LotteJacobi was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century.
Photography in Australia started in the 1840s. The first photograph taken in Australia, a daguerreotype of Bridge Street, Sydney, was taken in 1841.
Harold Pierce Cazneaux, commonly referred to as H. P. Cazneaux, was an Australian photographer; a pioneer whose style had an indelible impact on Australian photographic history. In 1916, he was a founding member of the pictorialist Sydney Camera Circle. As a regular participator in national and international exhibitions, Cazneaux was unfaltering in his desire to contribute to the discussion about the photography of his times. His career between the Wars established him as "the country's leading pictorial photographer".
Louis Athol Shmith was an Australian studio portrait and fashion photographer and photography educator in his home city of Melbourne, Australia. He contributed to the promotion of international photography within Australia as much as to the fostering of Australian photography in the world scene.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Olive Cotton was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.
Julie Rrap is an Australian contemporary artist who was raised on the Gold Coast in Queensland. She was born Julie Parr, and reversed her name to express her sense of opposition. Since the mid-1970's she has worked in photography, painting, sculpture, video and performance. Julie's work expresses her interest in images of the body, especially the female body.
The participation of women in photography goes back to the very origins of the process. Several of the earliest women photographers, most of whom were from Britain or France, were married to male pioneers or had close relationships with their families. It was above all in northern Europe that women first entered the business of photography, opening studios in Denmark, France, Germany, and Sweden from the 1840s, while it was in Britain that women from well-to-do families developed photography as an art in the late 1850s. Not until the 1890s, did the first studios run by women open in New York City.
Amy Merania Harper (1900–1998) was a New Zealand photographer. Harper was the first photographer in Auckland who used fluorescent lighting.
Susanne Helene Ford was an Australian feminist photographer who started her arts practice in the 1960s. She was the first Australian photographer to have a solo exhibition at the National Gallery of Victoria in 1974 with Time Series. A book of her portraits of women 'A Sixtieth of a Second' was published in 1987. Her photographs and eclectic practice was displayed in an exhibition at the National Gallery of Victoria in 2014.
Alice Mills (1870–1929) was an influential professional photographer from Australia, active from 1900 to 1929. She established her name among the top photographers in Melbourne after seven years of work. After her death she stayed within that group for thirty more years.
Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.
Ruth Miriam Hollick was an Australian portrait and fashion photographer who was one of Melbourne's leading Pictorialist photographers during the 1920s.
Emme Gerhard (1872–1946) and Mayme Gerhard (1876–1955), the Gerhard Sisters, were among the first women photographers to establish a studio in St. Louis, Missouri, in 1903. At the time newspapers and magazines rarely hired women as staff photographers to capture late breaking news.
Norah Carter was a New Zealand photographer. Her work is held in the permanent collection of the Museum of New Zealand Te Papa Tongarewa.
Emily Florence Cazneau was an Australian born New Zealand artist and professional photographer. Cazneau originally worked in Sydney at the Freeman Brothers photographic studio as a colourist and miniature painter. She moved to Wellington in the early 1870s, establishing a professional photographic studio with her husband.
Heather George (1907–1983) was a commercial photographer known for her industrial, fashion and outback photography, and a designer and painter.
Pegg Clarke was an Australian professional fashion, portrait, architectural and society photographer whose work, published frequently in magazines, was referred to by historian Jack Cato as being of "the highest standard."
Enid Bennett
Eva Gauthier
Lilian Birtles
Sara Allgood
Eleanora de Cisneros
