Mary K. Okheena | |
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![]() Mary K. Okheena in 1977, at Holman (Ulukhaktok) | |
Born | 1957 (age 67–68) Holman (Uluqsaqtuuq), Northwest Territories |
Mary Kapbak Okheena (also goes by Memorana, Krappak, Kappak) [1] is an Inuvialuk [2] graphic artist [3] known for her stencil prints including "Musk-ox Waiting for the Tide to Cross Water" (1986) and "Shaman Dances to Northern Lights" (1991), drawings and embroidery. [4] She is part of the third generation of organized graphic artists in the Canadian Arctic. [5] Okheena has five children [6] with her husband Eddie [7] and she currently lives in Inuvik where she practices embroidery and makes wall hangings. [4]
Okheena was born in 1957 in Holman (Uluqsaqtuuq), King’s Bay, Victoria Island, Northwest Territories. Her father Jimmy Memorana was a sculptor and printmaker and helped found the Holman Island Eskimo Co-operative. Her mother, Nora Memorana, was an expert sewer. [7] Both Jimmy and Nora were respected drum dancers in their communities. [1] Okheena grew up watching her father and her aunt Agnes Nanogak Goose make prints for the Holman Print Shop (part of the Holman Island Eskimo Co-operative) [5] inspiring her career in printing.
Mary K. Okheena started drawing in her teens and at the age of nineteen. [7] In 1977 she sold her first drawing. [8] She was invited by the Roman Catholic missionary, Father Henri Tardy, OMI (born on 28 November 1917, [9] in Vidalon-lès-Annonay, today a hamlet in the commune of Davézieux, Ardèche, France where the Montgofier family manufactured paper since 1534; he died February 7, 2004, in St. Albert, Alberta, aged 86 [10] [11] ), to help with stencil printing after she made a large embroidery design for his church. [3] Father Tardy, who introduced printmaking to Holman and then co-founded the Holman Eskimo Co-operative in 1961 (renamed the Ulukahaktok Arts Centre following the change of the community name), [12] [13] taught Okheena how to make waxed-paper stencils. [6] She started printing in 1977 when John Rose, the Holman Print Shop manager, asked her to come and learn printmaking. [8] [14] Okheena began her professional printing career by printing other artists’ images, which are included in annual Holman print collections from 1979 and 1980-1981. [15] In 1986, Okheena began printing her own works at the Holman Print Shop [5] after her prints were rejected by the Canadian Eskimo Council in 1984. [8] Between 1977 and 1982, Okheena intermittently worked at the Holman Print Shop during the birth and infancy of her eldest children. [3] Okheena worked for the Holman Print Shop longer than any artist currently working there. [1]
She eventually left the print shop partly because of health problems caused by printmaking chemicals and set up a home studio. [7] Okheena also spends her time crocheting, quilting, carving, making wall hangings, and sewing clothing for her family. [7]
Okheena has also illustrated John Bierhorst’s 1997 children’s book called The Dancing Fox: Arctic Folktales. [16]
Mary K. Okheena uses a specific stencil technique in her prints to achieve subtle and luminous gradations of colour. Okheena abstracts formal qualities of animal and human forms. [3] She is often inspired by children’s facial expressions, [4] and often uses culturally symbolic images in her work such as the inukshuk. [1] She has created her own form of storytelling, [3] by reflecting the dual traditions of Holman Inuvialuit families and those of the resident Copper Inuit (as seen in Shaman Dances to Northern Lights). [2] She combines an Inuit aesthetic with influence from Southern culture and uses Western artistic devices. [3]
Over her career, she has had 74 of her drawings made into prints, and 36 she printed herself. [14] She has also printed 31 works from other artists’ designs. [4] In 1988, Mary K. Okheena was commissioned to create a print for the cover of the Northwest Territories Telephones’ telephone directory.
A number of museums and galleries that have her prints in their permanent collections include the Canadian Museum of History, [20] Prince of Wales Northern Heritage Centre in Yellowknife, [15] Museum of Fine Arts, Boston, and the Winnipeg Art Gallery. [21]