Life and work
Davidson has written eight books of poetry as well as numerous historical, cultural and critical works. He has been affiliated with the University of California at San Diego (UCSD) since 1974 and as a professor of American literature since 1988 with areas of study and research in Modern Poetry, Cultural Studies, Gender Studies, and Disability Studies.
Davidson served as the first curator of the Mandeville Department of Special Collections (UCSD) where the George Oppen papers are stored. The Archive for New Poetry [1] is now a major campus, community and international resource for studying post-1945 English-language poetry, and is one of the four largest American poetry collections in the U.S. The archive contains holdings that emphasize the ongoing “countertradition” in recent American writing – particularly the Objectivist poets, the Black Mountain poets, the San Francisco Renaissance, the New York School, and the Language School.
Davidson, who recently became Deaf, has written extensively on disability issues, most recently "Hearing Things: The Scandal of Speech in Deaf Performance," in Disability Studies: Enabling the Humanities, "Phantom Limbs: Film Noir and the Disabled Body," GLQ 9:1-2 (2003), and "Strange Blood: Hemophobia and the Unexplored Boundaries of Queer Nation," in Beyond the Boundary: Reconstructing Cultural Identity in a Multicultural Context. A collection of essays on disability was published as Concerto for the Left Hand: Disability and the Defamiliar Body (University of Michigan). [2] Another recent critical work, On the Outskirts of Form: Practicing Cultural Poetics, was published in 2011 by Wesleyan University Press. This latter book gathered his essays concerning formally innovative poetry from modernists such as Mina Loy, George Oppen, and Wallace Stevens to current practitioners such as Cristina Rivera-Garza, Heriberto Yépez, Lisa Robertson, and Mark Nowak. [3]
In addition to being a widely published poet and poetry editor (he is represented in the 2004 edition of Best American Poetry by a poem entitled "Bad Modernism"), Davidson is known for insightful literary criticism, his work in disability studies, and for the meticulous editing of the monumental George Oppen, New Collected Poems.
Imagism was a movement in early-20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism is sometimes viewed as "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists. In common with many other modernists, these poets wrote in reaction to the perceived excesses of Victorian poetry, with its emphasis on traditional formalism and ornate diction. In many respects, their criticism echoes what William Wordsworth wrote in Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier, criticising the gauche and pompous school which then pervaded, and seeking to bring poetry to the layman.
Louis Zukofsky was an American poet. He was the primary instigator and theorist of the so-called "Objectivist" poets, a short lived collective of poets who after several decades of obscurity would reemerge around 1960 and become a significant influence on subsequent generations of poets in America and abroad.
The Objectivist poets were a loose-knit group of second-generation Modernists who emerged in the 1930s. They were mainly American and were influenced by, among others, Ezra Pound and William Carlos Williams. The basic tenets of objectivist poetics as defined by Louis Zukofsky were to treat the poem as an object, and to emphasize sincerity, intelligence, and the poet's ability to look clearly at the world. While the name of the group is similar to Ayn Rand's school of philosophy, the two movements are not affiliated.
Charles Reznikoff was an American poet best known for his long work, Testimony: The United States (1885–1915), Recitative (1934–1979). The term Objectivist was coined for him. The multi-volume Testimony was based on court records and explored the experiences of immigrants, black people and the urban and rural poor in the United States in the late nineteenth and early twentieth centuries. He followed this with Holocaust (1975), based on court testimony about Nazi death camps during World War II.
George Oppen was an American poet, best known as one of the members of the Objectivist group of poets. He abandoned poetry in the 1930s for political activism and moved to Mexico in 1950 to avoid the attentions of the House Un-American Activities Committee. He returned to poetry—and to the United States—in 1958, and received the Pulitzer Prize for Poetry in 1969.
Lyn Hejinian is an American poet, essayist, translator and publisher. She is often associated with the Language poets and is known for her landmark work My Life, as well as her book of essays, The Language of Inquiry.
American poetry refers to the poetry of the United States. It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies. Most of the early colonists' work was similar to contemporary English models of poetic form, diction, and theme. However, in the 19th century, an American idiom began to emerge. By the later part of that century, poets like Walt Whitman were winning an enthusiastic audience abroad and had joined the English-language avant-garde.
Michael Palmer is an American poet and translator. He attended Harvard University, where he earned a BA in French and an MA in Comparative Literature. He has worked extensively with Contemporary dance for over thirty years and has collaborated with many composers and visual artists. Palmer has lived in San Francisco since 1969.
Ron Silliman is an American poet. He has written and edited over 30 books, and has had his poetry and criticism translated into 12 languages. He is often associated with language poetry. Between 1979 and 2004, Silliman wrote a single poem, The Alphabet. He has now begun writing a new poem, Universe, the first section of which appears to be called Revelator.
Barrett Watten is an American poet, editor, and educator often associated with the Language poets. He is a professor of English at Wayne State University in Detroit, Michigan where he has taught modernism and cultural studies. Other areas of research include postmodern culture and American literature; poetics; literary and cultural theory; visual studies; the avant-garde; and digital literature.
Rachel Blau DuPlessis is an American poet and essayist, known as a feminist critic and scholar with a special interest in modernist and contemporary poetry. Her work has been widely anthologized.
From the Other Side of the Century: A New American Poetry, 1960–1990 is a poetry anthology published in 1994. It was edited by American poet and publisher Douglas Messerli – under his own imprint Sun & Moon Press – and includes poets from both the U.S. and Canada.
The National Poetry Foundation (NPF) is a book publisher founded in 1971 by Carroll F. Terrell who built its reputation with Burton Hatlen at the University of Maine in Orono. Today it publishes poetry by individual authors as well as both journals and scholarship devoted to Ezra Pound and poets in the Imagist and "Objectivist" traditions. It has also positioned itself as a center and host for international conferences on modern poetry.
Nationality words link to articles with information on the nation's poetry or literature.
John Taggart is an American poet and critic.
Michael Heller, is an American poet, essayist and critic. Among his many books are Exigent Futures, In The Builded Place, Wordflow and Living Root: A Memoir. He wrote the libretto for the opera, Benjamin, based on the life of Walter Benjamin. He is recipient of awards including the NEH Poet/Scholar grant, New York Foundation for the Arts Fellowship (NYFA), National Endowment for the Humanities award, and The Fund for Poetry.
American Sign Language literature is one of the most important shared cultural experiences in the American deaf community. Literary genres initially developed in residential Deaf institutes, such as American School for the Deaf in Hartford, Connecticut, which is where American Sign Language developed as a language in the early 19th century. There are many genres of ASL literature, such as narratives of personal experience, poetry, cinematographic stories, folktales, translated works, original fiction and stories with handshape constraints. Authors of ASL literature use their body as the text of their work, which is visually read and comprehended by their audience viewers. In the early development of ASL literary genres, the works were generally not analyzed as written texts are, but the increased dissemination of ASL literature on video has led to greater analysis of these genres.
Danielle Pafunda is an American writer and poet. She has taught for the University of Wyoming, University of California San Diego, and is 2018-19 Visiting Assistant Professor of Poetry and Poetics at the University of Maine. She also teaches for Mississippi University for Women's low-residency MFA. She often lives and works in the Mojave Desert.
