Mereka Bilang, Saya Monyet!

Last updated

Mereka Bilang, Saya Monyet!
Mereka Bilang Saya Monyet.jpg
Poster
Directed by Djenar Maesa Ayu
Written by
  • Djenar Maesa Ayu
  • Indra Herlambang
Based on
  • "Lintah"
  • "Melukis Jendela"
Produced by
  • Djenar Maesa Ayu
  • Riyadh Assegat
Starring
CinematographyRoby Taswin
Edited by
  • Wawan I. Wibowo
  • Arifin "Cuunk"
Music by
  • Titi Rajo Bintang
  • Wong Aksan
Distributed byIntimasi Production
Release date
  • 3 January 2008 (2008-01-03)(Indonesia)
Running time
83 minutes
CountryIndonesia
LanguageIndonesian
Budget Rp 620 million [1]

Mereka Bilang, Saya Monyet! (released internationally as They Say I'm a Monkey!) is a 2008 Indonesian film directed by Djenar Maesa Ayu. Starring Titi Rajo Bintang, Henidar Amroe, and Ray Sahetapi, it tells the life story of Adjeng, who was sexually abused as a child by her mother's boyfriend. Filmed over 18 days after several years of development, the film adapted two of Ayu's short stories from her debut anthology of the same name. Owing to its low budget of Rp  620 million, [lower-alpha 1] its cast and crew were mostly amateurs and students, although several established actors appeared at reduced rates.

Contents

Mereka Bilang, Saya Monyet! has been described as "anti-Sjuman" because of the disparity between Ayu's more personal directing style and the social realism of her father, Sjumandjaja. Although commercially unsuccessful, the film was well received by critics. It won five national-level awards and was screened at several international film festivals. Two Indonesian publications, Tempo and The Jakarta Post , selected it as among the best films of 2008.

Plot

Adjeng (Titi Rajo Bintang) lives alone in an apartment paid for by her boyfriend, a rich businessman (Joko Anwar). A writer of children's stories, she wishes to write short stories for adults; in this, she is mentored by Asmoro (Ray Sahetapy) – with whom she is also having sex. Meanwhile, Adjeng's mother (Henidar Amroe) handles various aspects of her life, constantly calling her and making surprise visits. This has led Adjeng's friends, Venny (Ayu Dewi) and Andien (Fairuz Faisal), to tease her about her overbearing mother.

When Adjeng goes clubbing with her friends, she drinks too much and vomits, later passing out in a toilet. As she lies with her head on the seat she recalls that, as a child (Nadya Romples), she had been forced to eat vegetables she had previously vomited. Later, when Andien uses her apartment for a one-night stand, Adjeng peeks and recalls how she had observed her mother having sex with her lover (Bucek Depp), a man who had previously molested Adjeng – an act which is not shown explicitly. This background, as well as her recollections of life as a teenager (played by Banyu Bening) at the home of her womanising father (August Melasz) are worked into Adjeng's short story "Lintah" ("Leech").

When Asmoro reads the story, he says that it is unrealistic and that readers need a climax. However, Adjeng insists that reality is unrealistic and that not all victims of rape are willing to call the police. Several days later, while they are lying in bed, Asmoro shows Adjeng that "Lintah" had been published in Kompas . Adjeng's mother, aware of the story's autobiographical nature, is furious and, after going to Adjeng's apartment, blames everything on Adjeng's father abandoning them.

Upset, Adjeng goes out with Venny and Andien, but when the two begin arguing about motherhood Adjeng leaves them both in the street. She then goes to a café to drink with Asmoro, who comforts her. When she returns home she checks her messages, most of which are about the short story. Venny and Andien, meanwhile, return to their families and think of the importance of children.

The following day, Asmoro sees the businessman, Adjeng's boyfriend, leaving her apartment, which puts him in a foul mood. He and Adjeng fight, and Asmoro almost smothers Adjeng with a pillow before saying that they are through. As Adjeng lies on the bed, she recalls how her mother's lover raped her and how her mother murdered him. As the phone rings, Adjeng watches the people from her past going about life in a residential complex, smiles, and returns to writing.

