Fiction
Faber wrote seriously from the age of fourteen, but did not submit his manuscripts for publication. Many of the short stories that appeared in his debut collection, as well as earlier drafts of The Crimson Petal and the White , were completed during the 1980s and stored away. Another novel completed in this period, A Photograph of Jesus , remains unissued. During the 1990s, with the encouragement of his second wife, Eva, Faber began entering – and winning – short story competitions. This led to him being approached by the Edinburgh-based publishers Canongate Books, who have published his work in the UK ever since.
Faber's first published book was a collection of short stories, Some Rain Must Fall , issued in 1998. Of these stories, the title piece had won the Ian St James Award in 1996, "Fish" had won the Macallan Prize in 1996, and "Half a Million Pounds and a Miracle" had won the Neil Gunn Award in 1997.
The first of Faber's novels to be published was Under the Skin (2000), written in, and inspired by, the Scottish Highlands. Like much of Faber's work, it defies easy categorisation, combining elements of the science fiction, horror and thriller genres, handled with sufficient depth and nuance to win almost unanimous praise from literary critics. It was translated into many languages (17 by 2004) and secured his reputation in Europe, as well as being shortlisted for the Whitbread First Novel Award.
Faber's second published novel was The Hundred and Ninety-Nine Steps (2001), set in Whitby. The original hardback edition included digitally manipulated colour photographs; these were absent from subsequent reissues. Radically different from Under The Skin in tone and theme, The Hundred and Ninety-Nine Steps attracted mixed reviews.
Faber's third published novel was The Courage Consort (2002), about an a cappella vocal group rehearsing a piece of avant-garde music.
In 2002, Faber's 850-page The Crimson Petal and the White was published. Set in 1870s London and principally concerning a 19-year-old prostitute called Sugar, it was described by some critics as postmodern while others echoed the assertion (made in an early review) that it was "the novel that Dickens might have written had he been allowed to speak freely". [3] Twenty years in the writing, the book showed Faber's admiration for Dickens' prose and George Eliot's narrative architecture, but its themes were informed by feminism, post-Freudian awareness of sexual pathology, and post-Marxian class analysis, as well as by unrestricted access to Victorian pornographic texts that had been suppressed until the late 20th century. The Crimson Petal and the White was a bestseller in the US, Italy, France, Holland and Belgium, and a steady seller in most other countries.
Faber's second collection of short stories The Fahrenheit Twins was published in 2005. Its opening story, "The Safehouse", won second place in the inaugural National Short Story Prize (since renamed the BBC National Short Story Award) in 2005.
Wary of being pigeonholed, particularly in the United States where The Crimson Petal and the White is by far his most popular work, Faber vowed never to write a sequel to his bestselling Victorian novel. However, he did write a number of short stories featuring characters from The Crimson Petal and the White, in scenarios that pre-dated or post-dated the events of the novel. While not a sequel (the novel's controversial ending was allowed to remain definitive and the fates of the heroines Sugar and Agnes were left undisclosed), the stories offered additional perspectives on some of the characters' past and future lives. Issued first in Italy, by Faber's long-term Italian publishers Einaudi, the stories were issued by Canongate in 2006, as The Apple.
"Bye Bye Natalia", Faber's short story following his 2004 visit to Ukraine (see "Journalism" below), was eventually published in the July 2006 edition of Granta and then chosen for inclusion in the 2008 edition of The O. Henry Prize Stories, an annual anthology dedicated to writers who are deemed to have made "a major contribution to the art of the short story".
Faber's novel The Fire Gospel was published in 2008 as part of the Canongate Myth Series. Inspired by the myth of Prometheus, it tells the story of a scholar of Aramaic called Theo, who steals an ancient 'gospel' describing the death of Jesus, from a bombed museum in Iraq. The book gently satirizes the publishing industry.
In 2009, he donated the short story "Walking After Midnight" to Oxfam's 'Ox-Tales' project, four collections of UK stories written by 38 authors. His story was published in the Water collection. [4]
Faber's sixth novel, The Book of Strange New Things , was published in 2014. The novel tells the story of a British missionary to an alien world. After its publication, Faber announced that he would retire from writing novels for adults. In an interview at Waterstones Trafalgar Square, Faber said "I think I have written the things I was put on earth to write. I think I've reached the limit". [5] In June 2015 The Book of Strange New Things was named a Book of the Year by the magazine World . [6] In 2017, Amazon Video released the pilot of a TV adaptation, as Oasis .
His novel for children, D: A Tale of Two Worlds , was published in 2020.
LISTEN: On Music, Sound and Us , a non-fiction quasi-anthropological work about music, tribalism, and human community was published by Canongate in October 2023.
Journalism
In the years 2001 to 2004, Faber reviewed books for the Scotland on Sunday newspaper. Throughout 2004, he wrote a regular feature for The Sunday Herald called "Image Conscious", analysing the layers of meaning, intent and association in various photographs. Since 2003, he has reviewed for The Guardian , mainly choosing foreign fiction in translation, short story collections, graphic novels and books about music.
In 2004, as part of the Authors on the Frontline project, Faber travelled to Ukraine with Médecins Sans Frontières, to witness MSF's intervention in the HIV/AIDS epidemic there. [7] Faber wrote an article for The Sunday Times , published in January 2005.
In 2006, Faber contributed an essay, "Dreams in the Dumpster, Language Down the Drain", to Not One More Death (Verso/Stop The War Coalition), a collection of pieces examining US and UK involvement in the Iraq War.
In 2019, he contributed a piece to A Love Letter To Europe , an anthology of pieces expressing affection for Europe at the time of imminent Brexit.
