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Attack on a China Mission is a 1900 British short silent drama film, directed by James Williamson, showing some sailors coming to the rescue of the wife of a missionary killed by Boxers. The four-shot film, according to Michael Brooke of BFI Screenonline, was innovative in content and technique. It incorporated a reverse-angle cut and at least two dozen performers, whereas most dramatic films of the era consisted of single-figure casts and very few shots. Film historian John Barnes claims Attack on a China Mission had "the most fully developed narrative" of any English film up to that time."
Let Me Dream Again is a 1900 British short silent drama film, directed by George Albert Smith, featuring a man dreaming about an attractive young woman and then waking up next to his wife. The film stars Smith's real wife, Laura Bayley, as the woman of his fantasies. Bayley would later appear in Smith's 1906 film Mary Jane's Mishap. The film, according to Michael Brooke of BFI Screenonline, "is an excellent example of an early two-shot film, and is particularly interesting for the way it attempts a primitive dissolve by letting the first shot slip out of focus before cutting to the second shot, which starts off out of focus and gradually sharpens." This appears to be the first use of a dissolve transition to signify a movement of a dreaming state to one of reality.
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The Twins' Tea Party is an 1896 British short silent actuality film, produced and directed by Robert W. Paul. The film "was one of the very first 'facials'," which according to Michael Brooke of BFI Screenonline was "a popular genre in early British cinema that exploited what to 1896 audiences was the astonishing novelty of being able to see moving images of recognisable people in medium close-up as they reacted to a particular situation." John Barnes, author of The Beginnings of the Cinema in England, adds that, "this charming one-shot film of two infant girls reluctantly sharing tea was one of the most popular items exhibited in R.W. Paul's programmes at the Alhambra Theatre in 1896."
Comic Costume Race is an 1896 British short black-and-white silent actuality film, directed by Robert W. Paul, featuring comic costume scramble at the Music Hall Sports on 14 July 1896 at Herne Hill, London. The music hall sports day was an annual charity event consisting of other events such as egg and spoon races and three-legged races. The film is the best surviving pictorial record of the Music Hall Sports. It is not known who the race participants are.
Laura Eugenia Bayley was a British actress and filmmaker, active in the Brighton School of early cinema pioneers. Born in Ramsgate, Bayley performed onstage in Victorian burlesques, revues, and pantomimes, often with her three sisters. After marrying the showman George Albert Smith, she entered the world of early experiments with motion picture film; she played main roles in many of the most important films Smith made between 1897 and 1903, including The Kiss in the Tunnel (1899) and Mary Jane's Mishap (1903).
References
- Citations
- ↑ Brooke, Michael, "Mary Jane's Mishap", BFI Screenonline Database, retrieved 24 April 2011
- ↑ Fisher, David, "Mary Jane's Mishap", Brightonfilm.com, archived from the original on 17 March 2012, retrieved 24 April 2011
- ↑ Robinson, David (2002), "Funny Ladies: The Comediennes of the Silent Screen", Le Giornate del Cinema Muto , Cineteca del Friuli, p. 2 (Films, I–Y), retrieved 19 December 2017
- 1 2 Barnes 2004, p. 54.
- Bibliography
- Barnes, John (2004), ""Mary Jane's Mishap": An Early British Film Re-Examined", Film History , 16 (1): 54–59, doi:10.2979/FIL.2004.16.1.54, JSTOR 3815559
