Michele Cortegiani | |
---|---|
Born | 8 February 1857 |
Died | 1928 |
Nationality | Italian |
Education | Francesco Lojacono |
Known for | Painter |
Movement | Orientalist |
Michele Cortegiani (Palermo, 8 February 1857 - Tunisia, 1928) was an Italian painter, mainly of seascapes of his native Sicily and later Tunisia, and of female portraits and genre subjects.
He trained with Francesco Lojacono, moving with him to Paris in 1877–1881.
He assisted with the ceiling decoration (1893-1897) of the Teatro Massimo of Palermo, where he worked alongside Luigi Di Giovanni and Ettore De Maria Bergler, working under the direction of Rocco Lentini. [1] Lentini's concept for the ceiling (pictured) was that of a large wheel with gilded spokes which would contrast with the azure background. Within each spoke, (panels known as petals) feature angels and female figures with musical instruments painted on canvas, while the centrepiece was an allegory of the 'Triumph of Music'. [2]
In later years, he worked in Tunisia, [3] [4] [5] and in Sicily, along with Lojacono, Michele Catti and other painters of their school, where the group became known as the "masters of colour" because of the way they captured the light of the marinas and sleepy villages of Sicily. [6]
Michele Benedetto Gaetano Amari was a Sicilian patriot, liberal revolutionary and politician of aristocratic background, historian and orientalist. He rose to prominence as a champion of Sicilian independence from the Neapolitan Bourbon rule when he published his history of the War of the Sicilian Vespers in 1842. He was a minister in the Sicilian revolutionary government of 1848–9 and in Garibaldi's revolutionary cabinet in Sicily in 1860. Having embraced the cause of Italian unification, he helped prepare the annexation of Sicily by the Kingdom of Sardinia and was active in his later years as a senator of the Kingdom of Italy.
The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe, renowned for its perfect acoustics.
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Francesco Lojacono or Lo Jacono (1838–1915) was an Italian painter, mainly of landscapes and seascapes, and mainly active in his native Palermo, Sicily.
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