Michel Hockx | |
---|---|
Other names | 贺麦晓 |
Education | Leiden University (PhD) |
Occupation | Dutch sinologist |
Employer | University of Notre Dame |
Michel Hockx (born 1964) is a Dutch sinologist currently serving as a professor of Chinese Literature in the Department of East Asian Languages and Cultures and the Director of the Liu Institute for Asia and Asian Studies in the Keough School of Global Affairs at the University of Notre Dame. Hockx previously was as a Professor of Chinese at SOAS University of London and as Founding Director of the SOAS China Institute.
Hockx was born in the Netherlands. He holds a PhD in Chinese literature from Leiden University. [1]
Hockx has published widely, both in English and in Chinese, on topics related to modern Chinese poetry and literary culture, especially early 20th-century Chinese magazine literature and print culture and contemporary Internet literature. He is the author of Questions of Style: Literary Societies and Literary Journals in Modern China, 1911-1937, which focuses on how the style of Republican-era Chinese literature was shaped by the context in which it was produced. His latest book, Internet Literature in China, was listed by Choice magazine as one of the “Top 25 Outstanding Academic Titles of 2015.” His ongoing research focuses on the effects of moral censorship on the preservation and digitization of modern Chinese cultural products.
In December 2016, Hockx's first book A Snowy Morning was made freely available to download under an Open Access licence. [2]
The history of Chinese literature extends thousands of years, and begins with the earliest recorded inscriptions, court archives, building to the major works of philosophy and history written during the Axial Age. The Han and Tang dynasties were considered golden ages of poetry, while the Song (960–1279) and Yuan (1271–1368) were notable for their lyrics (ci), essays, dramas, and plays. During the Ming and Qing, mature novels were written in written vernacular Chinese, an evolution from the preeminence of Literary Chinese patterned off the language of the Chinese classics. The introduction of widespread woodblock printing during the Tang and the invention of movable type printing by Bi Sheng (990–1051) during the Song rapidly spread written knowledge throughout China. Around the turn of the 20th century, the author Lu Xun (1881–1936) is considered an influential voice of vernacular Chinese literature.
The New Culture Movement was a progressivist movement in China in the 1910s and 1920s that criticized traditional Chinese ideas and promoted a new form of Chinese culture based upon progressive, modern ideals like electoral politics and the scientific method. Arising out of disillusionment with traditional Chinese culture following the failure of the Republic of China to address China's problems, it featured scholars such as Chen Duxiu, Cai Yuanpei, Chen Hengzhe, Li Dazhao, Lu Xun, Zhou Zuoren, He Dong, Qian Xuantong, Liu Bannong, Bing Xin, and Hu Shih, many classically educated, who led a revolt against Confucianism. The movement was launched by the writers of New Youth magazine, where these intellectuals promoted a new society based on unconstrained individuals rather than the traditional Confucian system. In 1917, Mr. Hu Shih put forward the famous “Eight Principle”, that is, abandon the ancient traditional writing method and use vernacular.
East Asian studies is a distinct multidisciplinary field of scholarly enquiry and education that promotes a broad humanistic understanding of East Asia past and present. The field includes the study of the region's culture, written language, history and political institutions. East Asian studies is located within the broader field of Asian studies and is also interdisciplinary in character, incorporating elements of the social sciences and humanities, among others. The field encourages scholars from diverse disciplines to exchanges ideas on scholarship as it relates to the East Asian experience and the experience of East Asia in the world. In addition, the field encourages scholars to educate others to have a deeper understanding of and appreciation and respect for, all that is East Asia and, therefore, to promote peaceful human integration worldwide.
Liu Bannong or Liu Fu was a Chinese poet and linguist. He was a leader in the May Fourth Movement. He made great contributions to modern Chinese literature, phonology and photography.
Arif Dirlik was a Turkish-American historian who published on historiography and political ideology in modern China, as well as issues in modernity, globalization, and postcolonial criticism. Dirlik received a BSc in Electrical Engineering at Robert College, Istanbul in 1964 and a PhD in History at the University of Rochester in 1973.
Gregory B. Lee is an academic, author, and broadcaster. Lee is Founding Professor of Chinese Studies at the University of St Andrews. He was until July 2020, Director of the French research Institute for Transtextual and Transcultural Studies based at Jean Moulin University Lyon 3. Lee was previously Chair Professor of Chinese and Transcultural Studies and Dean of the College of Liberal Arts and Social Sciences at the City University of Hong Kong. From 2007 to 2010 Lee was First Vice-President (Research) of Jean Moulin University Lyon 3. In 2010, Lee was made a Chevalier (Knight) in the French Order of Academic Palms. In 2011, he was elected Fellow of the Hong Kong Academy of the Humanities.
