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The sociology of art is a subfield of sociology that explores the societal dimensions of art and aesthetics. [1]
Key scholars in the sociology of art include Pierre Bourdieu, Vera Zolberg, Howard S. Becker, Arnold Hauser, and Harrison White.
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach:
"The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as 'works of art' -- can live beyond their time and seem expressive and meaningful in completely different epochs and societies? On the other hand, how can the age and society that produced them be recognized in the works"? [2]
Other approaches consider the social and economic background to the creation of works of art, which has been a great focus of art history in recent decades. For example, research has examined the role of gender and nationality of artists in museum exhibition and textbook inclusion. [3] The role of patrons and consumers of art, as well as those of the artist(s) themselves, are considered. Work into the role geographic location of art collections/collectors has been shown to affect the prestige and recognition of collectors in the art world. [4] There has also been a great interest in the history of art collecting, and the history of older objects between their creation and their current location, beyond a mere provenance. Recent work has also employed new analysis techniques such as social network analysis to understand how an artist's reputation can be affected by association with other artists in exhibition. [5]
Pierre Bourdieu was a French sociologist and public intellectual. Bourdieu's contributions to the sociology of education, the theory of sociology, and sociology of aesthetics have achieved wide influence in several related academic fields. During his academic career he was primarily associated with the School for Advanced Studies in the Social Sciences in Paris and the Collège de France.
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was organized by the Association of American Painters and Sculptors. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories.
The cultural turn is a movement beginning in the early 1970s among scholars in the humanities and social sciences to make culture the focus of contemporary debates; it also describes a shift in emphasis toward meaning and away from a positivist epistemology. The cultural turn is described in 2005 by Lynette Spillman and Mark D. Jacobs as "one of the most influential trends in the humanities and social sciences in the last generation." A prominent historiographer argues that the cultural turn involved a "wide array of new theoretical impulses coming from fields formerly peripheral to the social sciences," especially post-structuralism, cultural studies, literary criticism, and various forms of linguistic analysis, which emphasized "the causal and socially constitutive role of cultural processes and systems of signification."
In the social sciences there is a standing debate over the primacy of structure or agency in shaping human behaviour. Structure is the recurrent patterned arrangements which influence or limit the choices and opportunities available. Agency is the capacity of individuals to act independently and to make their own free choices. The structure versus agency debate may be understood as an issue of socialization against autonomy in determining whether an individual acts as a free agent or in a manner dictated by social structure.
Hans Haacke is a German-born artist who lives and works in New York City. Haacke is considered a "leading exponent" of Institutional Critique.
In the field of sociology, cultural capital comprises the social assets of a person that promote social mobility in a stratified society. Cultural capital functions as a social relation within an economy of practices, and includes the accumulated cultural knowledge that confers social status and power; thus cultural capital comprises the material and symbolic goods, without distinction, that society considers rare and worth seeking. There are three types of cultural capital: (i) embodied capital, (ii) objectified capital, and (iii) institutionalised capital.
William James Glackens was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.
In psychology and sociology, social inertia or cultural inertia is the resistance to change or the permanence of stable relationships possibly outdated in societies or social groups. Social inertia is the opposite of social change.
In sociology, distinction is a social force whereby people use various strategies—consciously or not—to differentiate and distance themselves from others in society, and to assign themselves greater value in the process. In Distinction: A Social Critique of the Judgement of Taste, Pierre Bourdieu described how those in power define aesthetic concepts like "good taste", with the consequence that the social class of a person tends to predict and in fact determine his or her cultural interests, likes, and dislikes.
Katherine Sophie Dreier was an American artist, lecturer, patron of the arts, and social reformer. Dreier developed an interest in art at a young age and was afforded the opportunity of studying art in the United States and in Europe due to her parents' wealth and progressive attitudes. Her sister Dorothea, a Post-Impressionist painter traveled and studied with her in Europe. She was most influenced by modern art, particularly by her friend Marcel Duchamp, and due to her frustration with the poor reception that the works received, she became a supporter of other artists. She was co-founder of the Society of Independent Artists and the Société Anonyme, which had the first permanent collection of modern art, representing 175 artists and more than 800 works of art. The collection was donated to Yale University. Her works were exhibited in Europe and the United States, including the 1913 International Exhibition of Modern Art.
