Ron Silliman

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Ron Silliman
Ron Silliman in Speaking Portraits.jpg
Born (1946-08-05) August 5, 1946 (age 77)
Pasco, Washington, U.S.
OccupationPoet
Literary movementLanguage poetry
Website
ronsilliman.blogspot.com
Ron Silliman reads from his work Ron Silliman.jpg
Ron Silliman reads from his work
Ron Silliman's neon piece From Northern Soul (Bury Neon) on display at Bury Interchange From Northern Soul (Bury Neon).jpg
Ron Silliman's neon piece From Northern Soul (Bury Neon) on display at Bury Interchange

Ron Silliman (born August 5, 1946) is an American poet. He has written and edited over 30 books, and has had his poetry and criticism translated into 12 languages. He is often associated with language poetry. Between 1979 and 2004, Silliman wrote a single poem, The Alphabet. He has now begun writing a new poem, Universe, the first section of which appears to be called Revelator.

Contents

Life and work

In the 1960s, Silliman attended Merritt College, San Francisco State University and the University of California, Berkeley, but left without attaining a degree. He lived in the San Francisco Bay area for more than 40 years.

As a published poet, he has taught in the Graduate Writing Program at San Francisco State University, at the University of California at San Diego, at New College of California and, in shorter stints, at Naropa University and Brown University.[ citation needed ]

Silliman has worked as a political organizer, a lobbyist, an ethnographer, a newspaper editor, a director of development, and as the executive editor of the Socialist Review (US). While in San Francisco, he served on numerous community boards, including the 1980 Census Oversight Committee, the Arson Task Force of the San Francisco Fire Department, and the State Department of Health's Task Force on Health Conditions in Locale Detention Facilities. Silliman worked as a market analyst in the computer industry before retiring at the end of 2011.[ citation needed ]

Silliman classifies his poetry as part of a lifework, which he calls Ketjak , a name refers to a form of Balinese dance drama based on an ancient text. [1] "Ketjak" is also the name of the first poem of The Age of Huts. [1] If and when completed, the entire work will consist of The Age of Huts (1974–1980), Tjanting (1979–1981), The Alphabet (1979–2004), and Universe (2005-). [1]

Marriage and family

In 1995 Silliman moved to Chester County, Pennsylvania, where he lives with his wife Krishna and two sons.

Language poetry and critical writing

Although he has come to be associated with the Language poets for most of his career, Silliman came of age under the sign of Donald Allen's New American Poetry (1960). Regarding the latter publication, he's said that it is:

"unquestionably the most influential single anthology of the last century. It’s a great book, an epoch-making one in many ways." [2]

Silliman was first published in Berkeley in 1965. In the 1960s he was published by journals associated with what he calls the School of Quietude, such as Poetry Northwest,TriQuarterly,Southern Review and Poetry. Silliman thought that such early acceptance was less a recognition of his skills than a lack of standards or rigor characteristic of that literary tendency; he began looking for alternatives. Some of these alternatives were initiated through various editing projects that he took part in, which gave him the opportunity to work with a wide range of poets. One of the more influential projects was Silliman's newsletter called Tottels (1970–81), [3] that was one of the early venues for Language Poetry. He says that "The Dwelling Place," a feature article on nine poets published in Alcheringa (1975), was his "first attempt to write about language poetry". [4]

In 1976 and 1977, he co-curated a reading series with Tom Mandel, at the Grand Piano, a coffee house. Nearly three decades later, some of the poets who took part in this series were still collaborating on a work based on these readings. [5] This collaboration became part of what was called "an experiment in collective autobiography," co-authored by ten of these Language poets in San Francisco. When the project was completed, it consisted of 10 volumes in all. The other nine writers included were Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Kit Robinson, Lyn Hejinian, Rae Armantrout, and Ted Pearson. "[F]rom 1976 to 1979 the authors took part in a reading and performance series. The writing project, begun in 1998, was undertaken as an online collaboration, first via an interactive web site and later through a listserv." [6]

Criticism

Silliman's mature critical writing dates to the early/mid-1970s. Asked to discuss the role of reference in poetry, he wrote the essay, "Disappearance of the Author, Appearance of the World," which was first published in the journal Art Con. Soon he edited a special issue of the magazine Margins, devoted to the work of the poet Clark Coolidge. He began to give talks and contribute essays on a regular basis thereafter.

