Mathers Museum of World Cultures is a museum of ethnography and cultural history that features exhibitions of traditional and folk arts at Indiana University in Bloomington, Indiana. [1] It also offered practicum studies at the university for graduate and undergraduate students. The museum also worked to promote local artists. In 2020, the Mathers Museum officially merged with the Glenn A. Black Laboratory of Archaeology and was closed for renovations. The combined institutions are now the new Indiana University Museum of Archaeology and Anthropology (IUMAA). Located at 416 North Indiana Avenue. The IUMAA lobby is open and a Grand Opening of the William Gathers gallery is scheduled for October 19, 2024. [2]
First announced in 1963, the Indiana University Museum was initially funded by the University's departments of History and Anthropology, and the Committee on Folklore. [3] The museum opened its first exhibit in December 1965. Its first director, Dr. Wesley Hurt, set out to expand its holdings through collecting trips in the Western United States and South America, and through actively seeking donations from collectors. [4] By 1970, its collections and exhibits had grown to the point that moving into a new building was a necessity. A new site would provide improved facilities and a significant amount of storage space. This led to the museum staff to apply for accreditation by the American Association of Museums. They were awarded the accreditation in July 1971. In October 1980, the groundbreaking ceremony was held for the new William Hammond Mathers Museum. The institution was named in honor of the youngest son of Dr. Frank C. Mathers, a chemistry professor at IU, and the leading building fund donor for the new location. [5]
While some of the collections acquired by the museum in its first few decades were accompanied by substantial documentation about makers and the uses of these objects, others lacked much contextual information. In later years, staff, faculty, and graduate students associated with the Mathers Museum conducted systematic fieldwork in order to better understand certain donated items, and to develop exhibits around intentionally selected, richly documented materials.
The collections include more than 40,000 ethnographic objects and images from cultures around the world, with areas of specialization including African, Latin American, and Native American cultures, musical instruments, and Indiana History.
Traditional Arts Indiana, the state's traditional arts program, became part of the museum 2015, before moving to IU's Cook Center for Public Arts and Humanities in 2020. [6] [7] While based at the Mathers, Traditional Arts Indiana director Jon Kay collaborated with Mathers staff on research, presentations, performances, and exhibits, including Creative Aging, was based on Kay's 2016 book Folk Art and Aging.. [8]
Some notable holdings of the museum include the Stevens-Esarey collection of everyday tools from the 19th century; West African materials collected by Roy Sieber and Arnold Rubin; the Ellison collection of Native American materials; Pacific artifacts and Hendricksville pottery donated by Henry and Cecilia Wahl; John White's collection of hundreds of objects from the Tetela people of the Congo; the Laura Boulton collection of musical instruments from around the world; an extensive selection of everyday objects from the Caboclos assembled by the museum in collaboration with IU anthropologists Eduardo Bronizio and Andrea Siqueira; nearly 200 items associated with botánicas gathered by folklorist Selina Morales for the exhibit Botánica: A Pharmacy for the Soul (2008-2009); African ceramics donated by William Simmons; regalia associated with central African royalty collected by Allen Davis; pieces by Chester Cornett and other Kentucky chair makers donated by folklorist Michael Own Jones; over 400 West African garments from the collection of Mary Warren; Native American materials from the Great Lakes region bequeathed by Elinor and Vincent Ostrom; [9] works purchased from the Eastern Band of Cherokee Indians' Qualla Arts and Crafts Mutual cooperative; [10] a large airplane-shaped fantasy coffin by Paa Joe Coffin Works in Ghana, donated by Robert and Alice Schloss, and documentary materials and tools from this workshop collected for the museum by Kristin Otto; [11] and documentary materials on traditional arts in China collected by museum staff in connection with the China-US Folklore and Intangible Cultural Heritage Project, a collaboration between several U.S. and Chinese ethnographic museums. [12]
Indiana University Bloomington is a public research university in Bloomington, Indiana. It is the flagship campus of Indiana University and its largest campus with over 40,000 students. Established as the state's seminary in 1820, the name was changed to "Indiana College" in 1829 and to "Indiana University" in 1838.
Robert Stewart Culin was an American ethnographer and author interested in games, art and dress. Culin played a major role in the development of ethnography, first concentrating his efforts on studying the Asian-Americans workers in Philadelphia. His first published works were "The Practice of Medicine by the Chinese in America" and "China in America: A study in the social life of the Chinese in the eastern cities of the United States", both dated 1887. He believed that similarity in gaming demonstrated similarity and contact among cultures across the world.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.
Ethnohistory is the study of cultures and indigenous peoples customs by examining historical records as well as other sources of information on their lives and history. It is also the study of the history of various ethnic groups that may or may not still exist. The term is most commonly used in writing about the history of the Americas.
