Melchior Barthel

Last updated

John the Baptist Scalzi, Venice Santa Maria degli Scalzi (Venice) - Cappella Mora - John the Baptist by Melchior Barthel.jpg
John the Baptist Scalzi, Venice
"Melancholy" at Santi Giovanni e Paolo, Venice Melchior Barthel Venice.jpg
"Melancholy" at Santi Giovanni e Paolo, Venice

Melchior Barthel (born 10 December 1625 in Dresden; died there 12 November 1672) was a German sculptor.

Contents

Biography

He studied with his father and with Johann Boehme, of Schneeberg (1640–45), and settled at Dresden, where he was appointed sculptor to the court. [1]

Works

His principal works are the colossal tomb of the Doge Giovanni Pesaro (Santa Maria dei Frari, Venice); the statue of John the Baptist (chapel of Santa Maria, Nazareth); and a tomb in San Giovanni e Paolo, Venice. His numerous ivory carvings in the Green Vault at Dresden are considered superior to his more elaborate works. [1]

Notes

  1. 1 2 One or more of the preceding sentences incorporates text from a publication now in the public domain :  Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Barthel, Melchior"  . New International Encyclopedia (1st ed.). New York: Dodd, Mead.

Related Research Articles

<span class="mw-page-title-main">Alessandro Algardi</span> Italian sculptor (1598–1654)

Alessandro Algardi was an Italian high-Baroque sculptor active almost exclusively in Rome. In the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major rivals of Gian Lorenzo Bernini, in Rome. He is now most admired for his portrait busts that have great vivacity and dignity.

<span class="mw-page-title-main">Antonio Canova</span> Italian Neoclassical sculptor (1757–1822)

Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.

<span class="mw-page-title-main">Mino da Fiesole</span> Italian sculptor

Mino da Fiesole, also known as Mino di Giovanni, was an Italian Renaissance sculptor from Poppi, Tuscany. He is noted for his portrait busts.

<span class="mw-page-title-main">Andrea Sansovino</span> Italian sculptor

Andrea dal Monte Sansovino or Andrea Contucci del Monte San Savino was an Italian sculptor active during the High Renaissance. His pupils include Jacopo Sansovino.

<span class="mw-page-title-main">Bernardo Bellotto</span> 18th-century Italian artist (c. 1721/22–1780)

Bernardo Bellotto, was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting.

<span class="mw-page-title-main">Santa Maria Gloriosa dei Frari</span> Church in Venice, Italy

The Basilica di Santa Maria Gloriosa dei Frari, commonly abbreviated to the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. It is the largest church in the city and it has the status of a minor basilica. The church is dedicated to the Assumption of Mary.

<span class="mw-page-title-main">Santa Maria del Popolo</span> Church in Rome, Italy

The Parish Basilica of Santa Maria del Popolo is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.

<span class="mw-page-title-main">Lombardo (family)</span>

Lombardo, the name of a family of Venetian sculptors and architects; their surname was apparently Solaro, and the name of Lombardo was given to the earliest known, Martino, who emigrated from Lombardy to Venice in the middle of the 15th century AD and became celebrated as an architect.

<span class="mw-page-title-main">Tullio Lombardo</span> Italian sculptor

Tullio Lombardo, also known as Tullio Solari, was an Italian Renaissance sculptor. He was the brother of Antonio Lombardo and son of Pietro Lombardo. The Lombardo family worked together to sculpt famous Catholic churches and tombs. The church of Santi Giovanni e Paolo contains the Monument to Doge Pietro Mocenigo, executed with his father and brother, and the Monument to Doge Andrea Vendramin, an evocation of a Roman triumphal arch encrusted with decorative figures. Tullio also likely completed the funereal monument to Marco Cornaro in the Church of Santi Apostoli and the frieze in the Cornaro Chapel of the Santa Maria Gloriosa dei Frari. He also participated in the work to decorate Santa Maria dei Miracoli, Venice.

<span class="mw-page-title-main">Antonio Corradini</span> Italian sculptor

Antonio Corradini was an Italian Rococo sculptor from Venice. He is best known for his illusory veiled depictions of the human body, where the contours of the face and body beneath the veil are discernible.

<span class="mw-page-title-main">Andrea Bregno</span> Italian sculptor

Andrea di Cristoforo Bregno (1418–1506) was an Italian Renaissance sculptor and architect of the Early Renaissance who worked in Rome from the 1460s and died just as the High Renaissance was getting under way.

<span class="mw-page-title-main">Camillo Rusconi</span> Italian sculptor (1658-1728)

Camillo Rusconi was an Italian sculptor of the late Baroque in Rome. His style displays both features of Baroque and Neoclassicism. He has been described as a Carlo Maratta in marble.

<span class="mw-page-title-main">Baroque sculpture</span> Sculpture of the Baroque movement

Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.

Raffaello da Montelupo, born Raffaele Sinibaldi, was a sculptor and architect of the Italian Renaissance, and an apprentice of Michelangelo. He was the son of another Italian sculptor, Baccio da Montelupo. Both father and son are profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori.

<span class="mw-page-title-main">Girolamo Campagna</span> Italian sculptor

Girolamo Campagna (1549–1625) was a Northern Italian sculptor.

<span class="mw-page-title-main">Scalzi, Venice</span>

Santa Maria di Nazareth is a Roman Catholic Carmelite church in Venice, northern Italy. It is also called Church of the Scalzi being the seat in the city of the Discalced Carmelites religious order. Located in the sestiere of Cannaregio, near Venezia Santa Lucia railway station, it was built in the mid-17th century to the designs of Baldassarre Longhena and completed in the last decades of that century.

Giovanni Maria Morlaiter was an Italian sculptor of the Rococo or late-Baroque, active mainly in his native Venice.

Tommaso Rues was a Baroque sculptor active mainly in Venice; he contributed many of the statues outside of the church of the Salute. His works can be seen in a number of other Venetian churches including the Redentore, San Pantalon, and San Clemente.

<span class="mw-page-title-main">Giovanni Maria Nosseni</span> Swiss sculptor

Giovanni (Johann) Maria Nosseni was a sculptor and architect from the Italian-speaking Switzerland (Ticino) working at the Saxon court at Dresden.

<span class="mw-page-title-main">Giovanni Maria Mosca</span> Italian sculptor

Giovanni Maria Mosca or Giovanni Padovano was an Italian Renaissance sculptor and medallist, active between 1515 and 1573, initially in the Veneto and after 1529 in Poland, where his first name was rendered Jan.