearing.

<span class="mw-page-title-main">Brian Moore (scientist)</span>

Brian C.J. Moore FMedSci, FRS is an Emeritus Professor of Auditory Perception in the University of Cambridge and an Emeritus Fellow of Wolfson College, Cambridge. His research focuses on psychoacoustics, audiology, and the development and assessment of hearing aids.

Recruitment, in medicine, is a physical condition of the inner ear that leads to reduced tolerance of loudness. It commonly occurs in individuals who suffer hearing loss due to cochlear damage. While low-magnitude sounds cannot be heard in the affected ear(s), the perceived loudness increases over-proportionally with sound volume once the auditory threshold has been overcome. This can result in a reduced tolerance to loudness, as loud sounds may be perceived louder than normal.

Sharon G. Kujawa is a clinical audiologist, Director of Audiology Research at the Massachusetts Eye and Ear Infirmary, Associate Professor of Otology and Laryngology at Harvard Medical School, and Adjunct Faculty of Harvard-MIT Health Sciences and Technology.and specialist in otolaryngology, Her specialty is the effects of noise exposure and aging on auditory function.

References

  1. "Mary Florentine - Speech-Language Pathology and Audiology". Archived from the original on 2010-11-16. Retrieved 2010-11-22.
  2. "Mary Florentine - Speech-Language Pathology and Audiology". Archived from the original on 2010-11-16. Retrieved 2010-11-22.
  3. http://scitation.aip.org/getpdf/servlet/GetPDFServlet?filetype=pdf&id=JASMAN000117000004001685000001&idtype=cvips&prog=normal [ dead link ]
  4. Florentine, Mary (2003). "It's not recruitment—gasp! It's softness imperception". The Hearing Journal. 56 (3): 10. doi: 10.1097/01.HJ.0000293012.17887.b4 . S2CID   147098933.
  5. Florentine, Mary; Popper, Arthur N.; Fay, Richard R. (2010-11-04). Loudness. ISBN   9781441967121.
  6. Florentine M, Buus S: Evidence for normal loudness growth near threshold in cochlear hearing loss. In Tranebjærg L, Christensen-Dalsgaard J, Andersen T, Poulsen T, eds. Genetics and the Function of the Auditory System. Tåstrup, Denmark: GN ReSound, 2002:411-426.
  7. Buus S, Florentine M: Growth of loudness in listeners with cochlear hearing losses: Recruitment reconsidered. J Assn Res Otolaryngol 2001;3:120-139.
  8. Florentine, Mary (2003). "It's not recruitment—gasp! It's softness imperception". The Hearing Journal. 56 (3): 10. doi: 10.1097/01.HJ.0000293012.17887.b4 . S2CID   147098933.
  9. Epstein, Michael; Florentine, Mary (April 2009). "Binaural loudness summation for speech and tones presented via earphones and loudspeakers". Ear Hear. 30 (2): 234–7. doi:10.1097/AUD.0b013e3181976993. PMID   19194294. S2CID   46264961.