Cast

Production

The film was originally meant to be based on the short story "Mereka Bilang, Saya Monyet!" from Djenar Maesa Ayu's 2002 debut, a critically and commercially successful short story anthology of the same name. [2] [3] However, Djenar later chose to base the film on "Lintah" ("Leech") and "Melukis Jendela" ("Painting the Window"), two other stories from the anthology. [4] Ayu had originally not intended to film her stories, but agreed after she was approached by a consortium who offered to fund her. [5] She asked Indra Herlambang, a writer-cum-television personality, [6] to help her write the screenplay as she "never could write stories with a plot", [lower-alpha 2] [7] and she needed him to keep her motivated. [8] The two wrote the screenplay over a period of two years, [4] having difficulty finding new investors after the original ones dropped out. [9]

In 2004 Ayu began taking filmmaking classes to prepare herself to direct the film. [2] She also watched several films directed by her father, the director Sjumandjaja, in preparation for production. [4] Production began in October 2006, with some of the film crew – including art director Hardiyansah B. Yasin – drawn in after Ayu met them at a cafe in South Jakarta and discovered that they were active in the local indie film scene. The group helped collect the Rp 620 million (US$75,000) needed for production; [1] [10] as a cost-saving measure, numerous crew members were film students. [11]

Many of the roles were written with specific actors in mind, [12] with casting for other roles promoted by word of mouth. [13] Titi Rajo Bintang, a lecturer at the Daya Kemang Institute of Art, was cast in the starring role of Adjeng after Ayu and her then-husband, Sri Aksana Sjuman (Ayu's brother), convinced her. At first she was uncomfortable with some of her scenes and her lack of training, as this was her first film role. However, she received support from her husband, who told her that she should act professionally and that "in a kissing scene ... [her] body should not reject it". [14] The couple also provided the soundtrack for Mereka Bilang, Saya Monyet!, including three original songs – "When You Smile", "Someday", and "Love, Sadness & Happiness" – performed by Rajo Bintang. [15]

Model turned actress Henidar Amroe was chosen to play Adjeng's mother; Ayu later said that the role had been written with her in mind. [16] Although worried about the sexual content of the film, Amroe accepted the role, calling it a "crazy" plot that "read like a foreign movie". [16] The young Adjeng was played by Ayu's daughter, Banyu Bening. [17] Several of the established actors cast, including Jajang C. Noer, Ray Sahetapy, and August Melasz, agreed to appear in the film for less than their usual fee. [18] Shooting took place over 18 days, [4] although 14 had originally been allocated. [19]

Style and themes

Mereka Bilang, Saya Monyet! deals with the after effects of child molestation in a way that the Indonesian magazine Tempo describes as an "interesting time control experiment", [lower-alpha 3] replete with flashbacks [4] which clearly establish the time frame in which scenes happen. [20] According to Wicaksono Adi, in his review for Kompas , Adjeng's writing is her therapy, as it entails constant reconstruction and deconstruction of her troubled past; he posits that this ultimately allows Adjeng to fight back against the authority figures who had troubled her since she was young. [21] In a making-of documentary on the film, Ayu said that she had no moral message or social criticism in mind when creating the film, considering it instead a form of self-exploration. [22] Admitting that the film could be read as a critique of violence against women and children, she said that she could empathise as a woman. [23]

Adi also sees a love–hate relationship between Adjeng and her mother, which results in Adjeng's promiscuity – a common act in the Sastra Wangi literary movement of which Ayu is considered a part. The relationship between mother and daughter is reflective of themes in the earlier works Pasir Berbisik (Whispering Sands; 2001), by Nan Achnas, and Eliana, Eliana (2003), by Riri Riza. However, unlike the aforementioned films, Mereka Bilang, Saya Monyet! did not end with the daughter and mother on divergent paths. [21] The reviewer Totot Indrarto, also writing for Kompas, wrote that Adjeng was the title "monkey" character of the film, being looked down upon by everyone around her; however, those who judge her do not actually know her, thus, in Indrarto's opinion, making them the "monkeys". [1]

