Mirwood Records was an American record label founded by former Vee-Jay executive Randy Wood in Los Angeles in 1965.
A record label, or record company, is a brand or trademark associated with the marketing of music recordings and music videos. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and be both promoted and heard on music streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets.
Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll.
Randall Albert "Randy" Wood was an American record company executive. As an executive and later President of Vee-Jay Records in the early 1960s, he was involved in the early successes of the Four Seasons, as well as the releases of the first Beatles records in the United States. He later launched several independent record labels including Mira and Mirwood.
The Mirwood label was a sister label to Mira Records. It primarily released rhythm and blues and jazz recordings, [1] and has been described as "among the definitive Northern soul labels". [2] Many of its records were written and produced by Fred Smith and arranged by James Carmichael, who (according to Jason Ankeny at AllMusic) "hone[d] a distinctive style all their own, creating soul music that was both relentlessly energetic and sweetly sophisticated, topped off by trademark vibes that evoked the otherworldly beauty of a Pacific Ocean sunset". [2]
Mira Records was a record label founded in 1965 by former Vee-Jay Records executive Randy Wood. He also operated concurrently the Mirwood and Surrey labels. The label issued hit records by The Leaves and The Forum. It folded in 1968.
Rhythm and blues, commonly abbreviated as R&B, is a genre of popular music that originated in African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations.
Jazz is a music genre that originated in the African-American communities of New Orleans, United States. It originated in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
The label found success with its second single, "The Duck", credited to Jackie Lee, actually Earl Nelson of Bob & Earl. Other artists recorded on the Mirwood label included The Olympics and Bobby Garrett, the other half of Bob & Earl. [3] The last singles released on the label were issued in 1968; several various artists compilations were issued in the early 1970s. [1]
In the music industry, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. This can be released for sale to the public in a variety of different formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular. In other cases a recording released as a single may not appear on an album.
"The Duck" is a song written by Fred Sledge Smith and Earl Nelson and performed by Jackie Lee. It reached No. 4 on the U.S. R&B chart and No. 14 on the U.S. pop chart in 1966. It was featured on his 1966 album The Duck.
Bob & Earl were an American soul music singing duo in the 1960s, best known for writing and recording the original version of "Harlem Shuffle".
Several compilations of Mirwood releases have been issued on CD.
Motown Records is an American record label owned by Universal Music Group. It was originally founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, and was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of motor and town, has become a nickname for Detroit, where the label was originally headquartered.
Arthur Alexander was an American country songwriter and soul singer. Jason Ankeny, music critic for Allmusic, said Alexander was a "country-soul pioneer" and that, though largely unknown, "his music is the stuff of genius, a poignant and deeply intimate body of work on par with the best of his contemporaries." Alexander's songs were covered by such stars as the Beatles, the Rolling Stones, Bob Dylan, Gerry and the Pacemakers, Otis Redding, Tina Turner and Jerry Lee Lewis.
Leslie Kong was an influential Chinese-Jamaican reggae producer.
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
William "Mickey" Stevenson is a former songwriter and record producer for the Motown group of labels from the early days of Berry Gordy's company until 1967, when he and his then-wife, singer Kim Weston, left for MGM.
Red Snapper are a British instrumental band founded in London in 1993 by Ali Friend, Richard Thair (drums), and David Ayers (guitar). The three core members are also joined by various guest musicians and vocalists on different records. Since the 2007 reunion Tom Challenger (saxophone) has also been a member of the band. According to music journalist Jason Ankeny of Allmusic, "the British acid jazz trio [are] notable for their pioneering synthesis of acoustic instruments and electronic textures".
Michael and the Messengers were an attempt to take advantage of the popularity of the group "The Messengers". Originally formed in Minnesota as a high school band, they were re-formed in Milwaukee at Marquette University by the original bass player, Greg Jeresek. The Messengers had regional hits on USA Records, and mild national success on Motown's Rare Earth label.
Irma Thomas is an American singer from New Orleans. She is known as the "Soul Queen of New Orleans".
