A medieval pageant is a form of procession traditionally associated with both secular and religious rituals, often with a narrative structure. Pageantry was an important aspect of medieval European seasonal festivals, in particular around the celebration of Corpus Christi, which began after the thirteenth century. This festival reenacted the entire history of the world, in processional performance, from Bible's Genesis to the Apocalypse, employing hundreds of performers and mobile scenic elements. Plays were performed on mobile stages, called waggons, that traveled through towns so plays could be watched consecutively. Each waggon was sponsored by a guild who wrote, designed, and acted in the plays. [1]
The form was revived in the early 20th century by the English dramatist Louis N. Parker, who staged the Sherbourne Pageant in 1905, [2] followed by the Warwick Pageant in 1906. The success of these productions led to a proliferation of pageant plays in England in the following decades. Modern pageants depicted not just religious stories and themes, but rural life and local history as well. Notable authors of modern pageant plays include E. M. Forster and T. S. Eliot. [2]
Other pageants in the Christian world have centered on Saints' festivals, Carnival (Mardi Gras), and Easter, while vernacular agrarian festivals have celebrated seasonal events such as the harvest, and the Summer and Winter solstices.
Also drawing on the medieval tradition, contemporary artists such as Bread and Puppet Theater, the Welfare State, In the Heart of the Beast Puppet and Mask Theatre, Spiral Q, and Superior Concept Monsters have used pageants as a potent community-based performance form.
The processional giants and dragons (French: Géants et dragons processionnels) of Belgium and France are a set of folkloric manifestations which have been inscribed by UNESCO on the lists of Intangible Cultural Heritage in 2008, originally proclaimed in November 2005. [3] They include:
In Belgium:
In France:
Mystery play - Medieval plays focused on the presentation of Bible stories in churches as tableaux with accompanying antiphonal song.
Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region and the Walloon Region, located less than 4 kilometres (2.5 mi) to the south. Historically Dutch-speaking, Brussels saw a language shift to French from the late 19th century. Nowadays, the Brussels-Capital Region is officially bilingual in French and Dutch, although French is the majority language and lingua franca. Brussels is also increasingly becoming multilingual. English is spoken widely and many migrants and expatriates speak other languages as well.
The Grand-Place or Grote Markt is the central square of Brussels, Belgium. It is surrounded by opulent Baroque guildhalls of the former Guilds of Brussels and two larger edifices; the city's Flamboyant Town Hall, and the neo-Gothic King's House or Bread House building, containing the Brussels City Museum. The square measures 68 by 110 metres and is entirely paved.
Belgian culture involves both the aspects shared by all Belgians regardless of the language they speak and the differences between the main cultural communities: the Dutch-speaking Belgians (Flemish) and the French-speaking Belgians. Most Belgians view their culture as an integral part of European culture.
Mechelen is a city and municipality in the province of Antwerp in the Flemish Region of Belgium. The municipality comprises the city of Mechelen proper, some quarters at its outskirts, the hamlets of Nekkerspoel (adjacent) and Battel, as well as the villages of Walem, Heffen, Leest, Hombeek, and Muizen. The river Dyle (Dijle) flows through the city, hence it is often referred to as the Dijlestad.
Ath is a city and municipality of Wallonia located in the province of Hainaut, Belgium.
Bayard is a magical bay horse in the legends derived from the medieval chansons de geste. These texts, especially that of The Four Sons of Aymon, attribute to him magical qualities and a supernatural origin. He is known for his strength and intelligence, and possesses the supernatural ability to adjust his size to his riders.
Cassel is a commune in the Nord department in northern France. Built on a prominent hill overlooking French Flanders, the town has existed since Roman times. It was developed by the Romans into an important urban centre and was the focus of a network of roads, which are still in use today, that converge on the hill. After the fall of the Roman Empire, Cassel became an important fortified stronghold for the rulers of Flanders which was repeatedly fought over before finally being annexed to France in the 17th century. It was the headquarters of Marshal Ferdinand Foch during part of the First World War. In 1940, during the German invasion of France, Cassel was the scene of a fierce three-day battle between British forces and German forces which resulted in much of the town being destroyed.
Processional giants are costumed figures in European folklore, particularly present in Belgian, French, Portuguese, Spanish, and English folkloric processions. The main feature of these figures is typically their wooden, papier maché or -more recently- synthetic resin head, whilst bodies are covered in clothing matching the costume's theme.
Ommegang or Ommeganck is the generic name for various medieval pageants celebrated in the Low Countries.
The Ducasse de Mons, also commonly known as the Doudou, is a popular festival that happens every year on Trinity Sunday in the town of Mons in Belgium.
The Ommegang of Brussels is a traditional Ommegang, a type of medieval pageant, celebrated annually in Brussels, Belgium.
The Folklore of Belgium is extremely diverse and reflects the rich legacy of cultural and religious influences which have acted on the region throughout its history, even before the establishment of the nation of Belgium in 1830. Much of Belgian folklore is unique to the region in which it is commemorated. Many aspects of folklore are manifested in public processions and parades in Belgian cities; traditions which are kept alive for the amusement of locals and tourists alike.
Gayant is a processional giant that symbolizes the city of Douai. It is carried through the city for three days each year at the beginning of July as part of an eponymous festival alongside its "wife", Marie Cagenon, and their three "children", Jacquot, Fillon, and Binbin. The family arrives at the belfry at Douai on the final Sunday of the festival, which culminates with Le Grand Cortège in the afternoon.
The processional giants and dragons of Belgium and France are a set of folkloric manifestations involving processional giants, which have been inscribed by UNESCO on the lists of Intangible Cultural Heritage in 2008, originally proclaimed in November 2005.
The Ducasse d'Ath is a traditional parade held to mark the victory of David over Goliath that takes place in the town of Ath in Belgium.
Christian Cannuyer is a Belgian historian of religion, professor at the Lille Catholic University, a specialist in Coptic studies and a genealogist.
The Meyboom plantation is the oldest tradition in Brussels, Belgium, attested since 1308. It is held every year on 9 August, the eve of St Lawrence's Day, and consists mainly in planting a beech at the intersection of the Rue des Sables/Zandstraat and the Rue du Marais/Broekstraat in the City of Brussels' Marais–Jacqmain District. It is accompanied by processions and various folk activities during the day.
The Royal Theatre Toone, often simply referred to as Toone, is a folkloric theatre of marionettes in central Brussels, Belgium, active since 1830, and the only traditional Brussels puppet theatre still in operation.
A giant puppet is a puppet which is tall enough to be easily visible to a street crowd while being manipulated by puppeteers, on the same level. It is therefore most suitable for processions, street theatre and performance art, although some large theatrical animations can be used for the same purpose. Giant puppets are usually articulated and made from a lightweight material. Some are manipulated by puppeteers using rods, strings, stilts, other mechanisms, or a combination of these. Giant puppets have been used worldwide for street entertainment, celebrations or other purposes from ancient times, and they continue in use and in development today. Of the traditional giant rod puppets, the Chinese dragon New Year puppet is "perhaps the most recognized form of the parade puppet". Of the most recent examples, Royal de Luxe of France has produced a notable set of giant string puppets.
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