Miriam Schaer | |
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Born | |
Known for | book artist |
Website | miriamschaer.com |
Miriam Schaer (born 1956) is an American artist who creates artists' books, and installations, prints, collage, photography, and video in relation to artists' books. She also is a teacher of the subject.
Miriam Schaer was born in Buffalo, New York. She did her B.F.A. at the University of the Arts, Philadelphia; the School of Visual Arts, New York; and Boston University; and her M.F.A. at the Transart Institute, Creative Practice, Plymouth University, Plymouth UK. [1] [2]
Schaer explores feminine, social and spiritual issues using books and different materials. [3] Her work has been exhibited and cataloged internationally at venues including at the Brooklyn Public Library, [4] the New Orleans Museum of Art, [5] and the Brooklyn Museum of Art, [6] In 2000, she had a Douglas Library Show at Rutgers University in New Brunswick NJ (the oldest continuously running exhibition showcasing women artists). [7] In 2015, during a conference on "Motherhood and Creative Practice" at London's South Bank University, she exhibited her work in the accompanying exhibition Alternative Maternals. [8] She is the recipient of many prestigious awards including The Soros Arts and Culture Grant, [9] the New York Foundation for the Arts Fellowship, [10] and received a Fulbright to the Republic of Georgia (2017). [11] Her work is included in public collections such as the Yale University Art Museum, [1] the Azerbaijan Museum, in Baku, Azerbaijan; the Tate Gallery, London, England, [2] the Walker Art Center, Minneapolis [12] and in Canada in the Robert McLaughlin Gallery, Oshawa. [13] It has been mentioned in reviews in the New York Times [14] and she is included in the Elizabeth A. Sackler Center for Feminist Art: Feminist Art Base. [15] From 2009 to 2016, she was a senior lecturer at Columbia College Chicago Interdisciplinary Arts, in the Interdisciplinary MFA Program in Book and Paper and in 2006-2010 and 2022, she taught the "Art of the Book" at the Pratt Institute as an assistant professor where she is on the faculty. [1]
Judy Chicago is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman gallery.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
The Elizabeth A. Sackler Center for Feminist Art is located on the fourth floor of the Brooklyn Museum, New York City, United States. Since 2007 it has been the home of Judy Chicago's 1979 installation, The Dinner Party. The Center's namesake and founder, Elizabeth A. Sackler, is a philanthropist, art collector, and member of the Sackler family.
Miriam Schapiro was a Canadian-born artist based in the United States. She was a painter, sculptor, printmaker, and a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. She incorporated craft elements into her paintings due to their association with women and femininity. Schapiro's work touches on the issue of feminism and art: especially in the aspect of feminism in relation to abstract art. Schapiro honed in her domesticated craft work and was able to create work that stood amongst the rest of the high art. These works represent Schapiro's identity as an artist working in the center of contemporary abstraction and simultaneously as a feminist being challenged to represent women's "consciousness" through imagery. She often used icons that are associated with women, such as hearts, floral decorations, geometric patterns, and the color pink. In the 1970s she made the hand fan, a typically small woman's object, heroic by painting it six feet by twelve feet. "The fan-shaped canvas, a powerful icon, gave Schapiro the opportunity to experiment … Out of this emerged a surface of textured coloristic complexity and opulence that formed the basis of her new personal style. The kimono, fans, houses, and hearts were the form into which she repeatedly poured her feelings and desires, her anxieties, and hopes".
Susan Bee is an American painter, editor, and book artist, who lives in New York City. In 2015, "Photograms and Altered Photos from the 1970s" were exhibited at Southfirst Gallery in Brooklyn. She had one solo show at Accola Griefen Gallery (2013) and ten solo shows at A.I.R. Gallery in New York. She has a B.A. from Barnard College and a M.A. in Art from Hunter College. She has taught at the School of Visual Arts MFA in Art Criticism and Writing program. Bee has taught at the University of Pennsylvania and at Pratt Institute. In 2014, Susan Bee was awarded a Guggenheim fellowship.
Nancy Grossman is an American artist. Grossman is best known for her wood and leather sculptures of heads.
Anita Slavin Arkin Steckel was an American feminist artist known for paintings and photomontages with sexual imagery. She was also the founder of the arts organization "The Fight Censorship Group", whose other members included Hannah Wilke, Louise Bourgeois, Judith Bernstein, Martha Edelheit, Eunice Golden, Juanita McNeely, Barbara Nessim, Anne Sharpe and Joan Semmel.
Cecilia Vicuña is a Chilean poet and artist based in New York and Santiago, Chile.
Elizabeth Ann Sackler is a public historian, arts activist, and the daughter of Arthur M. Sackler; as such, she is a member of the Sackler family. She is the founder of the American Indian Ritual Object Repatriation Foundation and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
Blanka Amezkua is a Mexican-American Latinx inter-disciplinary contemporary artist. Collaboration, radical pedagogy, and community building are central to her art making and projects. Formally trained as a painter, her creative practice is greatly influenced and informed by folk art and popular culture, from papel picado to comic books.
Karen Heagle is an American artist, known for autobiographical and art historical subject matter. Her work comments on contemporary culture through a queer perspective with a focus on feminist agendas.
Julia Kunin is an American sculpture and video artist. She was born in Vermont, and lives and works in Brooklyn, New York. Her work is inspired by organic forms, undersea creatures, and interior spaces, with a focus on the female body. She graduated from Rutgers University (M.F.A.) in 1993 and Wellesley College (B.A.) in 1984, and attended the Skowhegan School of Painting and Sculpture. Her work has been featured in ARTnews, House and Garden, The Brooklyn Rail, and in Harmony Hammond's book Lesbian Art in America.
Boryana Rossa is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.
Vivian E. Browne was an American artist. Born in Laurel, Florida, Browne was mostly known for her painting series called Little Men and her Africa series. She is also known for linking abstraction to nature in her tree paintings and in a series of abstract works made with layers of silk that were influenced by her travels to China. She was an activist, professor, and has received multiple awards for her work. According to her mother, Browne died at age 64 from bladder cancer.
Vadis Turner is an American mixed media artist. Vadis Turner has synthesized the practice of painting with repurposed textiles.
Susan Grabel is an American feminist artist. She spent part of her early adulthood in Haight-Ashbury, San Francisco, where she nurtured her artistic pursuits. Grabel has described her work as being inspired by the realities of aging and the female body, and specializes in sculpture and art on paper such as collography.
Melissa Potter is an American interdisciplinary artist who works in handmade paper, printmaking, traditional crafts, writing, and video. She is a three-time Fulbright award recipient and was Director of the MFA in Book & Paper at Columbia College Chicago from 2014 – 2017. She holds a BFA from Virginia Commonwealth University (VCU) and a MFA from the Mason Gross School of the Arts at Rutgers University.
Ann Gillen is an American sculptor.
Ferris Olin, an American feminist, scholar, curator, and librarian.
Maura Reilly is the director of the Zimmerli Art Museum at Rutgers University, and previously served as the founding curator of the Elizabeth A. Sackler Center for Feminist Art. Reilly is also known for developing the concept of ‘curatorial activism’.