He has said that he was influenced by the "New American Poetry", referring to the poets who were published in Donald Allen's groundbreaking anthology The New American Poetry 1945–1960 . Today, these same figures have been long recognized.

In 1986, Silliman's anthology, In the American Tree, a collection of American language poetry, was published by the National Poetry Foundation. [7]

Legacy and honors

In 2012, Silliman was one of three Kelly Writers House Fellows at the University of Pennsylvania, together with Karen Finley and John Barth. In 2010, he received the annual Levinson Prize from the Poetry Foundation.

Silliman was a 2003 Literary fellow of the National Endowment for the Arts and a 2002 Fellow of the Pennsylvania Arts Council, as well as a PEW Fellow in the Arts in 1998.

He is memorialized in the Addison Anthology, a sidewalk portion in Berkeley, California containing plaques honoring poets and authors. Silliman was voted the Poet Laureate of the Blogosphere [8]

Bibliography

Critical studies and reviews of Silliman's work

Leningrad
Alphabet
The Difficulties

Related Research Articles

The Language poets are an avant-garde group or tendency in United States poetry that emerged in the late 1960s and early 1970s. The poets included: Bernadette Mayer, Leslie Scalapino, Stephen Rodefer, Bruce Andrews, Charles Bernstein, Ron Silliman, Barrett Watten, Lyn Hejinian, Tom Mandel, Bob Perelman, Rae Armantrout, Alan Davies, Carla Harryman, Clark Coolidge, Hannah Weiner, Susan Howe, James Sherry, and Tina Darragh.

Lyn Hejinian was an American poet, essayist, translator, and publisher. She is often associated with the Language poets and is known for her landmark work My Life, as well as her book of essays, The Language of Inquiry.

<span class="mw-page-title-main">Rae Armantrout</span> American poet (born 1947)

Rae Armantrout is an American poet generally associated with the Language poets. She has published more than two dozen books, including poetry and prose.

<span class="mw-page-title-main">Barrett Watten</span> American poet, editor, and educator

Barrett Watten is an American poet, editor, and educator often associated with the Language poets. He is a professor of English at Wayne State University in Detroit, Michigan where he has taught modernism and cultural studies. Other areas of research include postmodern culture and American literature; poetics; literary and cultural theory; visual studies; the avant-garde; and digital literature.

Michael Davidson is an American poet.

<i>From the Other Side of the Century</i>

From the Other Side of the Century: A New American Poetry, 1960–1990 is a poetry anthology published in 1994. It was edited by American poet and publisher Douglas Messerli – under his own imprint Sun & Moon Press – and includes poets from both the U.S. and Canada.

<span class="mw-page-title-main">Bob Perelman</span> American writer

Bob Perelman is an American poet, critic, editor, and teacher. He was an early exponent of the Language poets, an avant-garde movement, originating in the 1970s. He has helped shape a "formally adventurous, politically explicit poetic practice in the United States", according to one of his chroniclers. Perelman is professor of English emeritus at the University of Pennsylvania.

<span class="mw-page-title-main">Robert Grenier (poet)</span> American poet

Robert Grenier is a contemporary American poet associated with the Language School. He was founding co-editor of the influential magazine This (1971–1974). This was a watershed moment in the history of recent American poetry, providing one of the first gatherings in print of various writers, artists, and poets now identified as the Language poets.

This is a poetry journal associated with what would later be called Language poetry because during the time span in which This was published, "many poets of the emerging Language school were represented in its pages".

Tom Mandel is an American poet whose work is often associated with the Language poets. He was born in Chicago and has lived in New York City, Paris and San Francisco. Since 2004, he has lived in Lewes, Delaware with his wife the poet and psychotherapist Beth Joselow.

Aerial is an influential poetry magazine edited by Rod Smith and published by Aerial/Edge, based in Washington, D.C. Aerial/Edge also publishes Edge Books. The first issue of Aerial appeared in 1984. Edge Books began with its first publication in 1989.

Steve Benson is an American poet and performer. He is often associated with the Language poets. Benson lives in Downeast Maine where he is a licensed psychologist in private practice.


