Maybe Tomorrow (The Iveys album)

Last updated

Maybe Tomorrow
Maybe Tomorrow.JPG
Studio album by
Released4 July 1969 (1969-07-04)
Recorded1968-69
Studio
Genre Psychedelic pop
Length45:14
Label Apple
Producer
The Iveys chronology
Maybe Tomorrow
(1969)
Magic Christian Music
(1970)
Singles from Maybe Tomorrow
  1. "Maybe Tomorrow"
    Released: 15 November 1968
  2. "Dear Angie"
    Released: 18 July 1969
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]

Maybe Tomorrow is the debut album by British rock band Badfinger. Maybe Tomorrow is the only release under the band's original name as The Iveys. It was issued in 1969 on the Apple label in Japan, West Germany and Italy. Although the album was scheduled to be released worldwide, the release in the US and UK at that time was halted without explanation. Many reasons for halting the album have been suggested by the band and Apple employees, but the most common theory is that Apple's newly hired president, Allen Klein, stopped all non-Beatle releases on Apple until he could examine the company's finances, which were in disarray at the time.

Contents

A majority of the album's songs were later issued as Badfinger songs on the Badfinger album Magic Christian Music .

Background

The Iveys (later known as Badfinger) were a successful live act on the London circuit when they attracted the attention of Apple employee Mal Evans in early 1968. It was through Evans' perseverance that demonstration recordings made by the group were presented to The Beatles (Apple's presidents). Although the band was initially waived by Paul McCartney and John Lennon, the former relented as more impressive Iveys tapes were brought in by Evans.

The group signed with Apple in April 1968 and began making recordings immediately upon their arrival. With the incentive of releasing a worthwhile single, the band was not focused on compiling an LP. Maybe Tomorrow was therefore culled from various studio recordings the group made during a 12-month period, mostly under the production of Tony Visconti. The songs on the LP vary widely among pop, rock, and psychedelic sounds. With few exceptions, they do not resemble the sound Badfinger would later become known for. The sound quality of the Iveys album is relatively poor due to a "muddy" mix. When some of these tracks were carefully re-mixed for Badfinger's debut album Magic Christian Music the sound quality was significantly improved.

The title track was released as an Apple single in 1968 and enjoyed limited success in regional markets—for example, reaching number 1 in the Netherlands.

Due to Badfinger's subsequent fame and the album's limited release, Maybe Tomorrow became an expensive collectible for many years, often earning between $200 and $400 US dollars for a single used copy. Although a 1990s re-release of the album on CD format curbed demand for the original album, the CD itself became collectible because of its limited run.

For reasons unknown, the CD edition of "Maybe Tomorrow" has the stereo channels reversed and the song "Sali Bloo" (pronounced "Sally Blue") is missing the wah-wah guitar intro found on the original album.

Track listing

Songs marked with an asterisk (*) also appear on Magic Christian Music.

Side one
No.TitleWriter(s)Length
1."See-Saw Granpa" Pete Ham, arr. John Barham and Tom Evans 3:33
2."Beautiful and Blue" (*)Evans, arr. Barham and Evans2:38
3."Dear Angie" (*)Ron Griffiths2:39
4."Think About the Good Times" Mike Gibbins 2:21
5."Yesterday Ain't Coming Back"Ham, Evans2:57
6."Fisherman" (*)Evans, arr. Barham and Evans3:09
Side two
No.TitleWriter(s)Length
7."Maybe Tomorrow" (*)Evans2:52
8."Sali Bloo"Ham2:35
9."Angelique" (*)Evans2:26
10."I'm in Love" (*)Ham2:28
11."They're Knocking Down Our Home" (*)Ham, arr. Barham and Evans3:41
12."I've Been Waiting"Ham5:15
1992 CD bonus tracks
No.TitleWriter(s)Length
13."No Escaping Your Love"Evans2:12
14."Mrs. Jones"Ham2:15
15."And Her Daddy's a Millionaire"Ham, Evans2:08
16."Looking for My Baby"Ham2:08

Sleeve notes

On the sleeve Derek Taylor writes that these "four very nice kids [...] were not, nor are they now adventurous innovators, but they are ready, they are ready to be. The Iveys can sing and they play tight, rich stuff, write it too; they can write anything. They are lovely lads. [...] For them all Apple feels love and admiration."