The Fowler Museum at UCLA is a museum on the campus of the University of California, Los Angeles (UCLA) which explores art and material culture primarily from Africa, Asia and the Pacific, and the Americas, past and present.
Laura Boulton was an American ethnomusicologist. She is known for the many field recordings, films and photographs of traditional music and its performances and practitioners from Egypt, the Sudan, Uganda, Kenya and Tanganyika. Boulton also collected traditional musical instruments around the world. In her work with the National Film Board of Canada (NFB) during the Second World War, she is recognized as being a pioneer for women who work in the film industry.
Erminie Wheeler-Voegelin was an American award-winning anthropologist, folklorist, and ethnohistorian.
Richard Bauman is a folklorist and anthropologist, now retired from Indiana University Bloomington. He is Distinguished Professor emeritus of Folklore, of Anthropology, and of Communication and Culture. Before coming to IU in 1985, he was the Director of the Center for Intercultural Studies in Folklore and Ethnomusicology at the University of Texas and a faculty member in the UT Department of Anthropology. Just before retiring from Indiana, he was chair of the IU Department of Folklore and Ethnomusicology, as well as an important member of the Department of Anthropology and the Department of Communication and Culture.
Tribal art is the visual arts and material culture of indigenous peoples. Also known as non-Western art or ethnographic art, or, controversially, primitive art, tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums. The term "primitive" is criticized as being Eurocentric and pejorative.
Pravina Shukla is an American folklorist who is Provost Professor of Folklore at Indiana University Bloomington and serves as an adjunct faculty member in the Department of Anthropology, Department of American Studies, the Dhar India Studies Program, and the Center for Latin American and Caribbean Studies. She is also a consulting curator at the Mathers Museum of World Cultures.
Jason Baird Jackson is an American anthropologist who is Professor of Folklore and Anthropology at Indiana University Bloomington. He is "an advocate of open access issues and works for scholarly communications and scholarly publishing projects." At IUB, he has served as Chair of the Department of Folklore and Ethnomusicology and as Director of the Folklore Institute. According to the Journal of American Folklore, "Jason Baird Jackson establishes himself as one of the foremost scholars in American Indian studies today."
Daniel C. Swan is an American cultural anthropologist and museum curator whose work has focused on documenting and interpreting the cultural history of the Americas. He has specialized particularly on the histories, social organizations, and cultures of Native North American peoples in Oklahoma, USA. His research on the history, significance, and artistic forms of the Native American Church has led to research and exhibition collaborations with artists and elders in a diversity of American Indian communities, both in Oklahoma and elsewhere in the Western United States. In addition to his work on American Indian topics, he has organized exhibitions and museum catalogs about cultural diversity in the American West and in the Western Hemisphere more broadly.
Hasan M. El-Shamy is a professor of folklore (folkloristics) in the Department of Folklore and Ethnomusicology, the Department of Near Eastern Languages and Cultures, and the African Studies Program at Indiana University. He received a B.A. with honors in Arabic and Islamic studies from Ain-Shams University in Cairo, Egypt in 1959. He then completed an intensive graduate program in psychology and education from Ain-Shams (Heliopolis) University in 1959–1960. Later he received an M.A. in folklore from Indiana University in 1964, as well as a Ph.D. in folklore with interdisciplinary training in folklore, psychology, and anthropology from Indiana University in 1967. El-Shamy is retired and professor emeritus at Indiana University Bloomington.
Museum Anthropology Review is a peer-reviewed gold open access academic journal focusing on research in material culture studies, museum-based scholarship, and the study of museums in society. In addition to anthropology, it covers the fields of folklore, art history, and museum studies. It was established in 2007 and is published for the Mathers Museum of World Cultures by the Indiana University Bloomington Libraries as part of its IUScholarWorks program using Open Journal Systems. The journal is edited by Jason Baird Jackson.
The Russian Museum of Ethnography is a museum in St. Petersburg that houses a collection of about 500,000 items relating to the ethnography, or cultural anthropology, of peoples of the former Russian Empire and the Soviet Union.
Museum anthropology is a domain of scholarship and professional practice in the discipline of anthropology.
The Academy of Albanological Studies (AAS) is the main institution of albanology in Albania.
Museum folklore is a domain of scholarship and professional practice within the field of folklore studies (folkloristics).
The Indiana University Archives of Traditional Music holds over 100,000 individual audio and video recordings across over 3500 collections of field, broadcast, and commercial recordings. Its holdings are primarily focused on audiovisual recordings relating to research in the academic disciplines of ethnomusicology, folklore, anthropology, linguistics, and various area studies.