Wilhelm Heinrich Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.
Franz Moritz Wilhelm Marc was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter, a journal whose name later became synonymous with the circle of artists collaborating in it.
Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.
Nazi plunder was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.
Paul Rosenberg was a French art dealer. He represented Pablo Picasso, Georges Braque and Henri Matisse. Both Paul and his brother Léonce Rosenberg were among the world's major dealers of modern art.
Curt Valentin was a German-Jewish art dealer known for handling modern art, particularly sculpture, and works classified as "degenerate", seized from public museums or looted from private collectors by the Nazi regime in Germany.
The Museum of Fine Arts Bern, established in 1879 in Bern, is the museum of fine arts of the de facto capital of Switzerland.
Alfred Flechtheim was a German Jewish art dealer, art collector, journalist and publisher persecuted by the Nazis.
The Degenerate Art exhibition was an art exhibition organized by Adolf Ziegler and the Nazi Party in Munich from 19 July to 30 November 1937. The exhibition presented 650 works of art, confiscated from German museums, and was staged in counterpoint to the concurrent Great German Art Exhibition. The day before the exhibition started, Adolf Hitler delivered a speech declaring "merciless war" on cultural disintegration, attacking "chatterboxes, dilettantes and art swindlers". Degenerate art was defined as works that "insult German feeling, or destroy or confuse natural form or simply reveal an absence of adequate manual and artistic skill". One million people attended the exhibition in its first six weeks. A U.S. critic commented that "[t]here are probably plenty of people—art lovers—in Boston, who will side with Hitler in this particular purge". This view was controversial, however, given the greater political context of the exhibition.
Hildebrand Gurlitt was a German art historian and art gallery director who dealt in Nazi-looted art as one of Hitler's and Goering's four authorized dealers for "degenerate art".
The Gurlitt Collection was a collection of around 1,500 art works inherited by Cornelius Gurlitt, the son of one of Hitler's official art dealers, Hildebrand Gurlitt (1895–1956), and which was found to have contained several artworks looted from Jews by the Nazis.
Rolf Nikolaus Cornelius Gurlitt was a German art collection owner. The son of Hildebrand Gurlitt, an art gallery director and Nazi-era dealer of looted art, Gurlitt inherited from his father a collection of over 1,400 artworks known as the Gurlitt trove or Gurlitt Collection, a small number of which were subsequently demonstrated to have been looted from Jews by Nazis. Upon its public discovery, the collection was impounded by the Augsburg Prosecutor's Office as evidence in a possible case for tax evasion that was never mounted; the works were not returned to Gurlitt's estate until after his death. In his will, Gurlitt left the entire collection, minus any works that turned out to be looted, to a lesser known gallery in Switzerland, the Museum of Fine Arts Bern, apparently in reaction over his perceived poor treatment by the German authorities.
Two Riders on the Beach is the title of two similar paintings by the German artist Max Liebermann. Both were painted in 1901 while Liebermann was on vacation in Scheveningen on the North Sea. The paintings are considered masterpieces of German impressionism, heavily influenced by the style of French impressionist painters Édouard Manet and Edgar Degas.
Eberhard W. Kornfeld was a Swiss auctioneer, author, art dealer, and collector based in Bern.
Adolf Hitler's art collection was a large accumulation of paintings which he gained before and during the events of WWII. These paintings were often taken from existing art galleries in Germany and Europe as Nazi forces invaded. Hitler planned to create a large museum in Linz called the Führermuseum to showcase the greatest of the art that he acquired. While this museum was never built, that did not stop Hitler and many other Nazi officials from seizing artwork across Europe. The paintings that the Nazis acquired were often stored in salt mines and castles in Germany during World War II. Eventually, many of these works of art would be rescued by a group called the Monuments Men. While this task force of art dealers and museum specialists were able to retrieve many of the stolen works of art, there are still many paintings that have yet to be found. In 2013, Cornelius Gurlitt, a son of one of Hitler's art dealers, was found with an apartment full of paintings which his father had kept from both the Nazis and the Monuments Men. This discovery of paintings has brought to light once more many paintings that were considered lost.
Karl Buchholz was one of Hitler's Nazi art dealers specialized in selling looted "Degenerate Art".
Hermann Voss was a German art historian and museum director appointed by Hitler to acquire art, much of it looted by Nazis, for Hitler's planned Führermuseum in Linz, Austria.
Armand Dorville (1875–1941) was a French art collector and lawyer whose art collection was plundered during the Nazi occupation of France.
Margarete Eisenmann was a Jewish art collector and Holocaust victim.
