A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of recorded sound. The sound vibration waveforms are recorded as corresponding physical deviations of a helical or spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm that produced sound waves coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.
In music, a single is a type of release of a song recording of fewer tracks than an album or LP record, typically one or two tracks. A single can be released for sale to the public in a variety of physical or digital formats. Singles may be standalone tracks or connected to an artist's album, and in the latter case would often have at least one single release before the album itself, called lead singles.
A phonograph record or a vinyl record is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph.
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device, the source from which all copies will be produced. In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering.
A double album is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions, such as John Lennon's Some Time in New York City and OutKast's Speakerboxxx/The Love Below . Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-Audio versions of the same recordings. Some such discs were also released on a two-sided format called DualDisc.
The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.
Picture discs are gramophone (phonograph) records that show images on their playing surface, rather than being of plain black or colored vinyl. Collectors traditionally reserve the term picture disc for records with graphics that extend at least partly into the actual playable grooved area, distinguishing them from picture label discs, which have a specially illustrated and sometimes very large label, and picture back discs, which are illustrated on one unplayable side only.
Jane's Addiction is a live album by American rock band Jane's Addiction, released on May 15, 1987. Its basic tracks were recorded live at the Roxy Theatre in Los Angeles on January 26, 1987, with additional overdubs and corrections recorded at The Edge Studio in Los Angeles. An audience applause dub from a Los Lobos concert was overlaid onto the final mix.
In a Priest Driven Ambulance (With Silver Sunshine Stares) is the fourth album by the Flaming Lips, released in 1990. It is the first Flaming Lips album to feature Jonathan Donahue (also of Mercury Rev) and drummer Nathan Roberts. This line-up would subsequently be signed by Warner Bros. Records and go on to record the follow-up album Hit to Death in the Future Head. It is a concept album primarily focused on frontman Wayne Coyne's fascination with religion.
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording.
"Girls & Boys" is a 1986 song by American musician Prince and the Revolution, from his eighth studio album, Parade (1986), the soundtrack to the film Under the Cherry Moon. The song was released as a single in the UK, and as the B-side to "Anotherloverholenyohead" in the US.
Peter Kember, also known by his stage name Sonic Boom, is an English singer-songwriter, composer and record producer. He was a founding member, vocalist, guitarist and keyboardist of alternative rock band Spacemen 3, lasting from 1982 until the band's dissolution in 1991. He is now based in Sintra, Portugal.
"Crispin Glover" is the second single from Scarling.'s debut album, Sweet Heart Dealer. It was released in the USA on two separate 7" vinyl records on November 7, 2004 on the Sympathy for the Record Industry label. Each record has its own cover art — one a portrait of the song's titular actor, the other a photo of the band — and a unique b-side.
The State of Art is on Fire is an EP by American punk rock band Rocket from the Crypt. It was released in 1995 on Sympathy for the Record Industry. The album was the band's first release to include trumpet player JC 2000.
Join the Evolution was Servotron's last release to feature Gammatron, and the first to feature Andro 600 Series. It was released on both black vinyl and white vinyl.
Greasy Truckers Party is a 1972 live album by various artists recorded at a February 1972 Greasy Truckers concert at the Roundhouse in London. The concert featured three bands, Man, Brinsley Schwarz, and Hawkwind, and musician Magic Michael. Originally a double vinyl album, in a limited edition of 20,000 and sold at just £1.50, it rapidly sold out, and became a collector's item.
In the world of British underground rock, the Greasy Truckers Party ... ... looms about as large as the Monterey International Pop Festival does in American rock lore; it wasn't the biggest gig ever played by the bands involved, but for reasons of exposure, and resulting word-of-mouth, and the excerpted live album that followed, it came to define what they were capable of.
SoundScriber is a dictation machine introduced in 1945 by The SoundScriber Corp.. It records sound with a groove embossed into soft vinyl discs with a stylus. Similar competing recording technologies are the Gray Audograph and Dictaphone DictaBelt. The machine can record 15 minutes of dictation on each side of a thin (.01-inch) flexible 6-inch vinyl disc spinning at a rate of 33+1⁄3 RPM, at a density of 200 grooves per inch. The discs originally cost about 10 cents each. The machine has two tonearms: a recording arm driven by a worm gear that creates the groove with a diamond stylus, and a pickup arm with a sapphire stylus for playback. A foot-operated playback/pause—and-reverse switch is used for transcribing.
Joseph Jack "Severs" Ramsey, better known by his stage name Jah Paul Jo was an American musician, singer and producer best known for creating the novelty band Dread Zeppelin. From 1983 to 1988, Ramsey was the singer/bass player in The Prime Movers. Ramsey was also the owner of independent record label Birdcage Records, which has released albums by Dread Zeppelin, The Prime Movers, Stan Ridgway, Ron Asheton, In Vivo, The Mystery Band and others.
Good, Bad but Beautiful is a 1975 album by Shirley Bassey. In the first half of the decade, Bassey recorded nine albums, with three making the top ten. In March 1975, Bassey released a compilation that became her highest-charting album to date, The Shirley Bassey Singles Album (#2), and reflects the momentum Bassey had maintained since her 1970 "comeback". Good, Bad but Beautiful, released in the autumn of 1975, spent seven weeks on the UK Albums Chart, peaking at #13, and earned a silver disc. The album reflects the formula that brought Bassey back to the charts: a combination of contemporary songs combined with her forte of standards, show tunes, and torch songs, featuring arrangements aimed squarely at the adult contemporary, or middle-of-the-road, audience. This was also achieved by modifying her backup orchestra to include electric guitars, a string and brass section with a more contemporary sound, and drumming that is more soft rock-oriented than jazz-oriented, while side two's opener, "Feel Like Makin' Love" displays a smooth jazz style.
Sounds That Can't Be Made is Marillion's 17th studio album, released on 17 September 2012. Besides the standard edition there is also a "deluxe campaign edition" containing a bonus DVD with a feature-length documentary called Making Sounds.