Personnel

The Iveys
Other performers
Technical

Related Research Articles

<span class="mw-page-title-main">With a Little Help from My Friends</span> 1967 song by the Beatles

"With a Little Help from My Friends" is a song by the English rock band the Beatles, from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and Paul McCartney and sung by drummer Ringo Starr, his lead vocal for the album. As the second track on the album, it segues from the applause of the title track.

<span class="mw-page-title-main">Badfinger</span> Welsh rock band

Badfinger were a Welsh rock band formed in 1961 in Swansea. Their best-known lineup consisted of Pete Ham (guitar), Mike Gibbins (drums), Tom Evans (bass), and Joey Molland (guitar). They are recognised for their influence on the 1970s power pop genre. It is estimated that the band sold 14 million records.

Apple Records is a record label founded by the Beatles in 1968 as a division of Apple Corps Ltd. It was initially intended as a creative outlet for the Beatles, both as a group and individually, plus a selection of other artists including Mary Hopkin, James Taylor, Badfinger, and Billy Preston. In practice, the roster had become dominated by the mid-1970s with releases of the former Beatles as solo artists. Allen Klein managed the label from 1969 to 1973, then it was managed by Neil Aspinall on behalf of the Beatles and their heirs. Aspinall retired in 2007 and was replaced by Jeff Jones.

<i>No Dice</i> 1970 studio album by Badfinger

No Dice is the third studio album by British rock band Badfinger, issued by Apple Records and released on 9 November 1970. Their second album under the Badfinger name, but their first official album under that name, and first to include guitarist Joey Molland, No Dice significantly expanded the British group's popularity, especially abroad. The album included both the hit single "No Matter What" and the song "Without You", which would become a big hit for Harry Nilsson, and later a hit for Mariah Carey.

<i>Straight Up</i> (Badfinger album) 1971 studio album by Badfinger

Straight Up is the fourth studio album by the Welsh rock band Badfinger, released in December 1971 in the United States and February 1972 in Britain. Issued on the Beatles' Apple record label, it includes the hit singles "Day After Day" and "Baby Blue", and the similarly popular "Name of the Game", all of which were written by singer and guitarist Pete Ham. The album marked a departure from the more rock-oriented sound of Badfinger's previous releases, partly as a result of intervention by Apple Records regarding the band's musical direction.

<i>Airwaves</i> (Badfinger album) 1979 studio album by Badfinger

Airwaves is the eighth studio album released by British rock band Badfinger in 1979 on the Elektra label, the seventh album released that was credited to Badfinger. Anticipated as a comeback album for the group at the time, expectations were not quite realised, as the "group" now consisted of just the duo of Tom Evans and Joey Molland, accompanied by guitarist Joe Tansin and various session musicians.

<i>All Things Must Pass</i> 1970 studio album by George Harrison

All Things Must Pass is the third studio album by English rock musician George Harrison. Released as a triple album in November 1970, it was Harrison's first solo work after the break-up of the Beatles in April that year. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been overlooked for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Friends and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. All Things Must Pass introduced Harrison's signature slide guitar sound and the spiritual themes present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams titled Apple Jam. Several commentators interpret Barry Feinstein's album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles.

<span class="mw-page-title-main">Pete Ham</span> Welsh musician (1947–1975)

Peter William Ham was a Welsh singer, songwriter and guitarist best known as a lead vocalist of and composer for the 1970s rock band Badfinger, whose hit songs include "No Matter What", "Day After Day" and "Baby Blue". He also co-wrote the ballad "Without You", a worldwide number-one hit for Harry Nilsson that has become a standard covered by hundreds of artists. Ham was granted two Ivor Novello Awards related to the song in 1973.

<i>Ass</i> (album) 1973 studio album by Badfinger

Ass is the fifth studio album by British rock band Badfinger, and their last album released on Apple Records. The opening track, "Apple of My Eye", refers to the band leaving the label to begin its new contract with Warner Bros. Records.

<span class="mw-page-title-main">It Don't Come Easy</span> 1971 single by Ringo Starr

"It Don't Come Easy" is a song by English rock musician Ringo Starr that was released as a non-album single in April 1971. It was produced by Starr's former Beatles bandmate George Harrison, who also helped write the song, although only Starr is credited. Recording for the track took place in March 1970 at Trident Studios in London, with overdubs added in October. Starr and Harrison performed the song together in August 1971 at Harrison's Concert for Bangladesh shows in New York City, a recording from which was released on the live album of the same name. Starr has continued to perform it in subsequent decades with his All-Starr Band.

