McShann's Piano | ||||
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Studio album by | ||||
Released | 1967 | |||
Recorded | August 1966 | |||
Studio | Capitol (Hollywood) | |||
Genre | Jazz | |||
Length | 34:40 | |||
Label | Capitol ST/T 2645 | |||
Producer | Dave Dexter Jr. | |||
Jay McShann chronology | ||||
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McShann's Piano is an album by jazz pianist Jay McShann recorded in 1966 and released by the Capitol label. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Allmusic review by Scott Yanow noted "Jay McShann's first recording in a decade (and first official full-length LP) is a fine showcase for the pianist, who takes vocals on three of the 11 selections. ... Throughout, McShann's blend of swing, stride, boogie and blues is quite appealing". [2] In JazzTimes Stanley Dance observed "McShann’s Piano, had wide circulation and served to introduce McShann as the singer he necessarily became in order to answer requests for the unforgotten hits with Walter Brown. He has a similar regional accent and vocal quality, but he sings much better than Brown, with more attention to melodic variety and more warmth and humor". [3]
All compositions by Jay McShann except where noted
James Columbus "Jay" McShann was an American jazz pianist, vocalist, composer, and bandleader. He led bands in Kansas City, Missouri, that included Charlie Parker, Bernard Anderson, Walter Brown, and Ben Webster.
Benjamin Moten was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States.
Gus Johnson was an American swing drummer in various jazz bands, born in Tyler, Texas, United States. After learning to play drums from his next-door neighbor, Johnson occasionally played professionally at the age of ten in the Lincoln Theater, and performed in various local groups, most notable McDavid's Blue Rhythm Band. Upon graduating from Booker T. Washington High School, Johnson moved to Kansas City, where he took up drumming full-time. He joined Jay McShann's Orchestra in 1938, with his music career being interrupted by his conscription into the military in 1943.
Jesse Price was an American jazz drummer.
Goin' to Kansas City is an album by American jazz trumpeter Buck Clayton with Tommy Gwaltney's Kansas City 9 featuring tracks recorded in late 1960 for the Riverside label.
Breakfast Dance and Barbecue is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.
Count Basie Story is a double album by pianist, composer and bandleader Count Basie featuring tracks originally performed by his orchestra in the 1930s and 1940s rerecorded in 1960 as a celebration of its 25th anniversary and first released on the Roulette label. Selections from the 2-LP set were also released as Roulette's The Best of Basie in 1962 and The Best of Basie Vol. 2 in 1964. The album was rereleased with bonus tracks in 2004 to commemorate Basie's 100th birthday.
Kansas City Revisited is an album by jazz trombonist and arranger Bob Brookmeyer featuring Brookmeyer's new orchestrations of 1920s and '30s era Kansas City jazz tunes. The album was recorded in 1958 for the United Artists label.
The Missouri Connection is an album by pianists Jay McShann and John Hicks, recorded in 1992.
Generation is a live album by guitarist Kenny Burrell and the Jazz Guitar Band recorded at the Village Vanguard in New York in 1986 and released on the relaunched Blue Note label.
Some Blues is an album by jazz pianist Jay McShann recorded in 1990 and 1992 and released on the Chiaroscuro label in 1993.
Last of the Whorehouse Piano Players is an album by pianists Ralph Sutton and Jay McShann that was recorded in 1989 and released by the Chiaroscuro label. The album follows the 1980 release of two LPs by Chaz Jazz entitled The Last of the Whorehouse Piano Players: Two Pianos Vol. I & Vol. II which were reissued by Chiaroscuro on CD in 1992 as Last of the Whorehouse Piano Players: The Original Sessions.
Last of the Whorehouse Piano Players, subtitled The Original Sessions is an album by pianists Ralph Sutton and Jay McShann that was recorded in 1979 and originally released by the Chaz Jazz label as two LPs before being reissued with two additional unreleased tracks by the Chiaroscuro label in 1992. The 1992 CD reissue omitted two tracks from Two Pianos Vol. II, "I'll Catch The Sun" which was a solo feature for Jay McShann and "Ain't Misbehavin'" which Ralph Sutton played solo. Another CD of 1989 recordings by the same group with the same title was released by Chiaroscuro on CD as Last of the Whorehouse Piano Players.
The Big Apple Bash is an album by jazz pianist Jay McShann, recorded in 1978 and released by the Atlantic label.
Kansas City Hustle is a solo album by pianist Jay McShann, recorded in 1978 and first released by the Canadian Sackville label as an LP before being reissued on the compilation CD Solos & Duets.
A Tribute to Fats Waller is a solo album by pianist Jay McShann that was recorded in 1978 and first released by the Canadian Sackville label as an LP before being reissued on the compilation CD Solos & Duets.
The Last of the Blue Devils is an album by jazz pianist Jay McShann, recorded in 1977 and released by the Atlantic label.
After Hours is an album by jazz pianist Jay McShann, recorded in 1977 but not released by the Storyville label until 1982.
Goin' to Kansas City Blues is an album by vocalist Jimmy Witherspoon with pianist Jay McShann and His Band that was recorded in 1957 and released by the RCA Victor label.
Kidney Stew Is Fine is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded in France in 1969, and originally released by the French Black & Blue label as Wee Baby Blues, before being re-released by the Delmark label in the United States.