Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. When putting together some sort of video composition, typically, one would need a collection of shots and footages that vary from one another. The act of adjusting the shots someone has already taken, and turning them into something new is known as film editing.
Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments.
Cinéma vérité is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth.
Laura Mulvey is a British feminist film theorist and filmmaker. She was educated at St Hilda's College, Oxford. She is currently professor of film and media studies at Birkbeck, University of London. She previously taught at Bulmershe College, the London College of Printing, the University of East Anglia, and the British Film Institute.
Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking that first developed in the 1910s to 1920s during the later years of the silent film era. It then became characteristic of American cinema during the Golden Age of Hollywood from about 1927, with the advent of sound film, until the 1960s. It eventually became the most powerful and pervasive style of filmmaking worldwide.
Jordan Belson was an American artist and abstract cinematic filmmaker who created nonobjective, often spiritually oriented, abstract films spanning six decades.
National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific nation-state. Although there is little relatively written on theories of national cinema it has an irrefutably important role in globalization. Film provides a unique window to other cultures, particularly where the output of a nation or region is high.
Marie Menken was an American experimental filmmaker, painter, and socialite. She was noted for her unique filming style that incorporated collage. She was one of the first New York filmmakers to use a hand-held camera and trained Andy Warhol on its use. Her film Glimpse of the Garden was selected for preservation in the National Film Registry by the Library of Congress.
Absurda is a surrealist short film directed by David Lynch and shown at the 2007 Cannes Film Festival as an opening short to Wong Kar-wai’s film My Blueberry Nights. The film is approximately two and a half minutes long. It employs dream-like imagery, with stationary visuals which show a theater and the screen on which nightmarish images are projected. The film is part of the To Each His Own Cinema anthology.
Storm de Hirsch (1912–2000) was an American poet and filmmaker. She was a key figure in the New York avant-garde film scene of the 1960s, and one of the founding members of the Film-Makers' Cooperative. Although often overlooked by historians, in recent years she has been recognized as a pioneer of underground cinema.
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and other sensory stimulations. The word "cinema" is borrowed from the French cinéma, an abbreviation of cinématographe, from Ancient Greek meaning "recording movement". The word is today usually used to refer to either a purpose-built venue for screening films, known as a movie theater in the US; the film industry; the overall art form of specifically just filmmaking.
Jordan has, in recent decades, established itself as an attractive destination for filmmaking for a number of reasons: its variety of locations, infrastructure, sunny weather, governmental support for the film industry, straightforward administrative procedures and financial incentives. A cash rebate is available, which varies between 10% and 25%, depending on spend, and productions are exempt from Jordanian taxes. Combined with the cash rebate, this means that productions may recoup up to 56%.
Documentary mode is a conceptual scheme developed by American documentary theorist Bill Nichols that seeks to distinguish particular traits and conventions of various documentary film styles. Nichols identifies six different documentary 'modes' in his schema: poetic, expository, observational, participatory, reflexive, and performative. While Nichols' discussion of modes does progress chronologically with the order of their appearance in practice, documentary film often returns to themes and devices from previous modes. Therefore, it is inaccurate to think of modes as historical punctuation marks in an evolution towards an ultimate accepted documentary style. Also, modes are not mutually exclusive. There is often significant overlapping between modalities within individual documentary features. As Nichols points out, "the characteristics of a given mode function as a dominant in a given film…but they do not dictate or determine every aspect of its organization."
City of Pirates is a 1983 French surrealist fantasy film directed by Chilean filmmaker Raúl Ruiz. Made during Ruiz's most prolific period of filmmaking in exile and shortly after his first return to Chile since the 1973 military coup, the film stars a primarily French cast including Hugues Quester, Anne Alvaro and Melvil Poupaud. It was filmed in Portugal over a period of three weeks.
Robert Blalack was a Panama-born American mass-media visual artist, independent filmmaker, and producer. He is one of the founders of Industrial Light & Magic. Blalack received the Academy Award for Best Visual Effects in 1978 for his work on the first Star Wars film. He also received the Primetime Emmy Award for Outstanding Special Visual Effects in 1984 for his work on the 1983 television film The Day After. Blalack directed experimental films and mixed-media television commercials, and he produced visual effects for theme park rides.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
A vertical video is a video created either by a camera or computer that is intended for viewing in portrait mode, producing an image that is taller than it is wide. It thus sits in opposition to the multiple horizontal formats normalised by cinema and television, which trace their lineage from the proscenium theatre, Western landscape painting traditions, and human visual field.
Garrett Bradley is an American filmmaker and director of short films, feature films, documentaries, and television. She is known for blending cinematic genres to explore the larger sociopolitical significance of the everyday moments of her subjects' lived experience.
