Jonathan Ray Lieber is an American former professional baseball pitcher. He stands 6 feet 2 inches (1.88 m) tall and weighs 240 pounds (110 kg). He played in Major League Baseball (MLB) for the Pittsburgh Pirates (1994–1998), Chicago Cubs, New York Yankees (2004), and Philadelphia Phillies (2005–2007). He batted left-handed and threw right-handed, and utilized a fastball, a slider, and a changeup for his pitches. In a 14-season career, Lieber compiled a 131–124 record with 1,553 strikeouts and a 4.27 ERA in 2,198 innings pitched.
J'attendrai is the 31st studio album by Dalida.
Charles M. Lieber is an American chemist, pioneer in nanoscience and nanotechnology, and a convicted felon. In 2011, Lieber was named the leading chemist in the world for the decade 2000–2010 by Thomson Reuters, based on the impact of his scientific publications. He is known for his contributions to the synthesis, assembly and characterization of nanoscale materials and nanodevices, the application of nanoelectronic devices in biology, and as a mentor to numerous leaders in nanoscience.
Perry Banks was a Canadian silent film actor.
Edith Borella was an American silent film actress of Swiss descent. She starred in films such as the 1913 film Through the Neighbor's Window with Charlotte Burton which was her debut. Her career only lasted two years between 1913 and 1915 but in that period of time she starred in 46 films. She married popular English-American actor Edward Coxen in 1914.
George Field was an American silent film actor.
Mein Lieber Katrina is a 1914 American silent comedy short starring Charlotte Burton, George Field, Ida Lewis and John Steppling.
"O zittre nicht, mein lieber Sohn" is the first aria performed by the Queen of the Night in Mozart's singspiel The Magic Flute . It is not as well known as the Queen's second aria, "Der Hölle Rache kocht in meinem Herzen", though no less demanding; the aria requires a soprano coloratura with extremely high tessitura and great vocal flexibility.
Resonet in laudibus, translated into English as "Let the voice of praise resound", is a 14th-century carol which was widely known in medieval Europe, and is still performed today. Although probably earlier, in manuscript form it first appears in the Moosburg Gradual of 1360 and occurs in several 15th, 16th and 17th century printed collections from both Catholic and Lutheran traditions.
Chorale fantasia is a type of large composition based on a chorale melody, both works for organ, and vocal settings, for example the opening movements of Bach's chorale cantatas, with the chorale melody as a cantus firmus.
Thomas Brasch was a German author, poet and film director.
"Ach Gott, wie manches Herzeleid" is a German hymn in 18 stanzas attributed to Martin Moller (1587). It is often catalogued as a paraphrase of the Latin "Jesu dulcis memoria", a medieval hymn attributed to Bernard of Clairvaux, but only a few lines refer directly to this song. Hymn tunes were composed for the hymn, and it is also often sung to a tune composed for "Herr Jesu Christ, meins Lebens Licht". The anonymous hymn tune of "Herr Jesu Christ, meins Lebens Licht" first appeared in Wolflein Lochamer's Lochamer-Liederbuch, printed in Nürnberg around 1455. In Leipzig in the 1720s, Johann Sebastian Bach composed settings of Lochamer's hymn based on four of his church cantatas and a sacred motet.
Death Race 2 is a 2010 American science fiction action film directed by Roel Reiné, written by Tony Giglio and Paul W. S. Anderson. It is the second installment in the Death Race film series. The film serves as a prequel to Death Race (2008) and was released directly to video on 27 December 2010. The film is followed by a sequel Death Race 3: Inferno (2013)
Johann Sebastian Bach composed the church cantata Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, in Leipzig for the 21st Sunday after Trinity and first performed it on 17 October 1723.
Schau, lieber Gott, wie meine Feind, BWV 153, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday after New Year's Day and first performed it on 2 January 1724.
Nimm, was dein ist, und gehe hin, BWV 144, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday Septuagesimae, the third Sunday before Lent, and first performed it on 6 February 1724.
Chor Aur Chaand is a 1993 Indian Bollywood film directed by Pavan Kaul and produced by Aditya Pancholi. It stars Aditya Pancholi and Pooja Bhatt in pivotal roles.
Bach's first cantata cycle refers to the church cantatas Johann Sebastian Bach composed for the somewhat less than 60 occasions of the liturgical year of his first year as Thomaskantor in Leipzig which required concerted music. That year ran from the first Sunday after Trinity in 1723 to Trinity Sunday of the next year:
- Trinity I, 30 May 1723: Die Elenden sollen essen, BWV 75
- Trinity II, 6 June 1723: Die Himmel erzählen die Ehre Gottes, BWV 76
- Trinity III, 13 June 1723: Weimar cantata Ich hatte viel Bekümmernis, BWV 21 restaged
- Trinity IV, 20 June 1723: Ein ungefärbt Gemüte, BWV 24, and Weimar cantata Barmherziges Herze der ewigen Liebe, BWV 185 restaged
- Nativity of St. John the Baptist, 24 June 1723: Ihr Menschen, rühmet Gottes Liebe, BWV 167
- Trinity V, 27 June 1723: no extant cantata
- Visitation, 2 July 1723: Herz und Mund und Tat und Leben, BWV 147 and possibly Magnificat in E-flat major, BWV 243a
- Trinity VI, 4 July 1723: no extant cantata
- Trinity VII, 11 July 1723: Ärgre dich, o Seele, nicht, BWV 186
- Trinity VIII, 18 July 1723: Erforsche mich, Gott, und erfahre mein Herz, BWV 136
- Trinity IX, 25 July 1723: Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105
- Trinity X, 1 August 1723: Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46
- Trinity XI, 8 August 1723: Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179 and Weimar cantata Mein Herze schwimmt im Blut, BWV 199 restaged
- Trinity XII, 15 August 1723: Lobe den Herrn, meine Seele, BWV 69a
- Trinity XIII, 22 August 1723: Du sollt Gott, deinen Herren, lieben, BWV 77
- Trinity XIV, 29 August 1723: Es ist nichts Gesundes an meinem Leibe, BWV 25
- (30 August 1723, Ratswechsel: not part of the liturgical year, see below)
- Trinity XV, 5 September 1723: Warum betrübst du dich, mein Herz, BWV 138
- Trinity XVI, 12 September 1723: Christus, der ist mein Leben, BWV 95
- Trinity XVII, 19 September 1723: Bringet dem Herrn Ehre seines Namens, BWV 148
- Trinity XVIII, 26 September 1723: no extant cantata
- St. Michael's Day, 29 September 1723: no extant cantata
- Trinity XIX, 3 October 1723: Ich elender Mensch, wer wird mich erlösen, BWV BWV 48
- Trinity XX, 10 October 1723: Weimar cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 restaged
- Trinity XXI, 17 October 1723: Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109
- Trinity XXII, 24 October 1723: Was soll ich aus dir machen, Ephraim, BWV 89
- Reformation Day, 31 October 1723 : possibly Weimar cantata Nur jedem das Seine, BWV 163 restaged; Alternatively an early version of BWV 80/80b?
