Michael Pinsky | |
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Born | Michael Pinsky 1967 (age 56–57) Leadburn, Scotland |
Education | Royal College of Art, London |
Known for | Contemporary Art |
Website | http://www.michaelpinsky.com/ |
Michael Pinsky (born in 1967) is a British artist known for his environmental and socially engaged public art. His work often explores urban spaces, human impact on the environment, and the intersections of art, architecture, and activism. Pinsky's installations encourage public interaction and dialogue around contemporary issues, such as pollution, climate change, and sustainability.
Michael Pinsky studied in England at Manchester Polytechnic, the University of Brighton and at the Royal College of Art in London. He was awarded a Doctorate from the University of East London in 2000.
Pinsky's work has been shown at: Somerset House, London, [1] Museum of Contemporary Art, Chengdu; [2] TATE Britain; [3] Saatchi Gallery; [4] Victoria and Albert Museum; [5] Parc de la Villette, Paris; [6] Institute of Contemporary Art; [7] BALTIC, Gateshead; [8] Centre for Contemporary Arts, Glasgow; [9] Modern Art Oxford, [7] Milton Keynes Gallery, [7] Cornerhouse, Manchester; [10] Liverpool Biennial, [11] Centre de création contemporaine Olivier Debré; [7] Armory Center of the Arts, Los Angeles [7] and the Rotterdam International Architectural Biennial.
Pinsky's projects in the public realm have often courted controversy in the press. Notable projects include:
For decades, artists have been at the forefront of demands for action. Some offer compelling visions for what our world could resemble if action is taken; others show us the brutal reality of life without change. There are thousands of works I could include here by way of example, but I would like to point to a piece of public art called Plunge, created in 2012 by the artist Michael Pinsky. The work encircled noteworthy buildings and monuments in London with an illuminated blue line, showing the predicted sea level in the year 3012. The public who encountered these lines on their journeys around the capital were invited to imagine just how much of London would lie below the water's surface. The lines were also intended to suggest a protective shell, indicating that we may still be able to change our situation. The overarching message of Pinsky's work, however, was that adaptation is essential if we want our low-lying capital city to remain habitable. [41]
Pinsky has received awards from the RSA, Arts Council England, [50] British Council, [51] Arts and Business, the Wellcome Trust [52] and his exhibition Pontis was shortlisted for the prestigious Gulbenkian Museums Award. [53]
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