Matrix H was developed by BBC engineers in the late 1970s to carry quadraphonic sound via FM radio in a way that would be most compatible with existing mono and stereo receivers. [1]
Several quadraphonic test programs were made for Radios 3 and 4, including a number of plays and some Promenade Concerts, while Radio 1 carried quadraphonic session recordings by various bands. [2]
On April 30, 1977 the first program was transmitted, followed by seven further transmissions during the following week. The experimental broadcasts lasted for one year, after which the BBC assessed the public reaction. Since very few listeners had suitable decoders, the BBC arranged demonstrations at the Langham Gallery in London. [1]
The existing matrix formats where tested first. The "H" has no meaning; they called the first matrix assessed Matrix A, and then worked through the alphabet. [3] [4] Matrix H emerged as the best solution for mono compatibility and radio transmission. [5] Although the QS system was similar to Matrix H, no specific available commercially. [1]
The BBC later cooperated with the developers of Ambisonics to produce BBC/NRDC System HJ. This was based on tolerance zones designed to include modified versions of both Matrix H and the prototype two-channel encoding of Ambisonics, known as System 45J. Subsequently, the Nippon-Columbia UMX matrix was brought into the standard, leading in 1977 to the UHJ, now associated with Ambisonics. [6]
Left Front | Right Front | Left Back | Right Back | |
---|---|---|---|---|
Left Total | -j0.94 | -l0.34 | +k0.94 | +m0.34 |
Right Total | +l0.34 | +j0.94 | -m0.34 | -k0.94 |
j = 20° phase-shiftk = 25° phase-shiftl = 55° phase-shiftm = 115° phase-shift
Quadraphonic sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are independent of one another.
Ambisonics is a full-sphere surround sound format: in addition to the horizontal plane, it covers sound sources above and below the listener.
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener. Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three screen channels of sound that played from three loudspeakers located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction around the listener.
C-QUAM is the method of AM stereo broadcasting used in Canada, the United States and most other countries. It was invented in 1977 by Norman Parker, Francis Hilbert, and Yoshio Sakaie, and published in an IEEE journal.
Dolby Pro Logic is a surround sound processing technology developed by Dolby Laboratories, designed to decode soundtracks encoded with Dolby Surround.
Near Instantaneous Companded Audio Multiplex (NICAM) is an early form of lossy compression for digital audio. It was originally developed in the early 1970s for point-to-point links within broadcasting networks. In the 1980s, broadcasters began to use NICAM compression for transmissions of stereo TV sound to the public.
Matrix decoding is an audio technology where a small number of discrete audio channels are decoded into a larger number of channels on play back. The channels are generally, but not always, arranged for transmission or recording by an encoder, and decoded for playback by a decoder. The function is to allow multichannel audio, such as quadraphonic sound or surround sound to be encoded in a stereo signal, and thus played back as stereo on stereo equipment, and as surround on surround equipment – this is "compatible" multichannel audio.
FM broadcasting is the method of radio broadcasting that uses frequency modulation (FM). Invented in 1933 by American engineer Edwin Armstrong, wide-band FM is used worldwide to transmit high-fidelity sound over broadcast radio. FM broadcasting offers higher fidelity—more accurate reproduction of the original program sound—than other broadcasting techniques, such as AM broadcasting. It is also less susceptible to common forms of interference, having less static and popping sounds than are often heard on AM. Therefore, FM is used for most broadcasts of music and general audio. FM radio stations use the very high frequency range of radio frequencies.
Dolby Stereo is a sound format made by Dolby Laboratories. It is a unified brand for two completely different basic systems: the Dolby SVA 1976 system used with optical sound tracks on 35mm film, and Dolby Stereo 70mm noise reduction on 6-channel magnetic soundtracks on 70mm prints.
Nimbus Records is a British record company based at Wyastone Leys, Ganarew, Herefordshire. They specialise in classical music recordings and were the first company in the UK to produce compact discs.
MPEG Surround, also known as Spatial Audio Coding (SAC) is a lossy compression format for surround sound that provides a method for extending mono or stereo audio services to multi-channel audio in a backwards compatible fashion. The total bit rates used for the core and the MPEG Surround data are typically only slightly higher than the bit rates used for coding of the core. MPEG Surround adds a side-information stream to the core bit stream, containing spatial image data. Legacy stereo playback systems will ignore this side-information while players supporting MPEG Surround decoding will output the reconstructed multi-channel audio.
Ambisonic UHJ format is a development of the Ambisonic surround sound system designed to be compatible with mono and stereo media. It is a hierarchy of systems in which the recorded soundfield will be reproduced with a degree of accuracy that varies according to the available channels. Although UHJ permits the use of up to four channels, only the 2-channel variant is in current use. In Ambisonics, UHJ is also known as "C-Format".
SQ Quadraphonic was a matrix 4-channel quadraphonic sound system for vinyl LP records. It was introduced by CBS Records in 1971. Many recordings using this technology were released on LP during the 1970s.
Quadraphonic Sound was a phase amplitude matrix 4-channel quadraphonic sound system for phonograph records. The system was based on technology created by Peter Scheiber, but further developed by engineer Ryosuke Ito of Sansui in the early 1970s.
Compatible Discrete 4, also known as Quadradisc or CD-4 was as a discrete four-channel quadraphonic system for phonograph records. The system was created by JVC and RCA in 1971 and introduced in May 1972. Hundreds of recordings using this technology were released on LP during the 1970s.
The Hafler circuit is a passive electronics circuit with the aim of getting derived surround sound or ambiophony from regular stereo recordings without using costly electronics. Such circuits are generally known as matrix decoders. The Dynaquad system works using similar principles.
Stereo-4, also known as EV or EV-4, was a matrix 4-channel quadraphonic sound system developed in 1970 by Leonard Feldman and Jon Fixler.
Dynaquad, or DY, was a matrix decoder 4-channel quadraphonic sound system developed by Dynaco in 1969.
UD-4 was a discrete four-channel quadraphonic sound system for phonograph records introduced by Nippon Columbia (Denon) in 1974. This system had some similarities with the more successful CD-4 process introduced by JVC and RCA in 1972.