Black Top Records was a New Orleans, Louisiana-based independent record label founded in 1981 by brothers Nauman S. Scott, III and Hammond Scott. The label specialized in blues and R&B music. The first release was "Talk To You By Hand" by Anson Funderburgh & the Rockets. The artist roster included Earl King, Snooks Eaglin, Lee Rocker, Guitar Shorty, and Robert Ward, among others.
Betty Harris is an American soul singer. Her recording career in the 1960s produced three hit singles that made the US Billboard R&B and Billboard Hot 100 charts: "Cry to Me" (1963), "His Kiss" (1964) and "Nearer to You" (1967). However, her reputation among soul music connoisseurs far exceeds her commercial success of the 1960s, and her recordings for the Jubilee and Sansu record labels are highly sought after in the 2000s by fans of Northern soul and deep soul.
Earl Gaines, Jr. was an American soul blues and electric blues singer. Born in Decatur, Alabama, he sang lead vocals on the hit single "It's Love Baby ", credited to Louis Brooks and his Hi-Toppers, before undertaking a low-key solo career. In the latter capacity he had minor success with "The Best of Luck to You" (1966) and "Hymn Number 5" (1973). Noted as the best R&B singer from Nashville, Gaines was also known for his lengthy career.
Robert Nelson Relf, was an African-American R&B and soul musician. Best known as half of the soul music duo Bob & Earl whose song, Harlem Shuffle was released in the US in 1963 and in the UK in 1964. It was re-released 1969 reaching No 7 in the UK charts. Relf's recording of the song "Blowing My Mind to Pieces" was written by Lou Barreto as well as being produced by Lou Barreto and Rod Bumgardner. The song became popular on the Northern soul scene in the UK in the 1970s.
The discography of Beth Orton, an English folktronica singer-songwriter, consists of six studio albums, two compilation albums, three extended plays, twenty singles and thirteen music videos. Orton debuted in 1993 as the singer of the duo Spill, a collaboration with William Orbit. The two released one single, a cover of John Martyn's song "Don't Wanna Know 'Bout Evil".
Elmore James was an American blues slide guitarist and singer who recorded from 1951 until 1963. His most famous song, "Dust My Broom", an electrified adaptation of a Robert Johnson tune, was his first hit and features one of the most identifiable slide guitar figures in blues. James' composition "The Sky Is Crying" and his rendition of "It Hurts Me Too" were among his most successful singles on the record charts. Other popular James' songs, such as "I Can't Hold Out", ""Madison Blues", "Shake Your Moneymaker", "Bleeding Heart", and "One Way Out", have been recorded by several other artists, including Fleetwood Mac, Jimi Hendrix, and the Allman Brothers Band.
Fred Sledge Smith, often credited as Fred Smith, was an American R&B songwriter and record producer, who worked in particular with The Olympics, Bob & Earl, Bill Cosby, and the Watts 103rd Street Rhythm Band.
James Anthony Carmichael is an American Grammy-winning musician, arranger, and record producer. He worked in Los Angeles as an arranger for The Olympics, Bill Cosby and others in the 1960s, before finding greater success at Motown as arranger and producer with the Commodores and Lionel Richie from the early 1970s to the late 1990s.
Exploito is a term generally given to describe cover version or sound-alike recordings that capitalize on the official recordings of artists. Typically they are of the budget release type of album. Often the buying public would think they are buying an album by the actual artist.
Leroy Dallas was an American blues guitarist, singer and songwriter. Amongst his more notable numbers were "Good Morning Blues" and "Jump Little Children, Jump". He performed with Brownie McGhee and with Frank Edwards and recorded eight tracks in his own name between 1948 and 1962.
C86 is a cassette compilation released by the British music magazine NME in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based musical genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" and underachievement. The C86 scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: CD86: 48 Tracks from the Birth of Indie Pop. 2014 saw the original compilation reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original curators, former NME journalist Neil Taylor.
The Hollywood Saxons were a Los Angeles R&B group who recorded under various other names. They were well known on the LA R&B circuit. Their recording history ran from the late 1950s to the late 1960s. Their discography is complex due to the various names they recorded under and labels they recorded on.