- Trinity XXIV, 7 November 1723: O Ewigkeit, du Donnerwort, BWV 60
- Trinity XXV, 14 November 1723: Es reißet euch ein schrecklich Ende, BWV 90
- Trinity XXVI, 21 November 1723: Wachet! betet! betet! wachet! BWV 70
- Advent I, 28 November 1723: Weimar cantata Nun komm, der Heiden Heiland, BWV 61 restaged
- Christmas, 25 December 1723: Weimar cantata Christen, ätzet diesen Tag, BWV 63 restaged; Also Magnificat, BWV 243a and Sanctus in D major, BWV 238
- Second Day of Christmas, 26 December 1723: Darzu ist erschienen der Sohn Gottes, BWV 40
- Third Day of Christmas, 27 December 1723: Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64
- New Year, 1 January 1724: Singet dem Herrn ein neues Lied, BWV 190
- Sunday after New Year, 2 January 1724: Schau, lieber Gott, wie meine Feind, BWV 153
- Epiphany, 6 January 1724: Sie werden aus Saba alle kommen, BWV 65
- Epiphany I, 9 January 1724: Mein liebster Jesus ist verloren, BWV 154
- Epiphany II, 16 January 1724: Weimar cantata Mein Gott, wie lang, ach lange? BWV 155 restaged
- Epiphany III, 23 January 1724: Herr, wie du willt, so schicks mit mir, BWV 73
- Epiphany IV, 30 January 1724: Jesus schläft, was soll ich hoffen? BWV 81
- Purification, 2 February 1724: Erfreute Zeit im neuen Bunde, BWV 83
- Septuagesima, 6 February 1724: Nimm, was dein ist, und gehe hin, BWV 144
- Sexagesima, 13 February 1724: Leichtgesinnte Flattergeister, BWV 181 and Weimar cantata Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 restaged in its Leipzig version
- Estomihi, 7 February 1723 and 20 February 1724 : Jesus nahm zu sich die Zwölfe, BWV 22 and Du wahrer Gott und Davids Sohn, BWV 23 restaged in its first Leipzig version
- Annunciation and Palm Sunday 25 March 1724: Siehe eine Jungfrau ist schwanger, BWV 1135 and Weimar cantata Himmelskönig, sei willkommen, BWV 182 restaged.
- (Good Friday, 7 April 1724: St John Passion, BWV 245, 1st version — Passion, not considered as a cantata part of the cycle)
- Easter, 9 April 1724: early cantata Christ lag in Todes Banden, BWV 4 restaged ; Weimar cantata Der Himmel lacht! Die Erde jubilieret, BWV 31 restaged
- Easter Monday, 10 April 1724: Erfreut euch, ihr Herzen, BWV 66
- Easter Tuesday, 11 April 1724: Ein Herz, das seinen Jesum lebend weiß, BWV 134
- Quasimodogeniti, 16 April 1724: Halt im Gedächtnis Jesum Christ, BWV 67
- Misericordias Domini, 23 April 1724: Du Hirte Israel, höre, BWV 104
- Jubilate, 30 April 1724: Weimar cantate Weinen, Klagen, Sorgen, Zagen, BWV 12 restaged in a version with a slightly modified instrumentation
- Cantate, 7 May 1724: Wo gehest du hin? BWV 166
- Rogate, 14 May 1724: Wahrlich, wahrlich, ich sage euch, BWV BWV 86
- Ascension, 18 May 1724: Wer da gläubet und getauft wird, BWV 37
- Exaudi, 21 May 1724: Sie werden euch in den Bann tun, BWV 44
- Pentecost, 28 May 1724: Wer mich liebet, der wird mein Wort halten, BWV 59 and Weimar cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 restaged in its first Leipzig version (D major)
- Pentecost Monday, 29 May 1724: no extant cantata
- Pentecost Tuesday, 30 May 1724: Erwünschtes Freudenlicht, BWV 184
- Trinity, 4 June 1724: Höchsterwünschtes Freudenfest, BWV 194, originally a consecration cantata, restaged in its first Leipzig version
Kontora Kooka or Kontora Kuka is a Russian rock music group formed in Samara in the early 1990s. According to Rolling Stone Russia, their album Check was the best Russian album of 2013.
Friedrich Dörr was a German Catholic priest and professor of theology, who is known as a hymnwriter. He shaped the first common German Catholic hymnal, Gotteslob, published in 1975.
