Beckerman graduated from Hofstra University in 1973. He intended to study Mozart in graduate school, but while working at a record store, he was offered free recordings of Czech music in exchange for promoting their sales, since customers rarely showed interest in composers such as Josef Mysliveček, Josef Suk, Vitěslav Novák and Bohuslav Martinů.[3] Beckerman earned his Ph.D. from Columbia University in 1982. He described his choice of Janáček’s theoretical works for his doctoral subject as an unwitting example of "buying low and selling high".[2]
Beckerman commented for the NPR series "Fishko Files" about "symphonies that swing" when composers bring jazz music to the concert hall[7] and about Tchaikovsky's use of 5/4 time for the so-called "waltz" from the Pathetique symphony.[8] Beckerman commented for WQXR about Dvořák's African-American student Harry T. Burleigh's influence on Dvořák's composing[9] and about getting beyond the antisemitism to appreciate Wagner's music.[10]
Beckerman has written for the New York Times about subjects including Dvořák,[11][12]Bach,[13][14]Schubert,[15] the music of baseball,[16] and the dark sides of Christmas songs.[17] In one piece, Beckerman noted that the tune that most excites students in grade school orchestras is the theme from "Jeopardy".[18] The NYT quoted Beckerman's 'amusing' program notes about a musical suite based on a Gogol novella: "it is never useful to scold composers for their taste in literature".[19]
Awards
ASCAP Deems Taylor Award for outstanding liner notes[20]
Dvořák and Janáček Medals from the Czech Ministry of Culture
Laureate of the Czech Music Council
Honorary doctorates from Palacký and Masaryk[21] Universities in the Czech Republic
Gratias Agit Award from the Czech Ministry of Foreign Affairs[22]
Harrison Medal from the Society of Musicology in Ireland[23]
Books
Classical Music: Contemporary Perspectives and Challenges, Open Book Publishers, 2021.
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