David Der-wei Wang is a literary historian, critic, and the Edward C. Henderson Professor of Chinese Literature at Harvard University. He has written extensively on post-late Qing Chinese fiction, comparative literary theory, colonial and modern Taiwanese literature, diasporic literature, Chinese Malay literature, Sinophone literature, and Chinese intellectuals and artists in the 20th century. His notions such as "repressed modernities", "post-loyalism", and "modern lyrical tradition" are instrumental and widely discussed in the field of Chinese literary studies.
Eliot Sandler Deutsch was a philosopher, teacher, and writer. He made important contributions to the understanding and appreciation of Eastern philosophies in the West through his many works on comparative philosophy and aesthetics. He was a Professor Emeritus of Philosophy at the University of Hawaiʻi at Mānoa.
Creation Quarterly (创造季刊) was a Chinese literary quarterly magazine founded in 1921 and published between 1922 and 1924.
Contemporary Review was a Chinese literary weekly magazine founded in 1924 and ceased December 1928.
Joyce Chi-Hui Liu is a Professor Emerita and Researcher/Director at the International Center for Cultural Studies at National Yang Ming Chiao Tung University, Taiwan. Her research focuses on geopolitics, biopolitics, border politics, internal coloniality, unequal citizenship, Asian modernity, Chinese political philosophy, and epistemic/artistic decolonization.
Robert Barnett is a Professorial Research Associate at SOAS, University of London and Affiliate Lecturer and Research Affiliate at the Lau China Institute, King's College, London. He is the former Director of the Modern Tibetan Studies Program, where he was Adjunct Professor of Contemporary Tibetan Studies and Senior Research Scholar in modern Tibetan history at the Weatherhead East Asian Institute at Columbia University. He retired from Columbia as of January 2018. He is also referred to as Robbie Barnett by the media.
Liu Yazi was a Chinese poet and political activist called the "last outstanding poet of the traditional school." He married Zheng Peiyi in 1906, and was the father of two daughters, Liu Wufei and Liu Wugou, and of a son, Liu Wu-chi, a literary scholar.
Lieu Da-Kuin or Liu Dajun, also alternatively spelled as Dakuin K. Lieu, commonly known in English as D. K. Lieu, was a prominent Chinese economist in the twentieth century. Together with Ma Yinchu, He Lian and Fang Xianting, he is described as one of the "Four Major Economists of the Republic of China".
Fin-de-Siècle Splendor: Repressed Modernities of Late Qing Fiction, 1848-1911 is a 1997 non-fiction book by David Der-Wei Wang, published by Stanford University Press. David Wang's thesis is that modernity was already beginning to appear in fiction published in the late Qing Dynasty of China, defined by Wang as beginning in 1849, around the start of the Taiping rebellion, rather than only appearing after the Qing Dynasty concluded in 1912. This is the first English-language full-length book written by a single author that surveyed late Qing Dynasty fiction.
David Lyle Jeffrey is a Canadian-American scholar of literature and religion, currently a Distinguished Senior Fellow at the Baylor Institute for Studies in Religion. He was elected a Fellow of the Royal Society of Canada (1996-). In 2003 he was given the Lifetime Achievement Award of the Conference of Christianity and Literature.
The Professor of Chinese is the oldest endowed position in Chinese in the United Kingdom. The first professor of Chinese at the University of London was held by Samuel Kidd at the University College London, 1837–1842. However the position was not renewed, and while the matter was still under discussion, Kidd died.
Jintian is the title of a Chinese literary journal. Founded in 1978, it was the first non-official literary journal in the People's Republic of China since the 1950s. It ran for nine issues until it was censored in 1980. It was revived in 1990.
Alexander Chow is a Chinese American theologian. He is Senior Lecturer in Theology and World Christianity and co-director of Centre for the Study of World Christianity at New College, University of Edinburgh. His research interests include contextual theology, Christianity in China, Chinese philosophy and religion, public theology, and digital theology.
Tian Yuan Tan is a Singaporean scholar of Chinese literature. Since 2019, he has served as Shaw Professor of Chinese at the University of Oxford and a Professorial Fellow of University College. Prior to his appointment at Oxford, he was Professor of Chinese Studies at SOAS, University of London.