Milan Triennial XVII | |
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Overview | |
BIE-class | Triennial exposition |
Name | Milan Triennial XVII |
Motto | The Cities of the World and the Future of the Metropolis |
Building(s) | Palazzo del Arte |
Organized by | Marco Cavallotti (secretary general) [1] |
Participant(s) | |
Countries | 12 |
Location | |
Country | Italy |
City | Milan |
Coordinates | 45°28′19.92″N9°10′24.78″E / 45.4722000°N 9.1735500°E |
Timeline | |
Opening | 21 September 1988 |
Closure | 18 December 1988 |
Triennial expositions | |
Previous | Milan Triennial XVI in Milan |
Next | Milan Triennial XVIII in Milan |
The Milan Triennial XVII was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE) [2] on the 5 June 1986. [2] Its theme was The Cities of the World and the Future of the Metropolis. [2] It was held at the Palazzo dell'Arte [3] and ran from 21 September 1988 to 18 December 1988. [2]
Monza is a city and comune (municipality) on the River Lambro, a tributary of the River Po, in the Lombardy region of Italy, about 15 kilometres north-northeast of Milan. It is the capital of the province of Monza and Brianza. Monza is best known for its Grand Prix motor racing circuit, the Autodromo Nazionale di Monza, which hosts the Formula One Italian Grand Prix.
Associazione Calcio Monza, or simply Monza, is a professional football club based in Monza, Lombardy, Italy. The team plays in the Serie A, the first tier of Italian football, following promotion in the 2021–22 Serie B season.
Giovanni "Gio" Ponti was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.
The Triennale di Milano is a museum of art and design in the Parco Sempione in Milan, in Lombardy in northern Italy. It is housed in the Palazzo dell'Arte, which was designed by Giovanni Muzio and built between 1931 and 1933; construction was financed by Antonio Bernocchi and his brothers Andrea and Michele.
The Milan Triennial is an art and design exhibition that takes place every three years at the Triennale di Milano Museum in Milan, Italy.
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The Milan Biennial was the first edition of the Milan Biennial. This, and the 3 subsequent biennials, were organised by the Istituto Superiore per le Industrie Artistiche (ISIA) to provide an arts vision for the new Kingdom of Italy. It was called the International Exhibition of Decorative Arts. Exhibitions included a Futurist Hall by Fortunato Depero.
The Milan Biennial III was the third edition of the Monza Biennial. This, and the other 3 biennials, were organised by the Istituto Superiore per le Industrie Artistiche (ISIA) to provide an arts vision for the new Kingdom of Italy. It was called the International Exhibition of Decorative Arts.
The Milan Biennial III was the third edition of the Monza Biennial, and the last to focus on ceramics, graphic and the decorative arts, before expanding scope to include architecture. This, and the other 3 biennials, were organised by the Istituto Superiore per le Industrie Artistiche (ISIA) to provide an arts vision for the new Kingdom of Italy. It was called the International Exhibition of Decorative Arts.
The Milan Biennial IV was the fourth biennial, and like the earlier ones was organised by the Istituto Superiore per le Industrie Artistiche (ISIA) and held in Monza at the Royal Villa of Monza. It was called the International Exhibition of Modern Decorative and Industrial Arts, a change in name from the earlier three, and had an increased scope including architecture. It and ran from 11 May to 2 November 1930.
The Milan Triennial XVIII was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE), held at the Palazzo dell'Arte in 1992. Its theme was Life in Things and Nature: Design and the Environmental Challenge, was designed by Aldo Rossi, and curated by Angelo Cortesi.