Guy Middleton Powell, better known as Guy Middleton, was an English film character actor.
Elwyn Brook-Jones was a British theatre, film and television actor.
There's Always a Thursday is a 1957 British crime film directed by Charles Saunders and starring Charles Victor, Jill Ireland, Lloyd Lamble and Robert Raglan. Much of the film was shot at Southall Studios.
Home to Danger is a 1951 British film noir crime film directed by Terence Fisher starring Guy Rolfe, Rona Anderson and Stanley Baker. It was made at the Riverside Studios in Hammersmith as a supporting feature. The film's sets were designed by the art director Cedric Dawe.
The Golden Link is a 1954 British police drama film directed by Charles Saunders, starring André Morell, Patrick Holt, Thea Gregory and Jack Watling. It was produced by Guido Coen under his Kenilworth Film Productions, featuring a screenplay by Allan MacKinnon and soundtrack by Eric Spear. The story concerns the death of a young woman, having fallen to her demise inside an apartment building. A policeman neighbour, Superintendent Blake, conducts an unofficial investigation, which initially seems to implicate his own daughter in a murder plot.
River Beat is a 1954 British noir crime film directed by Guy Green and starring John Bentley, Phyllis Kirk and Leonard White. The screenplay concerns a river police inspector who faces a moral dilemma when a woman he knows gets caught up in jewel smuggling. It was shot at Walton Studios and on location around London. The film's sets were designed by the art director John Stoll. It was produced as a second feature and distributed in the United States by Lippert Pictures.
Strictly for the Birds is a 1964 British comedy film directed by Vernon Sewell and starring Tony Tanner, Joan Sims and Graham Stark. Terry Blessing seems to be having a lucky day, winning at gambling, until a woman with whom he'd had an assignation six years previously 'phones him and claims her child is his son.
Judgment Deferred is a 1952 British drama film directed by John Baxter and starring Joan Collins, Hugh Sinclair, Helen Shingler and Abraham Sofaer. The film is a remake of the director's earlier film, Doss House (1933).
It's Hard to Be Good is a 1948 British comedy film directed by Jeffrey Dell and starring Jimmy Hanley, Anne Crawford and Raymond Huntley. In the film, an ex-army officer finds his altruistic attempts to improve the world are unsuccessful.
The Frightened Man is a 1952 British crime film directed by John Gilling and starring Dermot Walsh, Barbara Murray and Charles Victor. It is also known by the alternative title of Rosselli and Son and was shot at Twickenham and Riverside Studios. Its plot concerns a son of an antiques dealer who suffers a dramatic fall from grace.
Never Look Back is a 1952 British drama film directed by Francis Searle and starring Rosamund John, Hugh Sinclair and Guy Middleton. The screenplay concerns a newly appointed female barrister whose career is threatened by a former lover. It was made by Hammer Films at the Mancunian Studios in Manchester.
Operation Cupid is a 1960 British comedy film directed by Charles Saunders and starring Charles Farrell, Avice Landone and Wallas Eaton. The screenplay concerns a gang of criminals who win a marriage agency during a card game and plan to use it to arrange a lucrative marriage for one of their gang to an extremely wealthy heiress. It was made at Twickenham Studios in west London, for release as a supporting feature.
The Night Won't Talk is a 1952 British crime film directed by Daniel Birt and starring John Bailey, Hy Hazell and Mary Germaine. The murder of an artist's model leads the police to investigate the artistic community of Chelsea.
Front Line Kids is a 1942 British comedy film directed by Maclean Rogers and starring Leslie Fuller. It was made at the Riverside Studios in Hammersmith. The film's sets were designed by the art director Andrew Mazzei.
Life in Her Hands is a 1951 drama film sponsored by the British Ministry of Labour with the aim of recruiting women to the nursing profession. It was produced in response to addressing the short supply of qualified nurses in Britain after the Second World War, caused to some degree by the needs of the newly founded National Health Service (NHS). It was produced by the Crown Film Unit and distributed widely across all major cinemas by United Artists. The film was written by Anthony Steven and Monica Dickens, and directed by Philip Leacock. The cast included Bernadette O'Farrell, Jenny Laird, Jean Anderson and Kathleen Byron.
The Temptress is a 1949 British drama film directed by Oswald Mitchell and starring Joan Maude, Arnold Bell and Don Stannard. It was made as a second feature at Bushey Studios. It was the final film directed by Mitchell before his death the same year.
The Happiness of Three Women is a 1954 British drama film directed by Maurice Elvey and starring Brenda de Banzie, Donald Houston and Petula Clark. The film was released on the Odeon Circuit as a double bill with The Crowded Day. It was made at Walton Studios with sets designed by the art director John Stoll. It was adapted from Eynon Evans's Welsh-set play Wishing Well.
Johnny on the Spot is a 1954 British crime drama film directed by Maclean Rogers and starring Hugh McDermott, Elspet Gray and Paul Carpenter. It was shot at Bushey Studios and on location in London. It was produced as a second feature.
Dangerous Voyage is a 1954 British mystery crime film directed by Vernon Sewell and starring William Lundigan, Naomi Chance and Vincent Ball. It was produced as a second feature for distribution by Anglo-Amalgamated. It was shot at Merton Park Studios in London. The film's sets were designed by the art director George Haslam. Location shooting took place in the English Channel and in Honfleur in France and Shoreham in Sussex. It was distributed in the United States by Lippert Pictures under the alternative title Terror Ship.
Rogue's Yarn is a 1957 British crime drama film directed by Vernon Sewell and starring Nicole Maurey, Derek Bond and Elwyn Brook-Jones. It was shot as a second feature at Brighton Studios. The film's sets were designed by the art director Bernard Sarron. It was distributed by the independent Eros Films.