A review in Tempo described the film as "anti-Sjuman" owing to the differences in styles between father and daughter. Sjumandjaja's films tended to fall under social realism, while Ayu's debut had more of a personal, symbolic aspect [4] with a touch of surrealism. [21] The film does not show Adjeng's molestation, instead symbolizing it by showing a leech feeding; in one case, when Adjeng is raped in a bathtub, losing her virginity, the scene is represented by blood-red water and numerous leeches feeding. [4]

Release and reception

Mereka Bilang, Saya Monyet! received a wide release on 3 January 2008. [24] Commercially unsuccessful in the country, [25] the film was screened at several international film festivals, including the 2008 Singapore International Film Festival (SIFF), [26] the 2008 Tallinn Black Nights Film Festival in Estonia, [27] and the 2009 Asian Hot Shot Film Festival in Berlin. [28] The film was released on DVD in Indonesia on 9 May 2008 by Jive! Collection, after passing through the censorship board in March. The DVD featured English-language subtitles, English- and Indonesian-language editions of the source short stories, and a behind-the-scenes documentary. [29] [30]

The film received generally positive reviews. Seno Joko Suyono, in a review for Tempo, stated that the clichéd plot of family crisis became more interesting with the introduction of sex; he also called the climax "sweet yet disturbing". [lower-alpha 4] [31] Later in 2008 the magazine selected Mereka Bilang, Saya Monyet! as the best local movie of 2008, writing that Ayu had taken to directing like "a fish that had long floundered on the dry ground and was finally returned to the sea." [lower-alpha 5] [4] Iskandar Liem, writing for The Jakarta Post , also listed the film as among the top ten of the year, alongside international works such as Christopher Nolan's The Dark Knight and another Indonesian film, Riri Riza's Laskar Pelangi (The Rainbow Warriors). He described the film as "unflinching in its brutal honesty and fluid in its visual allegory", welcoming Ayu as "a rebellious new voice" in Indonesia's film industry. [32]

Ening Nurjanah, an organiser of the women-themed film festival V, described Djenar as "an example of director who can portray a strong woman in her films", with the film "breaking new ground" in portraying women's sexuality. [33] The Vietnamese-American actor Dustin Nguyen, who judged the film at SIFF, considered the film unexpected and "un-Indonesian", "well made, well acted, but [with] more of a Western sensibility. [26] Lisabona Rahman, writing for Rolling Stone Indonesia , praised Rajo Bintang's acting and the film's portrayal of Adjeng's background, on which she wrote "the expression of [the background] is very powerful, keeping us speechless from fear"; [lower-alpha 6] however, she found the sound quality inadequate. [20]

In his review for Kompas, Adi wrote that Ayu had made a well developed and acted film, a "good debut for [Indonesia's] future director", [lower-alpha 7] although he considered the cinematography incapable of fully expressing the character's psychological torment. [21] Indrarto described Mereka Bilang, Saya Monyet! as interesting despite technical flaws, containing a strong message that viewers should not judge someone or bother them when they are unlikely to know that person's true background. [1]

Awards

Mereka Bilang, Saya Monyet! was nominated for two Golden Screen Awards at the 2008 Indonesian Movie Awards. It also received six Citra Award nominations at the 2009 Indonesian Film Festival (IFF), winning three. [34] Aria Kusumadewa's Identitas (Identity; 2009) bested Mereka Bilang, Saya Monyet! in Best Film and Best Director, while Joko Anwar's Pintu Terlarang (Forbidden Door; 2009) took Best Editing. [35]

AwardYearCategoryRecipientResult
Indonesian Movie Awards 2008Best Supporting ActressHenidar AmroeWon
Best New ActressTiti Rajo BintangWon
Indonesian Film Festival 2009 Best Film Nominated
Best Director Djenar Maesa AyuNominated
Best Screen AdaptationDjenar Maesa Ayu and Indra HerlambangWon
Best EditingWawan I Wibowo and Arifin CuunkNominated
Best Leading Actress Titi Rajo BintangWon
Best Supporting Actress Henidar AmroeWon

Notes

  1. Then approximately $69,000.
  2. Original: "Ane juge tau kapsitas ane, biasenye ntu... kalo menulis kagak perneh bise pake plot."
  3. Original: "... eksperimen permainan waktu yang menarik."
  4. Original: "... manis yang justru mengganggu."
  5. Original: "... bak seekor ikan yang sudah lama menggelepar di daratan kering yang dicemplungkan ke dalam laut.."
  6. Original: ";.. tuturannya yang sangat kuat terus membuat kita tergugu"
  7. Original: "... debut yang bagus untuk sutradara masa depan kita."

