Chicano or Chicana is an ethnic identity for Mexican Americans who have a non-Anglo self-image, embracing their indigenous ancestry. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture. In the 1960s, Chicano was widely reclaimed in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of indigenous descent. Chicano developed its own meaning separate from Mexican American identity. Youth in barrios rejected cultural assimilation into whiteness and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement.
Norma Elia Cantú is a Chicana postmodernist writer and the Murchison Professor in the Humanities at Trinity University in San Antonio, Texas.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
Yolanda Margarita López was an American painter, printmaker, educator, and film producer. She was known for her Chicana feminist works focusing on the experiences of Mexican-American women, often challenging the ethnic stereotypes associated with them. Lopez was recognized for her series of paintings which re-imagined the image of the Virgen de Guadalupe. Her work is held in several public collections including the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art.
Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.
Evelyn Seiko Nakano Glenn is a professor at the University of California, Berkeley. In addition to her teaching and research responsibilities, she served as founding director of the university's Center for Race and Gender (CRG), a leading U.S. academic center for the study of intersectionality among gender, race and class social groups and institutions. In June 2008, Glenn was elected president of the 15,000-member American Sociological Association. She served as president-elect during the 2008–2009 academic year, assumed her presidency at the annual ASA national convention in San Francisco in August 2009, served as president of the association during the 2009–2010 year, and continued to serve on the ASA governing council as past-president until August 2011. Her presidential address, given at the 2010 meetings in Atlanta, was entitled "Constructing Citizenship: Exclusion, Subordination, and Resistance", and was printed as the lead article in the American Sociological Review.
Diane Rodriguez was an American theatre artist who directed, wrote and performed. An OBIE Award winning actress, she was known for using comedy to confront various forms of oppression, often with special attention to issues of gender and sexuality.
Borderlands/La Frontera: The New Mestiza is a 1987 semi-autobiographical work by Gloria E. Anzaldúa that examines the Chicano and Latino experience through the lens of issues such as gender, identity, race, and colonialism. Borderlands is considered to be Anzaldúa’s most well-known work and a pioneering piece of Chicana literature.
Laura E. Gómez is a professor at the School of Law at the University of California, Los Angeles where she also holds appointments in Sociology and the Department of Chicana & Chicano Studies and Central American Studies.
Chicana literature is a form of literature that has emerged from the Chicana Feminist movement. It aims to redefine Chicana archetypes in an effort to provide positive models for Chicanas. Chicana writers redefine their relationships with what Gloria Anzaldúa has called "Las Tres Madres" of Mexican culture by depicting them as feminist sources of strength and compassion.
This is a Mexican American bibliography. This list consists of books, and journal articles, about Mexican Americans, Chicanos, and their history and culture. The list includes works of literature whose subject matter is significantly about Mexican Americans and the Chicano/a experience. This list does not include works by Mexican American writers which do not address the topic, such as science texts by Mexican American writers.
Tara J. Yosso is a professor in the Graduate School of Education at the University of California, Riverside. Yosso's research and teaching apply the frameworks of critical race theory and critical media literacy to examine educational access and opportunity. Yosso is specifically interested in understanding the ways Communities of Color have historically utilized an array of cultural knowledge, skills, abilities, and networks to navigate structures of racial discrimination in pursuit of educational equality. She has authored numerous collaborative and interdisciplinary chapters and articles in publications such as the Harvard Educational Review,International Journal of Qualitative Studies in Education,Journal of Popular Film and Television, and The Blackwell Companion to Social Inequalities. She has been awarded a Ford Foundation Postdoctoral Fellowship for Diversity and Excellence in University Teaching, and honored with a Derrick Bell Legacy Award from the Critical Race Studies in Education Association. She is extensively cited within and beyond the field of education.
Delilah Montoya is a contemporary artist and educator who was born in Fort Worth, Texas and was raised in Omaha, Nebraska by her Anglo-American father and Latina mother. She earned her BA, MA and MFA from the University of New Mexico. Her art is noted for its exploration of Chicana identity and for innovative printmaking and photographic processes. She is also noted for her use of mixed-media installations and often incorporates iconic religious symbols in her pieces. Montoya divides her time between Albuquerque and Houston. She taught at the University of New Mexico, Institute of American Indian Arts and California State University before accepting her current position at the University of Houston. She was a 2008 Artadia awardee.
Patricia Zavella is an anthropologist and professor at the University of California, Santa Cruz in the Latin American and Latino Studies department. She has spent a career advancing Latina and Chicana feminism through her scholarship, teaching, and activism. She was president of the Association of Latina and Latino Anthropologists and has served on the executive board of the American Anthropological Association. In 2016, Zavella received the American Anthropological Association's award from the Committee on Gender Equity in Anthropology to recognize her career studying gender discrimination. The awards committee said Zavella’s career accomplishments advancing the status of women, and especially Latina and Chicana women have been exceptional. She has made critical contributions to understanding how gender, race, nation, and class intersect in specific contexts through her scholarship, teaching, advocacy, and mentorship. Zavella’s research focuses on migration, gender and health in Latina/o communities, Latino families in transition, feminist studies, and ethnographic research methods. She has worked on many collaborative projects, including an ongoing partnership with Xóchitl Castañeda where she wrote four articles some were in English and others in Spanish. The Society for the Anthropology of North America awarded Zavella the Distinguished Career Achievement in the Critical Study of North America Award in the year 2010. She has published many books including, most recently, "I'm Neither Here Nor There, Mexicans"Quotidian Struggles with Migration and Poverty, which focuses on working class Mexican Americans struggle for agency and identity in Santa Cruz County.
Vicki Lynn Ruiz is an American historian who has written or edited 14 books and published over 60 essays. Her work focuses on Mexican-American women in the twentieth century. She is a recipient of the National Humanities Medal.
Emma Pérez is an American author and professor, known for her work in queer Chicana feminist studies.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism', inspired by the developing movement of Afrofuturism. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.
Martha Menchaca is an academic in the fields of social anthropology, ethnicity, gender, oral history, legal anthropology, immigration, and Chicana/o Studies on the relationship between U.S. and Mexican culture. Menchaca is recognized for her research on immigration, naturalization, and birthright citizenship. She is currently a professor at the University of Texas, Austin in the Department of Anthropology.
Pierrette Hondagneu-Sotelo is an American sociologist. Her main areas of research are gender, migration studies, and Latino studies. She has authored several books, received numerous awards and honors, and contributed to the field through various talks, publications, and mentoring. In 2015, she received the Distinguished Career Award from the American Sociological Association, International Migration Section, and in 2018 she received the Julian Samora Distinguished Career Award from the American Sociological Association, Latina/o Sociology Section.
Shirley Romero Otero is a Chicana activist who co-founded the Land Rights Council in 1977 to regain the rights for heirs of the Sangre de Cristo Land Grant. She is an educator and leader in the San Luis Valley region. She is the director of the Move Mountains Youth Project and sits on the board of directors of the Acequia Institute.