Field research, field studies, or fieldwork is the collection of raw data outside a laboratory, library, or workplace setting. The approaches and methods used in field research vary across disciplines. For example, biologists who conduct field research may simply observe animals interacting with their environments, whereas social scientists conducting field research may interview or observe people in their natural environments to learn their languages, folklore, and social structures.
Luc Boltanski is a French sociologist, Professor at the School for Advanced Studies in the Social Sciences, Paris, and founder of the Groupe de Sociologie Politique et Morale, known as the leading figure in the new "pragmatic" school of French sociology. His work has significantly influenced sociology, political economy and social history.
The sociology of literature is a subfield of the sociology of culture. It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 Les Règles de L'Art: Genèse et Structure du Champ Littéraire, translated by Susan Emanuel as Rules of Art: Genesis and Structure of the Literary Field (1996).
Michèle Lamont is a Canadian sociologist who is the Robert I. Goldman Professor of European Studies and a professor of Sociology and African American Studies at Harvard University. She is a contributor to the study of culture, inequality, racism and anti-racism, the sociology of morality, evaluation and higher education, and the study of cultural and social change. She is the recipient of the Gutenberg Award and the Erasmus award, for her "devoted contribution to social science research into the relationship between knowledge, power, and diversity." She has received honorary degrees from five countries. and been elected to the British Academy, Royal Society of Canada, Chevalier de l’Ordre des Palmes Academiques, and the Sociological Research Association. She served as president of the American Sociological Association from 2016 to 2017. In 2024, she was elected to the American Philosophical Society.
A social network is a social structure made up of a set of social actors, sets of dyadic ties, and other social interactions between actors. The social network perspective provides a set of methods for analyzing the structure of whole social entities as well as a variety of theories explaining the patterns observed in these structures. The study of these structures uses social network analysis to identify local and global patterns, locate influential entities, and examine network dynamics.
Cognitive sociology is a sociological sub-discipline devoted to the study of the "conditions under which meaning is constituted through processes of reification." It does this by focusing on "the series of interpersonal processes that set up the conditions for phenomena to become “social objects,” which subsequently shape thinking and thought." Thus, this research aims to sort out the social and cultural contingencies and consequences of human cognition. It has its roots in classical sociological theory, notably Durkheim and Weber, and from contemporary sociological theory, notably Goffman and Bourdieu.
Constance Mary Pott, RE, was an English printmaker and teacher active during the late nineteenth century and the twentieth century. She became technical and teaching assistant to the teacher and printmaker Sir Frank Short at the Royal College of Art from 1902 until Short's retirement in 1924. In her day she was recognized as a pioneer in the etching revival, for her dynamic, versatile mastery of technique and line, for the spacious evocation of landscape in her plates, and for her formal professional occupation, all exceptional achievements by any standards, but more especially so in their combining in her to overcome societal disapproval of professions for women. As a teacher she had a powerful and acknowledged influence upon a whole generation of engravers who passed through the College. However, she long outlived the fashion of that movement, and her central role in it was for a time almost forgotten. Examples of her own works, principally etchings, are held in leading national collections, and appear in the salerooms. She is sometimes confused with her mother, Constance Mary née Fearon, Mrs Henry Pott (1833-1915).
An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums.
Hanna Deinhard was a German-Brazilian-US art historian.
ArtFacts.Net is the world's largest online art database, founded in 2001 by Stine Albertsen and Marek Claassen. The company is registered as a Limited Company (Ltd.) in Great Britain. ArtFacts has been collecting, archiving, publishing and analyzing data on the art market worldwide since the company was founded, for example in the so-called Artist Ranking
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