Mikołaj z Chrzanowa (1485–1562) was a Polish composer and organist of the Renaissance.
Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era. Consensus among music historians has been to start the era around 1400, with the end of the medieval era, and to close it around 1600, with the beginning of the Baroque period, therefore commencing the musical Renaissance about a hundred years after the beginning of the Renaissance as it is understood in other disciplines. As in the other arts, the music of the period was significantly influenced by the developments which define the Early Modern period: the rise of humanistic thought; the recovery of the literary and artistic heritage of Ancient Greece and Ancient Rome; increased innovation and discovery; the growth of commercial enterprises; the rise of a bourgeois class; and the Protestant Reformation. From this changing society emerged a common, unifying musical language, in particular, the polyphonic style of the Franco-Flemish school, whose greatest master was Josquin des Prez.
Little is known about his early life, but he was a student at the Kraków Academy in 1507, receiving his baccalaureate in 1513. In 1518 he became organist at Wawel Cathedral, a post he held until his death. In addition to his duties as an organist, he directed the cathedral choir—the Kapela Rorantystów—and supervised the construction of organs (for example, he traveled to Biecz in 1543 to oversee the work there).
The Jagiellonian University is a research university in Kraków, Poland.
The Royal Archcathedral Basilica of Saints Stanislaus and Wenceslaus on the Wawel Hill, also known as the Wawel Cathedral, is a Roman Catholic church located on Wawel Hill in Kraków, Poland. More than 900 years old, it is the Polish national sanctuary and traditionally has served as coronation site of the Polish monarchs as well as the Cathedral of the Archdiocese of Kraków. Karol Wojtyla, who in 1978 became Pope John Paul II, the day after his ordination to the priesthood, offered his first Mass as a priest in the Crypt of the Cathedral on 2 November 1946, and was ordained Kraków's auxiliary bishop in the Cathedral on 28 September 1958.
Biecz is a town and municipality in southeastern Poland, in Lesser Poland Voivodeship, Gorlice County. It is in the Carpathian Mountains, in the Doły Jasielsko-Sanockie, by the Ropa River. Due to its rich history, it is often referred to as "little Kraków" or the "pearl of the Carpathians." The many preserved medieval city walls and buildings have also given rise to the nickname "Polish Carcassonne."
His only known work is a motet, Protexisti me, Deus, which survives in tablature notation in the 16th-century Wawel Part-Books. A later organ tablature of the same composition appears in the Łowicz Organ Tablature of 1580, with the initials N.Ch. which are presumed to indicate the composer. [1]
In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts".
Nicolas de Grigny was a French organist and composer. He died young and left behind a single collection of organ music, and an Ouverture for harpsichord.
Conrad Paumann was a German organist, lutenist and composer of the early Renaissance. Even though he was born blind, he was one of the most talented musicians of the 15th century, and his performances created a sensation wherever he went. He is grouped among the composers known as the Colorists.
Organ tablature is a form of musical notation used by the north German Baroque organ school, although there are also forms of organ tablature from other countries such as Italy, Spain, Poland, and England. Portions of Johann Sebastian Bach's Orgelbüchlein are written in tablature, as are a great deal of the surviving manuscripts of the organ works of Dieterich Buxtehude and other north German organ composers of the Baroque era.
Elias Nikolaus Ammerbach was a German organist and arranger of organ music of the Renaissance. He published the earliest printed book of organ music in Germany and is grouped among the composers known as the Colorists.
François d'Agincourt was a French harpsichordist, organist, and composer. He spent most of his life in Rouen, his native city, where he worked as organist of the Rouen Cathedral and of three smaller churches. Highly regarded during his lifetime, d'Agincourt was one of the organists of the royal chapel. The single surviving book of harpsichord music by him contains masterful pieces inspired by François Couperin; also extant are some 40 organ works that survive in manuscript copies.
Jan z Lublina, or Joannis de Lublin, was a Polish composer and organist who lived in the first half of the 16th century. Not much is known about his life - he was a member of the Order of Canons Regular of the Lateran, circa 1540 he was possibly the organist at the convent in Kraśnik, near Lublin. Perhaps he is identical to one of the two Jans, the first of which received his master's degree in artibus et philosophia in 1499, and the second his baccalariatus in artibus in 1508 in the Kazimierz Academy in Krakow. From 1537 to 1548, he created the famous organ tablature, whose title is Tabulatura Ioannis de Lyublyn Canonic[orum] Reg[u]lariu[m] de Crasnyk. This is the largest organ tablature in the world and one of the earliest. It contains several compositions by Nicolaus Cracoviensis, as well as numerous intabulations of works written by Josquin, Heinrich Finck, Janequin, Ludwig Senfl, Claudin de Sermisy, Philippe Verdelot, Johann Walter, etc.
Bartłomiej Pękiel was a notable Polish composer of classical music.
Jean-Henri d'Anglebert was a French composer, harpsichordist and organist. He was one of the foremost keyboard composers of his day.
Gilles Jullien was a French Baroque composer and organist.
Leonhard Kleber was a German organist, and probably composer, of the Renaissance.
Feliks Nowowiejski was a Polish composer, conductor, concert organist, and music teacher. Nowowiejski was born in Wartenburg in Warmia in East Prussia, German Empire. He died in Poznań, Poland.
Nicolaus Cracoviensis was a 16th-century Polish composer.
Adam of Wągrowiec, was a Polish composer and organist, as well as a Cistercian monk in the Wągrowiec cloister.
Sebastian Anton Scherer was a German composer and organist of the Baroque era.
Hugh Blair was an English musician, composer and organist.
Polish organ tablatures include some of the earliest and most important tablature sources of instrumental music in Europe. Particularly well-known is the Jan z Lublina tablature, which dates from mid-16th century and contains some 250 pieces. Most Polish organ tablatures use the German form of notation. The genres vary from all kinds of liturgical music to dances and vocal intabulations. This article presents a partial list of Polish organ tablatures, in chronological order.
Andreas Kneller was a German composer and organist of the North German school.
Anthoni van Noordt was a Dutch composer and organist.
Albertus Bryne was an English organist and composer.
Tomasz Szadek was a Polish composer, singer, and cleric of the late Renaissance. He was a representative of the late style of the Franco-Flemish school in Poland.
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