<span class="mw-page-title-main">Come and Get It (Badfinger song)</span> Song by Paul McCartney and performed by Badfinger

"Come and Get It" is a song composed by English singer-songwriter Paul McCartney for the 1969 film The Magic Christian. The song was performed by Badfinger, produced by McCartney and issued as a single 5 December 1969 in the UK, and 12 January 1970 in the US, on the Beatles' Apple label. It was the band's first release under the Badfinger name and was their international breakthrough, hitting the top 10 in both the UK and US singles charts.

<i>Magic Christian Music</i> 1970 studio album by Badfinger

Magic Christian Music is the second studio album by the British rock band Badfinger, released on 9 January 1970 on Apple Records. It was the first release under the band's new name, Badfinger. The band had previously released the album Maybe Tomorrow in 1969 under the name The Iveys. Three tracks from the LP are featured in the film The Magic Christian, which also gives the album its title. However, Magic Christian Music is not an official soundtrack album for the film.

<span class="mw-page-title-main">No Matter What (Badfinger song)</span> Single by Badfinger

"No Matter What" is a song originally recorded by Badfinger for their album No Dice in 1970, written and sung by Pete Ham and produced by Mal Evans.

<span class="mw-page-title-main">Tom Evans (musician)</span> English musician (1947–1983)

Thomas Evans was an English musician. He is best known for his work as the bassist of the band Badfinger.

<span class="mw-page-title-main">Wah-Wah (song)</span> Song by George Harrison

"Wah-Wah" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled Get Back sessions that resulted in their Let It Be album and film. The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities. Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles. Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the Get Back project, particularly with Bob Dylan and the Band in upstate New York.

<span class="mw-page-title-main">Dear Angie</span> 1969 single by The Iveys

"Dear Angie" is a song composed and sung by bassist Ron Griffiths of The Iveys for the album Maybe Tomorrow. It was released as the group's second single in some European markets, and it was also included on the Badfinger album Magic Christian Music.

<span class="mw-page-title-main">Maybe Tomorrow (The Iveys song)</span> 1968 single by The Iveys

"Maybe Tomorrow" is a song composed and sung by guitarist Tom Evans of The Iveys, which was released as the group's first worldwide single on Apple Records. It also served as the title track for the album Maybe Tomorrow, and it was also included on the Badfinger album Magic Christian Music released in 1970.

<span class="mw-page-title-main">Let It Down</span> 1970 song by George Harrison

"Let It Down" is a song by English musician George Harrison, released on his 1970 triple album All Things Must Pass. The recording was co-produced by Phil Spector and employs the latter's Wall of Sound production technique to lavish effect. Its brash opening and choruses contrast with the ethereal quality of the verses – a loud/soft approach that has been credited with influencing indie bands during the 1980s and 1990s.

Lon & Derrek Van Eaton were an American vocal and multi-instrumentalist duo from Trenton, New Jersey, consisting of brothers Lon and Derrek Van Eaton. They are best known for their association with the Beatles through the brothers' brief stint on Apple Records, and for their subsequent session work in Los Angeles for producer Richard Perry. As well as recording their own albums, during the 1970s they appeared on releases by artists including George Harrison, Ringo Starr, Harry Nilsson, Carly Simon, Martha Reeves and Art Garfunkel. Beatles biographer Robert Rodriguez describes the Van Eaton brothers as arguably the closest the Apple record label came to delivering on its initial promise of "plucking unknowns from obscurity" and launching them as successful recording artists.

<i>The Place I Love</i> 1974 studio album by Splinter

The Place I Love is the debut album by English vocal duo Splinter, released on Dark Horse Records in September 1974. It was the first album released by the Dark Horse label, which was owned by George Harrison, who also produced the album. Recording sessions took place at Harrison's Friar Park home studio in Oxfordshire and featured extensive musical contributions from Harrison, on guitar, keyboards and other instruments, as well as participants such as Gary Wright, Billy Preston, Jim Keltner and Alvin Lee. "Costafine Town", the first single from the album, was a top-twenty hit in the United Kingdom and other countries.

References

  1. "Maybe Tomorrow – The Iveys". AllMusic.