Kit Robinson is an American poet, translator, writer and musician. An early member of the San Francisco Language poets circle, he has published 28 books of poetry.

Alan Bernheimer is an American poet, often associated with the San Francisco Language poets and the New York School poets.

<span class="mw-page-title-main">Cole Swensen</span> American poet

Cole Swensen is an American poet, translator, editor, copywriter, and professor. Swensen was awarded a 2006 Guggenheim Fellowship and is the author of more than ten poetry collections and as many translations of works from the French. She received her B.A. and M.A. from San Francisco State University and a Ph.D. in Comparative Literature from the University of California, Santa Cruz, and served as the Director of the Creative Writing Program at the University of Denver. She taught at the Iowa Writers' Workshop at the University of Iowa until 2012 when she joined the faculty of Brown University's Literary Arts Program.

David Melnick (1938–2022) was a gay avant-garde American poet. He was born in Illinois and grew up in Los Angeles, California. He attended the University of Chicago and University of California, Berkeley.

Jean Day, is an American poet.

Peter Seaton was an American poet associated with the first wave of Language poetry in the 1970s. During the opening and middle years of Language poetry many of his long prose poems were published, widely read and influential. Seaton was also a frequent contributor to L=A=N=G=U=A=G=E, one of the influential magazines and theoretical venues for Language poetry, co-edited by Charles Bernstein. In 1978, Bernstein published Seaton's first book of poetry, Agreement, the same year that L=A=N=G=U=A=G=E magazine made its first appearance. Some of Seaton's work from this time has been reprinted in The L=A=N=G=U=A=G=E Book (1984).

Diane Ward is a U.S. poet initially associated with the first wave of Language poetry in the 1970s and has actively published into the 21st century, maintaining a presence in various artistic communities for many decades. Born in Washington, DC where she attended the Corcoran School of Art, Ward currently lives in Santa Monica, California where she taught poetry in public schools to 1st through 5th graders for many years.

PennSound is a poetry website and online archive that hosts free and downloadable recordings of poets reading their own work. The website offers over 1500 full-length and single-poem recordings, the largest collection of poetry sound-files on the internet, all of which are available free for download. PennSound is codirected by Al Filreis and Charles Bernstein. It is a project of the Center for Programs in Contemporary Writing at the University of Pennsylvania.

References

  1. 1 2 3 Andrew Ervin (June 24, 2007). "Ron Silliman, making poetry, unmaking rules- review of 'The Age of Huts'". philly.com.
  2. Ron Silliman discusses Donald Allen’s The New American Poetry from Silliman's Blog: June 11, 2007
  3. on-line at the Eclipse archive, link here: Tottel's Magazine Archived 2007-08-07 at the Wayback Machine
  4. Silliman's Blog: weblog entry for Tuesday, October 31, 2006 Silliman writes that "my afterword to that selection, “Surprised by Sign: Notes on Nine,” was my first attempt to write about language poetry". Published in 1975, the editing had been done in 1973: "The nine poets included Bruce Andrews, Barbara Baracks, Clark Coolidge, visual poet Lee DeJasu, Ray Di Palma, Robert Grenier, David Melnick, Barrett Watten & your humble correspondent"
  5. The Grand Piano: An Experiment in Collective Autobiography. Detroit, Michigan Mode A, 2007. ISBN   978-0979019821
  6. "The Grand Piano", website
  7. "Review: Great Anthology - In the American Tree". Academy of American Poets. 2005.
  8. 2006 Poet Laureate of the Blogosphere. Archived July 16, 2011, at the Wayback Machine
  9. "Wharf Hypothesis", Lines Chapbooks
  10. "I’d contemplated Revelator as part of a quartet – one way of approaching Universe might be to think of it as 90 such quartets – and yet I’ve begun to realize that there are other possibilities of relation that might be articulated across a 360-part structure envisioned as a single turn..." http://webdelsol.com/Double_Room/issue_six/Ron_Silliman.htm
  11. "BookThug Publishing - Revelator - Poetry by Ron Silliman, Poetry". Archived from the original on 2013-10-05.
  12. "Shearsman Books - Ron Silliman - Northern Soul". Archived from the original on 2014-03-09.
  13. "Against Conceptual PoetryRon Silliman – Counterpath".