Related Research Articles

<span class="mw-page-title-main">Monty Tiwa</span> Indonesian film director

Monty Tiwa is an Indonesian screenwriter, composer, film editor, film producer and film director. Monty Tiwa enrolled in University of Kansas before he returned to Indonesia and worked as creative writer for Trans TV (2002–2003), head section creative for RCTI (2003–2004) and creative director for MNC (2004–2005).

<span class="mw-page-title-main">Nikita Willy</span> Indonesian singer

Nikita Purnama Willy is an Indonesian actress, model and singer of Minangkabau descent.

<span class="mw-page-title-main">Alessandra Usman</span> Indonesian film actress and model

Alessandra Khadijah Usman is an Indonesian film actress, Ambassador for Ministry of Tourism of Indonesia, model and beauty pageant titleholder who won the Puteri Indonesia Pariwisata of Puteri Indonesia 2010, and automatically acquired the title Puteri Indonesia Pariwisata 2010. She represented Indonesia in Miss Asia Pacific World 2011, where she ended-up won 1st Runner-up and Best Style Dress award in the pageant.

The Annual Indonesian Movie Actor Awards are annual awards that have been presented to filmmakers in Indonesia since 2007. The trophy given is called Piala Layar Emas. Winners in "Best" categories are selected by a jury, and winners in "Favorite" categories are selected by the public.

Djenar Maesa Ayu, also known as Nay, is an Indonesian novelist, short story writer, actress, screenwriter, and filmmaker. Her work has variously been described as "provocative and lurid", and unique and brave. Because of the boldness of the topics she writes about, Ayu is considered to a member of the informal movement labeled sastra wangi.

<span class="mw-page-title-main">Ayu Ting Ting</span> Indonesian dangdut singer (born 1992)

Ayu Rosmalina, better known by her stage name Ayu Ting Ting is an Indonesian dangdut singer and one of the Indonesian Dangdut Divas who rose to fame in 2011 for her song "Alamat Palsu" that was released in 2006. Her stage name "Ting Ting" means "virgin".

<span class="mw-page-title-main">Sastra wangi</span>

Sastra wangi is a label given to a new body of Indonesian literature written by young, urban Indonesian women who take on controversial issues such as politics, religion and sexuality. Initiating the movement was writer Ayu Utami's best-selling first novel, Saman (1998), a contemporary view of Indonesian society published two weeks before the downfall of President Suharto. Large numbers of similar works by young women have followed.

Titik Handayani Rajo Bintang, known professionally as Titi Radjo Padmaja, is an Indonesian award winning composer, drummer, singer, songwriter, and actress.

<span class="mw-page-title-main">Sjumandjaja</span> Indonesian actor and filmmaker

Sjumandjaja was an Indonesian director, screenwriter, and actor. During his career he wrote numerous films, directed fourteen, acted in ten, and produced nine; he also won five Citra Awards from the Indonesian Film Festival. His films reflected social realism.

<span class="mw-page-title-main">Clara Ng</span> Indonesian writer (born 1973)

Clara Ng is an Indonesian writer who is known for both adult fiction and children's literature.

<span class="mw-page-title-main">Ratna Asmara</span> Indonesian actress and director (1913–1968)

Ratna Asmara, also known as Ratna Suska, was an Indonesian actress and director. Originally active in theatre, she starred in the romance film Kartinah (1940), which her first husband Andjar directed.

