Michael Bach (musician)

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Michael Bach, Cello with BACH.Bow Michael Bach, Cello with BACH.Bow.jpg
Michael Bach, Cello with BACH.Bow

Michael Bach (born 17 April 1958 in Worms, Germany), also known as Michael Bach Bachtischa, is a German cellist, composer, and visual artist.

Contents

Biography

He studied cello with Gerhard Mantel, Boris Pergamenschikow, Pierre Fournier, and János Starker, then embarked on a career of international concert activity as well as performances on radio, recordings, and television. [1]

He made numerous significant contributions to the art of contemporary cello performance; his publication Fingerboards & Overtones proposes new ideas concerning overtones and harmonics and is considered a pioneering work in the literature on contemporary technique. [2] In 1990, he developed the curved bow (BACH.Bogen) for the cello, violin, viola and bass, which, in polyphonic playing, permits the simultaneous sounding of multiple strings, with the high arch of the bow allowing for full, sustained chords. During the years 1997 to 2001, Mstislav Rostropovich has been intimately involved in its development. [3] In 2001, he invited Michael Bach to Paris for a presentation of his BACH.Bow (7th Concours de violoncelle Rostropovitch). [4]

In 2012, during an exhibition on the theme BACHLAEUFE – The Imprint of Johann Sebastian Bach on Modern Times, held at Arnstadt, Germany, the first prize was awarded to the BACH.Bow. [5] His work as cellist and composer was awarded the Gaudeamus Prize Amsterdam, the Kranichstein Prize Darmstadt, the Japan Record Academy Prize, the Millennium Prize Würzburg.

Several contemporary composers, among them John Cage, Dieter Schnebel, Walter Zimmermann and Hans Zender, have composed works especially for the BACH.Bow. Bach Bachtischa is also a composer. His purely musical compositions are idiosyncratic and highly personal, described by him as “free from compositional conventions.”

In collaboration with the visual artist Renate Hoffleit he has created strikingly original string installations. [6] Their projects (zwischen e and f)² in Stuttgart and IM KLANGSTROM in Ulm, Germany were supported i. a. by the Innovationsfonds Kunst of the State of Baden-Württemberg. The project Schloss Kapfenburg besaitet... was listed in the Guinness Book of Records in 2000.

Exhibition of the Fingerboards in Trier, Germany 2012 Trier Open Expo 2012.JPG
Exhibition of the Fingerboards in Trier, Germany 2012

In the two blogs the bach update and the cello upgrade, Michael Bach documents and analyzes projects and aspects of contemporary music as well as new insights into the solo works for violin and cello by Johann Sebastian Bach.

Michael Bach's visual works include Fingerboards (1990–2010), which capture the hand's choreography on the cello fingerboard as color impressions, Fieldwork (1994), Mit diesen beiden Händen (1994), Lagauche (1995), and Olévano (1995–).

The German postage stamp 75 Jahre Donaueschinger Musiktage, Deutschland 1996 shows his composition and drawing 18–7–92, Scetches to Ryoanji (1992). [7]

Compositions

BACH.Bow BACH.Bow.jpg
BACH.Bow

Premieres

Publications

Radio and TV

Related Research Articles

In music, a bow is a tensioned stick which has hair coated in rosin affixed to it. It is moved across some part of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones.

<span class="mw-page-title-main">Double stop</span> Playing two strings at once on an instrument

In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously. Although the term itself suggests these strings are to be fingered (stopped), in practice one or both strings may be open.

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<i>Number Pieces</i>

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<span class="mw-page-title-main">Curved bow</span> Type of bow for stringed instruments

The curved bow for string instruments enables string players to control the tension of the bow hair in order to play one, two, three and four strings simultaneously and to change easily among these possibilities. The high arch of the bow allows full, sustained chords to be played and there is a lever mechanism that affects the tension and release of the bow hair. The stick of the curved bow is bent upwards (convex) and forms a circle segment. Since the four strings of a string instrument are arranged on a curved bridge, the bow hairs must be loosened so that they can reach all three or four strings. Currently used bow sticks are slightly bent in the other direction (concave), that is it is only possible to play two strings at a time and, for a short time with a lot of bow pressure, three strings simultaneously.

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References

  1. Baker's Biographical Dictionary of Musicians , Centennial Edition, Vol. 1, pages 173/174
  2. http://www.zeit.de/1991/50/der-zwang-zur-freiheit?page=2 "Der Wert dieser Pionierarbeit für Komponisten und Interpreten ist nicht hoch genug einzuschätzen." Die Zeit (1991)
  3. http://www.bach-bogen.de/mstislav-rostropovich Archived 2013-10-17 at the Wayback Machine Cooperation with Mstislav Rostropovich (1997–2001)
  4. http://www.cello.org/Newsletter/Articles/bachbogen/bachbogen.htm Presentation of the BACH.Bogen in Paris (2001)
  5. https://www.bach-bogen.de/first-prize-for-the-bach-bow/ "First Prize BACH.Bow - BACH Bogen". Archived from the original on 2017-08-10. Retrieved 2017-12-13.
  6. http://michael-bach-bachtischa.de/sound/ Archived 2017-07-08 at the Wayback Machine String Installations
  7. https://www.bach-bogen.de/blog/thecelloupgrade/das-werk-18-7-92-und-die-sonderbriefmarke-75-jahre-donaueschinger-musiktage/Archived+2013-12-28+at+the+Wayback+Machine German postage stamp „75 Jahre Donaueschinger Musiktage, Deutschland“ (1996)