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Mary Girl is a 1917 British silent drama film directed by Maurice Elvey and starring Norman McKinnel, Jessie Winter and Margaret Bannerman. [1]
| | This article needs additional citations for verification .(October 2016) |
Mary Girl is a 1917 British silent drama film directed by Maurice Elvey and starring Norman McKinnel, Jessie Winter and Margaret Bannerman. [1]
Eleanor Randolph Wilson McAdoo was an American writer and the youngest daughter of American president Woodrow Wilson and Ellen Louise Axson. Wilson had two sisters, Margaret Woodrow Wilson and Jessie Woodrow Wilson Sayre.
The Frightened Lady is a 1932 British thriller film directed by T. Hayes Hunter and starring Emlyn Williams, Cathleen Nesbitt, Norman McKinnel and Belle Chrystall. It was adapted by Bryan Edgar Wallace from his father Edgar Wallace's 1931 play The Case of the Frightened Lady, which was adapted again later for a 1940 film.
The Great Defender is a 1934 British mystery film directed by Thomas Bentley and starring Matheson Lang, Margaret Bannerman and Arthur Margetson. Its plot concerns a top barrister who conducts the defence of an artist facing the death penalty for allegedly murdering his model, while himself battling with serious illness.
Hindle Wakes is a 1927 British silent film drama, directed by Maurice Elvey and starring Estelle Brody and John Stuart. The film is adapted from Stanley Houghton's 1912 stage play of the same name, and reunites Brody and Stuart following their hugely popular pairing in the previous year's Mademoiselle from Armentieres. The film was also released under the title Fanny Hawthorne.
The Outsider is a 1931 British drama film directed by Harry Lachman and starring Joan Barry, Harold Huth and Norman McKinnel. The screenplay concerns an unorthodox osteopath who cures one of his patients, the daughter of a fellow Doctor. It was made at Elstree Studios and based on the 1923 play of the same title by Dorothy Brandon, previously made into an American silent film in 1926. The film's sets were designed by Wilfred Arnold.
Hindle Wakes is a 1931 British drama film directed by Victor Saville for Gainsborough Pictures and starring Belle Chrystall and John Stuart. The film is adapted from Stanley Houghton's 1912 stage play of the same name, which had previously been filmed twice as a silent in 1918 and 1927. Saville had been the producer on the highly regarded 1927 version directed by Maurice Elvey. Both Stuart and Norman McKinnel returned in 1931 to reprise their roles from the 1927 film.
Hindle Wakes is a 1918 British silent film drama, directed by Maurice Elvey and starring Colette O'Niel and Hayford Hobbs. It is the first of four screen versions of the celebrated and controversial 1912 play by Stanley Houghton. It which was a sensation in its time for its daring assertions that a woman could enjoy a sexual fling just as much as a man, without feeling any guilt or obligation to explain herself, and that she was perfectly capable of making her own life decisions without interference from family or the need to bow to social pressures.
The Fake is a 1927 British silent drama film directed by Georg Jacoby and starring Henry Edwards, Elga Brink and Juliette Compton. It is based on a 1924 play of the same title by Frederick Lonsdale. It was made at Twickenham Studios in London.
Potiphar's Wife is a 1931 British romance film directed by Maurice Elvey and starring Nora Swinburne, Laurence Olivier and Guy Newall. It is also known as Her Strange Desire. It was based on a play by Edgar C. Middleton.
Lady Audley's Secret is a 1920 British silent drama film directed by Jack Denton and starring Margaret Bannerman, Manning Haynes and Betty Farquhar. It was an adaptation of the 1862 novel Lady Audley's Secret by Mary Elizabeth Braddon.
Margaret Bannerman was a Canadian actress. She is known for her work in the English films The Gay Lord Quex, Lady Audley's Secret and Hindle Wakes. She had a successful career on stage, appearing in revues and light comedy.
Pillars of Society is a 1920 British silent drama film directed by Rex Wilson and starring Ellen Terry, Norman McKinnel and Mary Rorke. It was based on the 1877 play The Pillars of Society by Henrik Ibsen. Location shooting was done in Norway.
Goodbye is a 1918 British drama film directed by Maurice Elvey and starring Margaret Bannerman, Jessie Winter and Donald Calthrop. It was based on a novel by John Strange Winter. It is about a woman who pushes another couple towards divorce then marries the husband.
Flames is a 1917 British silent drama film directed by Maurice Elvey and starring Margaret Bannerman, Owen Nares and Edward O'Neill. It is based on an 1897 novel by Robert Hichens. It follows the experiments of a strange occultist.
The Gay Lord Quex is a 1917 British silent comedy film directed by Maurice Elvey and starring Ben Webster, Irene Vanbrugh and Lilian Braithwaite. It is based on the 1899 play The Gay Lord Quex by Arthur Wing Pinero.
Dombey and Son is a 1917 British silent drama film directed by Maurice Elvey and starring Norman McKinnel, Lilian Braithwaite and Hayford Hobbs. It is an adaptation of the 1848 novel Dombey and Son by Charles Dickens. It is unknown if any copy of the film exists.
The Diamond Necklace is a 1921 British silent historical drama film directed by Denison Clift and starring Milton Rosmer, Jessie Winter and Sara Sample. It is based on the short story "The Necklace" by Guy de Maupassant.
Everybody's Business is a 1917 British silent drama film directed by Ralph Dewsbury and starring Norman McKinnel, Gerald du Maurier and Matheson Lang.
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