The Citra Award for Best Actress is an award given at the Indonesian Film Festival (FFI) to Indonesian actresses for their achievements in leading roles. The Citra Awards, described by Screen International as "Indonesia's equivalent to the Oscars", are the country's most prestigious film awards and are intended to recognize achievements in films as well as to draw public interest to the film industry.

<span class="mw-page-title-main">Reisa Kartikasari</span> Indonesian Royal Family member of Surakarta Sunanate

Raden Kanjeng Mas Ayu Tumenggung Reisa Kartikasari Broto Asmoro, is an Indonesian royal family member of Surakarta Sunanate, Head of Communication for Indonesian COVID-19 Response Acceleration Task Force, actress, doctor, talk show host and beauty pageant titleholder who was crowned Puteri Indonesia Lingkungan 2010. She represented Indonesia at the Miss International 2011 pageant.

The Citra Award for Best Supporting Actress is an award given at the Indonesian Film Festival (FFI) to Indonesian actresses for their achievements in a supporting role. The Citra Awards, described by Screen International as "Indonesia's equivalent to the Oscars", are the country's most prestigious film awards and are intended to recognize achievements in films as well as to draw public interest to the film industry.

<span class="mw-page-title-main">Chitra Dewi</span> Indonesian actress and director (1930–2008)

Rara Patma Dewi Tjitrohadiseikusumo, best known under her stage name Chitra Dewi, was an Indonesian actress and director. She was noted for her roles in Usmar Ismail's films of the 1950s, appearing in films such as Tamu Agung, Tiga Dara, and Pedjuang, although she remained active in cinema until 1993 and won a Citra Award for Best Supporting Actress at the 1979 Indonesian Film Festival for Gara-gara Isteri Muda. Dewi also had a brief stint film directing in 1971, making her one of only six Indonesian women to direct a film before 1998.

Sheila Permatasaka is an Indonesian musician. She spent three years learning how to play bass in Farabi Music School, Jakarta, and plays bass in the jazz band "Starlite". Her formal education was in Atma Jaya University, Jakarta, with the subject Accounting but she founds her true calling in music.

The 2nd Annual Indonesian Movie Awards was held on March 28, 2008, at the Plenary Hall, Jakarta Convention Center, Central Jakarta. The award show was hosted by Nirina Zubir, Choky Sitohang, Wulan Guritno, and Ringgo Agus Rahman. And the nominations have been announced for the category of Favorite, which will be chosen by the public via SMS. As for the category of Best, will be selected by a jury that has been appointed. For the category which contested are the same as last year's celebration.

<span class="mw-page-title-main">Bucek Depp</span>

Bucek Depp a.k.a. Bucek is an Indonesian model and actor.

<i>Kartini</i> (film) 2017 Indonesian film

Kartini is a 2017 Indonesian biographical family drama film directed by Hanung Bramantyo and written by Bramantyo and Bagus Bramanti. It features an ensemble cast, with Dian Sastrowardoyo starring in the title role of Indonesian woman emancipation heroine, Kartini. Christine Hakim, Acha Septriasa, Ayushita, Adinia Wirasti, and Reza Rahadian co-stars in supporting roles. Initially to be released on 2016, the film was delayed for a year. The film was released in Indonesia on 19 April 2017, two days before Kartini's day. Although being highly anticipated, the film turned out to perform below expectations. It gained just over 500 thousands viewers, a small viewership for a big budgeted local film. Despite turning a profitable venture, it is still considered an unexpected boxoffice disappointment for failing to reach less than 1 million viewers.

<span class="mw-page-title-main">Tara Basro</span> Indonesian actress

Tara Basro is an Indonesian actress and musician.

