"The Duck" | ||||
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Single by Jackie Lee | ||||
from the album The Duck | ||||
B-side | "Let Your Conscience Be Your Guide" | |||
Released | November 1965 | |||
Genre | Soul | |||
Length | 2:20 | |||
Label | Mirwood | |||
Songwriter(s) | Fred Sledge Smith, Earl Nelson | |||
Producer(s) | Fred Sledge Smith | |||
Jackie Lee singles chronology | ||||
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"The Duck" is a song written by Fred Sledge Smith and Earl Nelson and performed by Jackie Lee. It was featured on his 1966 album The Duck. [1] The song was arranged by Fred Hill and produced by Fred Sledge Smith. [2]
It reached No. 4 on the U.S. R&B chart and No. 14 on the U.S. pop chart in 1966. [3]
William Everett Preston was an American musician, whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, the Everly Brothers, Reverend James Cleveland, the Beatles and the Rolling Stones. He gained attention as a solo artist with hit singles such as "That's the Way God Planned It", the Grammy-winning "Outa-Space", "Will It Go Round in Circles", "Space Race", "Nothing from Nothing", and "With You I'm Born Again". Additionally, Preston co-wrote "You Are So Beautiful", which became a #5 hit for Joe Cocker.
Shindig! was an American musical variety series which aired on ABC from September 16, 1964 to January 8, 1966. The show was hosted by Jimmy O'Neill, a disc jockey in Los Angeles, who also created the show along with his wife Sharon Sheeley, British producer Jack Good, and production executive Art Stolnitz. The original pilot was rejected by ABC and David Sontag, then executive producer of ABC, redeveloped and completely redesigned the show. A new pilot with a new cast of artists was shot starring Sam Cooke. That pilot aired as the premiere episode.
Barry Joseph Goldberg is an American blues and rock keyboardist, songwriter, and record producer.
"That's Life" is a popular song written by Dean Kay and Kelly Gordon and first recorded in 1963 by Marion Montgomery. The song has an uplifting message that, despite the ups and downs in life, one should not give up but keep positive, because soon one will be "back on top".
"You Are So Beautiful" is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single "Struttin'". Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974. It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100, and at number four on Canada's Top Singles chart.
Reggie Grimes Young Jr. was an American musician who was lead guitarist in the American Sound Studio house band, The Memphis Boys, and was a leading session musician. He played on various recordings with artists such as Elvis Presley, Joe Cocker, Dobie Gray, Joe Tex, Merrilee Rush, B.J. Thomas, John Prine, Dusty Springfield, Herbie Mann, J.J. Cale, Dionne Warwick, Roy Hamilton, Willie Nelson, Waylon Jennings, the Box Tops, Johnny Cash, Jerry Lee Lewis, Merle Haggard, Joey Tempest, George Strait, and The Highwaymen. Young was inducted into the Musicians Hall of Fame and Museum in 2019.
Wildest Organ in Town! is an album by Billy Preston. Released in 1966, it was arranged by Sly Stone.
Encouraging Words is the fifth studio album by American soul musician Billy Preston, released in September 1970 on Apple Records. It was the last of Preston's two albums for the Beatles' Apple label, after which he moved to A&M Records. The album was co-produced by George Harrison and Preston. Harrison's songs "All Things Must Pass" and "My Sweet Lord" were issued here for the first time, two months before his own recordings appeared on his triple album All Things Must Pass.
"When a Man Loves a Woman" is a song written by Calvin Lewis and Andrew Wright and first recorded by Percy Sledge in 1966 at Norala Sound Studio in Sheffield, Alabama. It made number one on both the Billboard Hot 100 and R&B singles charts. Country singer John Wesley Ryles had a minor hit with his version of the song in 1976 while Singer and actress Bette Midler recorded the song 14 years later and had a Top 40 hit with her version in 1980. In 1991, Michael Bolton recorded the song and his version peaked at number one on both the Billboard Hot 100 chart and the Billboard Adult Contemporary Singles chart.
"Do You Want to Dance" is a song written by American singer Bobby Freeman and recorded by him in 1958. It reached number No. 5 on the United States Billboard Top 100 Sides pop chart and No. 2 on the Billboard R&B chart. Cliff Richard and the Shadows' version of the song reached No. 2 in the United Kingdom in 1962, despite being a B-side. The Beach Boys' version reached No. 12 as "Do You Wanna Dance?" in the United States in 1965, and a 1972 cover by Bette Midler reached No. 17.
"(Baby) Hully Gully" is a song written by Fred Sledge Smith and Cliff Goldsmith and recorded by The Olympics. Released in 1959, it peaked at number 72 on the Billboard Hot 100 in February 1960 and sparked the Hully Gully dance craze.
"Let It Be Me" is a popular song originally published in French in 1955 as "Je t'appartiens" interpreted by Gilbert Bécaud. It became popular worldwide with an English version by the Everly Brothers and later with the duet by Betty Everett and Jerry Butler.
Bob & Earl were an American soul music singing duo in the 1960s, best known for writing and recording the original version of "Harlem Shuffle".
"I Can Help" is a song written and performed by Billy Swan. Released in July 1974, the song was a big crossover smash, reaching No. 1 on both the Billboard Hot 100 and Hot Country Singles charts late that fall. Although Swan had other charting singles on both the Hot 100 and country charts, the song is generally recognized as being Swan's only major hit single release. However, Swan had continued success as a songwriter for other artists and as a session musician.
Untasted Honey is the fourth studio album by American country music artist Kathy Mattea. It was released in 1987 on Mercury Records. The album produced Mattea's first Number One hit on the Billboard country charts in its lead-off single "Goin' Gone". Following this song was another Number One hit, "Eighteen Wheels and a Dozen Roses", then "Untold Stories" and "Life as We Knew It", both of which reached #4. "The Battle Hymn of Love" was later released as a single from Mattea's 1990 album A Collection of Hits. Like Walk the Way the Wind Blows before it, this album includes a cut originally found on Nanci Griffith's 1986 album The Last of the True Believers, this time in the track "Goin' Gone". Untasted Honey was certified gold by the RIAA.
"I'm Your Puppet" is a song written by Dan Penn and Spooner Oldham; the best known version is the one recorded by James & Bobby Purify which reached #5 on the US R&B chart and #6 on the Billboard Hot 100 in 1966. The single was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 1967. The song was featured on their 1967 album, James & Bobby Purify.
Fred Sledge Smith, often credited as Fred Smith, was an American R&B songwriter and record producer, who worked in particular with The Olympics, Bob & Earl, Bill Cosby, and the Watts 103rd Street Rhythm Band.
Earl Lee Nelson, who also performed as Jackie Lee, was an American soul singer and songwriter. He started his career in the doo-wop group the Hollywood Flames in the 1950s before founding the R&B duo Bob & Earl with Bobby Byrd. As Jackie Lee, he's best known for his hit song "The Duck".
"What Am I Living For" is a song written by Fred Jay and Art Harris and performed by Chuck Willis featuring the Reggie Obrecht Orchestra and Chorus. It reached No. 1 on the U.S. R&B chart and #9 on the U.S. pop chart in 1958.
"Take Time to Know Her" is a song written by Steve Davis and performed by Percy Sledge. It reached #5 on the Canadian pop chart, #6 on the U.S. R&B chart, and #11 on the U.S. pop chart in 1968. It was featured on his 1968 album Take Time to Know Her.