 Dust-jacket from the first edition | |
| Author | William Morrison |
|---|---|
| Cover artist | Ric Binkley |
| Language | English |
| Genre | Science fiction |
| Publisher | Gnome Press |
Publication date | 1954 |
| Publication place | United States |
| Media type | Print (Hardback) |
| Pages | 191 |
| OCLC | 5304913 |
Mel Oliver and Space Rover on Mars is a children's science fiction novel by American writer William Morrison (pseudonym of Joseph Samachson). It was published in 1954 by Gnome Press in an edition of 4,000 copies.
The novel concerns the adventures of a boy and his sapient dog as they join an interplanetary circus on a voyage to Mars.
Anthony Boucher praised the novel as "the most enjoyable non-Heinlein s.f. for the young" in several years, describing Morrison's writing as "easy, lively, humorous and charming." [1]
Donald Allen Wollheim was an American science fiction editor, publisher, writer, and fan. As an author, he published under his own name as well as under pseudonyms, including David Grinnell, Martin Pearson, and Darrell G. Raynor. A founding member of the Futurians, he was a leading influence on science fiction development and fandom in the 20th-century United States. Ursula K. Le Guin called Wollheim "the tough, reliable editor of Ace Books, in the Late Pulpalignean Era, 1966 and '67", which is when he published her first two novels in Ace Double editions.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences, first appeared in the late 1970s. Though there are examples generally considered as "hard" science fiction such as Isaac Asimov's Foundation series, built on mathematical sociology, science fiction critic Gary Westfahl argues that while neither term is part of a rigorous taxonomy, they are approximate ways of characterizing stories that reviewers and commentators have found useful.
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.
Gregory Dale Bear was an American writer and illustrator best known for science fiction. His work covered themes of galactic conflict, parallel universes, consciousness and cultural practices, and accelerated evolution. His last work was the 2021 novel The Unfinished Land. Greg Bear wrote over 50 books in total.
Glen David Brin is an American science fiction author. He has won the Hugo, Locus, Campbell and Nebula Awards. His novel The Postman was adapted into a 1997 feature film starring Kevin Costner.
Judith Josephine Grossman, who took the pen-name Judith Merril around 1945, was an American and then Canadian science fiction writer, editor and political activist, and one of the first women to be widely influential in those roles.
The Magazine of Fantasy & Science Fiction is a U.S. fantasy and science fiction magazine, first published in 1949 by Mystery House, a subsidiary of Lawrence Spivak's Mercury Press. Editors Anthony Boucher and J. Francis McComas had approached Spivak in the mid-1940s about creating a fantasy companion to Spivak's existing mystery title, Ellery Queen's Mystery Magazine. The first issue was titled The Magazine of Fantasy, but the decision was quickly made to include science fiction as well as fantasy, and the title was changed correspondingly with the second issue. F&SF was quite different in presentation from the existing science fiction magazines of the day, most of which were in pulp format: it had no interior illustrations, no letter column, and text in a single-column format, which in the opinion of science fiction historian Mike Ashley "set F&SF apart, giving it the air and authority of a superior magazine".
Edwin Charles Tubb was a British writer of science fiction, fantasy and western novels. The author of over 140 novels and 230 short stories and novellas, Tubb is best known for The Dumarest Saga, an epic science-fiction saga set in the far future. Michael Moorcock wrote, "His reputation for fast-moving and colourful SF writing is unmatched by anyone in Britain."
Joseph Samachson was an American scientist and writer, primarily of science fiction and comic books.
Gnome Press was an American small-press publishing company primarily known for publishing many science fiction classics. Gnome was one of the most eminent of the fan publishers of SF, producing 86 titles in its lifespan — many considered classic works of SF and Fantasy today. Gnome was important in the transitional period between Genre SF as a magazine phenomenon and its arrival in mass-market book publishing, but proved too underfunded to make the leap from fan-based publishing to the professional level. The company existed for just over a decade, ultimately failing due to inability to compete with major publishers who also started to publish science fiction. In its heyday, Gnome published many of the major SF authors, and in some cases, as with Robert E. Howard's Conan series and Isaac Asimov's Foundation series, was responsible for the manner in which their stories were collected into book form.
The Geffen Award is an annual literary award given by the Israeli Society for Science Fiction and Fantasy since 1999, and presented at the ICon festival, the annual Science Fiction and Fantasy Convention, It is named in honour of editor and translator Amos Geffen, who was one of the society's founders.
Phyllis Eisenstein was an American author of science fiction and fantasy short stories as well as novels. Her work was nominated for both the Hugo Award and Nebula Award.
Everett Franklin Bleiler was an American editor, bibliographer, and scholar of science fiction, detective fiction, and fantasy literature. In the late 1940s and early 1950s, he co-edited the first "year's best" series of science fiction anthologies, and his Checklist of Fantastic Literature has been called "the foundation of modern SF bibliography". Among his other scholarly works are two Hugo Award–nominated volumes concerning early science fiction—Science-Fiction: The Early Years and Science-Fiction: The Gernsback Years—and the massive Guide to Supernatural Fiction.
Michael Raymond Donald Ashley is a British bibliographer, author and editor of science fiction, mystery, and fantasy.
Donald Metcalf Grant was an American publisher.
Miracle Science and Fantasy Stories was an American pulp science fiction magazine which published two issues in 1931. The fiction was unremarkable, but the cover art and illustrations, by Elliott Dold, were high quality, and have made the magazine a collector's item. The magazine ceased publication when Dold became ill and was unable to continue his duties both as editor and artist.
Two Complete Science-Adventure Books was an American pulp science fiction magazine, published by Fiction House, which lasted for eleven issues between 1950 and 1954 as a companion to Planet Stories. Each issue carried two novels or long novellas. It was initially intended to carry only reprints, but soon began to publish original stories. Contributors included Isaac Asimov, Robert A. Heinlein, Arthur C. Clarke, Poul Anderson, John Brunner, and James Blish. The magazine folded in 1954, almost at the end of the pulp era.
Flash Gordon Strange Adventure Magazine was a pulp magazine which was launched in December 1936. It was published by Harold Hersey, and was an attempt to cash in on the growing comics boom, and the popularity of the Flash Gordon comic strip in particular. The magazine contained a novel about Flash Gordon and three unrelated stories; there were also eight full-page color illustrations. The quality of both the artwork and the fiction was low, and the magazine saw only a single issue. It is now extremely rare.
Wonder Story Annual was a science fiction pulp magazine which was launched in 1950 by Standard Magazines. It was created as a vehicle to reprint stories from early issues of Wonder Stories, Startling Stories, and Wonder Stories Quarterly, which were owned by the same publisher. It lasted for four issues, succumbing in 1953 to competition from the growing market for paperback science fiction. Reprinted stories included Twice in Time, by Manly Wade Wellman, and "The Brain-Stealers of Mars", by John W. Campbell.
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