A chisel is a wedged hand tool with a characteristically shaped cutting edge on the end of its blade, for carving or cutting a hard material. The tool can be used by hand, struck with a mallet, or applied with mechanical power. The handle and blade of some types of chisel are made of metal or wood with a sharp edge in it.
In archaeology, a hammerstone is a hard cobble used to strike off lithic flakes from a lump of tool stone during the process of lithic reduction. The hammerstone is a rather universal stone tool which appeared early in most regions of the world including Europe, India and North America. This technology was of major importance to prehistoric cultures before the age of metalworking.
Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before refracting it in subsurface scattering. This gives an attractive soft appearance that is especially good for representing human skin, which can also be polished.
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or filed away as in engraving. Traditionally the plate was copper, but now acetate, zinc, or plexiglas are also commonly used. Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the engraver's burin.
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.
A blade is the sharp, cutting portion of a tool, weapon, or machine, specifically designed to puncture, chop, slice, or scrape surfaces or materials. Blades are typically made from materials that are harder than those they are intended to cut. This includes early examples made from flaked stones like flint or obsidian, evolving through the ages into metal forms like copper, bronze, and iron, and culminating in modern versions made from steel or ceramics. Serving as one of humanity's oldest tools, blades continue to have wide-ranging applications, including in combat, cooking, and various other everyday and specialized tasks.
Repoussé or repoussage ( ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction.
Carving is the act of using tools to shape something from a material by scraping away portions of that material. It may also refer to:
Stone carving is an activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, stone work has survived which was created during our prehistory or past time.
This page describe terms and jargon related to sculpture and sculpting.
Chalk carving is the practice and shaping of chalk via carving. This article covers some methods, types of chalk, tools used and the benefits of this material.
Bone carving is creating art, tools, and other goods by carving animal bones, antlers, and horns. It can result in the ornamentation of a bone by engraving, painting or another technique, or the creation of a distinct formed object. Bone carving has been practiced by a variety of world cultures, sometimes as a cheaper, and recently a legal, substitute for ivory carving. As a material it is inferior to ivory in terms of hardness, and so the fine detail that is possible, and lacks the "lustrous" surface of ivory. The interior of bones are softer and even less capable of a fine finish, so most uses are as thin plaques, rather than sculpture in the round. But it must always have been much easier to obtain in regions without populations of elephants, walrus or other sources of ivory.
A stone sculpture is an object made of stone which has been shaped, usually by carving, or assembled to form a visually interesting three-dimensional shape. Stone is more durable than most alternative materials, making it especially important in architectural sculpture on the outside of buildings.
Wire wrapping is one of the oldest techniques for making handmade jewelry. This technique is done with jewelry wire and findings similar to wire to make components. Wire components are then connected to one another using mechanical techniques with no soldering or heating of the wire. Frequently, in this approach, a wire is bent into a loop or other decorative shape and then the wire is wrapped around itself to finish the wire component. This makes the loop or decorative shape permanent. The technique of wrapping wire around itself gives this craft its name of wire wrapping.
Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, that is, the people of the Arctic previously known as Eskimos, a term that is now often considered offensive. Historically, their preferred medium was walrus ivory, but since the establishment of southern markets for Inuit art in 1945, prints and figurative works carved in relatively soft stone such as soapstone, serpentinite, or argillite have also become popular.
A pointing machine is a measuring tool used by stone sculptors and woodcarvers to accurately copy plaster, clay or wax sculpture models into wood or stone. In essence the device is a pointing needle that can be set to any position and then fixed. It further consists of brass or stainless steel rods and joints which can be placed into any position and then tightened. It is not actually a machine; its name is derived from the Italian macchinetta di punta. The invention of the tool has been ascribed to both the French sculptor and medallist Nicolas-Marie Gatteaux (1751–1832) and to the British sculptor John Bacon (1740–1799). It was later perfected by Canova. However, similar devices were used in ancient times, when the copying of Greek sculptures for the Roman market was a large industry.
Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones, such as jade, rock crystal, agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way. Normally the objects are small, and the category overlaps with both jewellery and sculpture. Hardstone carving is sometimes referred to by the Italian term pietre dure; however, pietra dura is the common term used for stone inlay work, which causes some confusion.
Stone carving in Odisha is the ancient practice of sculpting stone into art and utilitarian objects. It is an ancient practice in the Indian state of Odisha. Stone carving is practiced by artisans mainly in Puri, Bhubaneswar and Lalitgiri in the Cuttack district, though some carvings can be found in Khiching in the Mayurbhanj District. Stone carving is one of the major handcrafts of Odisha. The art form primarily consists of custom carved works, with the Sun Temple of Konark and its intricate sculpture and delicate carvings on the red vivid sandstone exemplifying the practice. Other noteworthy monuments include the Stupas of Udayagiri and Ratnagiri and the temples at Jagannath, Lingaraj, Mukteshwar and as well as other temples in the region.
Bommalagutta is a Jain centre situated near Kurikyala village of Karimnagar district in Telangana. This Jain center is situated 3 km from another famous Jain center Kulpakji.
A carved Székely gate
Székely wood carving