References

Footnotes

Bibliography

  • Adi, Wicaksono (13 January 2008). "Monyet Itu Baik-Baik Saja" [That Monkey is Fine]. Kompas. pp. 1, 15.
  • Ayu, Djenar Maesa (director and producer) (2008). Di Balik Layar Mereka Bilang, Saya Monyet![Behind the Scens of Mereka Bilang, Saya Monyet!] (in Indonesian). Jakarta: Jive! Collection. OCLC   298868155.
  • Ayu, Djenar Maesa (director and producer) (2008). Mereka Bilang, Saya Monyet! (DVD liner notes). Jakarta: Jive! Collection. OCLC   298868155.
  • "Di Layar Lebar, Djenar Berenang" [On the Wide-Screen, Djenar Swims]. Tempo (in Indonesian). 29 December 2008. Archived from the original on 31 March 2012. Retrieved 5 November 2011.
  • Edmond, Bruce (18 August 2011). "Religion is my anchor, it keeps me on the right track". The Jakarta Post. Archived from the original on 9 November 2011. Retrieved 5 November 2011.
  • Edmond, Bruce (29 January 2009). "Taking Things in Stride". The Jakarta Post. Archived from the original on 16 January 2012. Retrieved 5 November 2011.
  • M. P., Erfanintya (17 December 2009). "Festival Film Indonesia 2009 : Identitas Juaranya!!!" [Indonesian Film Festival 2009 : Identitas Wins!!!] (in Indonesian). 21 Cineplex. Archived from the original on 2 January 2010. Retrieved 25 September 2012.
  • García, Michael Nieto (1 October 2004). "More than Just Sex". Inside Indonesia. Archived from the original on 5 November 2011. Retrieved 5 November 2011.
  • "Idealis dan Komersial" [Idealist and Commercial]. Kompas. 18 December 2008. Retrieved 14 August 2012.(subscription required)
  • Indrarto, Totot (6 January 2008). "Demokratisasi Selera Monyet Djenar" [Democratisation of Djenar's Monkey Tastes]. Kompas. p. 28. Archived from the original on 18 October 2011. Retrieved 15 August 2012.
  • Kurniasari, Triwik (18 April 2010). "Titi Sjuman juggling two worlds and succeeding in both". The Jakarta Post. Jakarta. Archived from the original on 25 November 2010. Retrieved 24 December 2011.
  • Liem, Iskandar (28 December 2008). "Top ten theatrical releases of 2008". The Jakarta Post. Archived from the original on 4 March 2016. Retrieved 14 August 2012.
  • "Mereka Bilang, Saya Monyet!" (in Indonesian). Disc Tarra. Archived from the original on 28 June 2012. Retrieved 14 August 2012.
  • "Mereka Bilang, Saya Monyet!". filmindonesia.or.id (in Indonesian). Jakarta: Konfidan Foundation. Archived from the original on 4 April 2014. Retrieved 14 August 2012.
  • Meninaputri W. (1 February 2009). "Stripping film industry to its bare essentials". The Jakarta Post. Archived from the original on 26 October 2012. Retrieved 14 August 2012.
  • "No monkey business". The Jakarta Post. 16 October 2005. Archived from the original on 3 February 2011. Retrieved 14 August 2012.
  • "Penghargaan Mereka Bilang, Saya Monyet!" [Awards for Mereka Bilang, Saya Monyet!]. filmindonesia.or.id (in Indonesian). Jakarta: Konfidan Foundation. Archived from the original on 27 November 2016. Retrieved 14 August 2012.
  • Rahman, Lisabona (13 May 2007). "Selamat Datang, Djenar" [Welcome, Djenar]. Rolling Stone Indonesia (in Indonesian). Archived from the original on 5 April 2014. Retrieved 17 August 2012.
  • Siregar, Lisa (9 August 2011). "Indonesia on the Silver Screen". The Jakarta Globe. Archived from the original on 14 August 2012. Retrieved 14 August 2011.
  • Suyono, Seno Joko (21 January 2008). "Pergulatan Ajeng, Pergulatan Djenar" [Adjeng's Struggle, Djenar's Struggle]. Tempo (in Indonesian). Archived from the original on 31 March 2012. Retrieved 5 November 2011.
  • "They Say I'm a Monkey". Tallinn Black Nights Film Festival. 2008. Archived from the original on 7 December 2008. Retrieved 14 August 2012.
  • Whitfield, Deanne (19 April 2008). "SIFF judge Dustin Nguyen rates local indie films". The Jakarta Post. Archived from the original on 9 November 2010. Retrieved 14 August 2011.