Mischa Willett | |
|---|---|
 | |
| Born | Michael David Willett 1978 |
| Nationality | American |
| Alma mater | Wheaton College |
| Occupation | Author |
| Website | www |
Mischa Willett is an American poet [1] and essayist best known for his work in the poetic elegy [2] and for his academic championship of the Spasmodic poets. [3] [4]
Mischa Willett was born in Phoenix, Arizona to a family associated with People's Church, [5] an offshoot of the Jesus movement, and later moved to the Pacific Northwest region of the United States, where he was raised. He spent much of his childhood exploring the diverse landscapes of the region, from coastal shores to small towns. This deep connection to nature and urban environments would later become a prominent theme in his poetry. From a young age, Willett was drawn to literature, finding inspiration in the works of Romantic and Victorian poets, as well as classical mythology and contemporary American poetry. His early exposure to various literary styles and to the King James Bible helped to shape the development of his own poetic voice.
Willett pursued his passion for literature and writing through his academic studies. He completed his undergraduate degree in English at Wheaton College, a liberal arts institution located in Wheaton, Illinois where he studied under evangelical writers such as Leland Ryken and Alan Jacobs (academic). [6] There, he attended his first poetry readings by poets such as Li-Young Lee, Dana Gioia, and Jeanne Murray Walker. [6] During his undergraduate years, he began to develop his unique style and voice as a poet.
After completing his undergraduate studies, Willett went on to earn a Master of Arts degree from Northern Arizona University, [6] and a Master of Fine Arts in Creative Writing from University of Washington, further honing his skills as a poet under the direction of Richard Kenney (poet) and Linda Bierds. [6] While at UW, under the auspices of study abroad programs, he first began taking the trips to Rome that would become a recurrent feature in his poetry. [7] Willett also earned a Ph.D. in English, with a focus on British Romanticism and the intersections between poetry, theology, and philosophy. His doctoral research deepened his understanding of the historical and intellectual contexts that have shaped poetic traditions and informed his own creative work. While writing his dissertation, he spent a year as scholar-in-residence at University of Tübingen in Baden-Württemberg, [6] where, he began work on the impressions of Rainer Maria Rilke that would form his second book, The Elegy Beta. [8]
Mischa Willett has held various academic positions throughout his career, teaching at both undergraduate and graduate levels, currently at Seattle Pacific University. [9] [10] His experiences as a professor have allowed him to share his passion for literature, writing, and critical thinking with students from diverse backgrounds. Willett's areas of specialization include British Romanticism, Victorian Literature, Creative Writing, and C.S. Lewis. He has taught a wide range of courses covering topics such as creative writing, literary criticism, and the history of poetic forms.
Willett has made a considerable impact in both the literary and academic spheres through his major publications. His poetry collections, "Phases" and "The Elegy Beta," have garnered critical acclaim for their innovative blend of humor, spirituality, and cultural insight. In addition to his poetry, Willett has contributed scholarly articles to prestigious academic journals such as Victorian Literature and Culture (Cambridge University Press) and Victoriographies (Edinburgh University Press). These publications showcase his deep understanding of historical and cultural contexts, further establishing Willett as a prominent voice in both creative and scholarly pursuits.
Mischa Willett has also made a significant contribution to the scholarly community with his edited edition of "Festus" by Philip James Bailey, published by Edinburgh University Press. This critical edition brings renewed attention to Bailey's work, a once-popular and influential Victorian epic poem that had faded from literary prominence over time. Willett's edition provides readers with a carefully annotated and contextualized version of "Festus," offering insights into the poem's historical background, stylistic features, and thematic concerns. In doing so, he helps to reestablish the poem's relevance within the broader landscape of Victorian literature and opens up new avenues for research and appreciation.
"Phases" is a collection of predominantly religious [11] poems that showcase Mischa Willett's distinct talent for incorporating irony and humor [12] into his work. Recognized as one of the "Best Books 2017" by the Washington Independent Review of Books [13] , the collection has drawn comparisons to the poetic style of Richard Wilbur. [14] Additionally, the poems in "Phases" demonstrate a keen interest in Italian culture and classical civilizations, enriching the thematic tapestry of the collection. Through this unique blend of spirituality, wit, and cultural insight, Willett offers readers a fresh perspective on religious poetry, contributing to a broader understanding of the diverse forms and expressions that contemporary verse can take.
"The Elegy Beta," Mischa Willett's second book, is an extended meditation on angels as portrayed in Rainer Maria Rilke's "Duino Elegies." In both style and theme, Willett's work has been compared to the Metaphysical poets, particularly John Donne, as well as to John Berryman. [8] Drawing on these influences, "The Elegy Beta" weaves together a profound exploration of the spiritual and the human, engaging readers in an imaginative dialogue with Rilke's vision of the angelic realm. Published as the first poetry book by Mockingbird Press, it gained critical acclaim and was recognized as one of the ten best poetry books of 2020 by Relief Journal [15] .
Mischa Willett has made significant contributions as an essayist, writing on a variety of topics related to culture and religion. His work has been featured in publications such as The Gospel Coalition, The New Criterion, Chronicle of Higher Education, and First Things. These essays explore contemporary issues and engage in critical conversations around faith, society, and the arts. In addition to his writings on culture and religion, Willett has also shown a keen interest in the Spasmodic poetry movement, examining its historical context and relevance to modern scholars. Through his diverse range of essays and articles, Willett has demonstrated a thought-provoking approach to the exploration of the intersections between literature, culture, and spirituality.
Willett's poetic style is characterized by a unique blend of humor, irony, and a strong command of language. Drawing inspiration from poets like James Tate and Simon Armitage, Willett's work often tackles serious themes while remaining playful and engaging. In "The Elegy Beta," for example, his use of colloquial language, wordplay, and internal rhyme showcase his ability to captivate readers with unexpected turns of phrase. This lightness of touch, reminiscent of Auden's definition of light verse, allows Willett to tackle heavy topics while maintaining a sense of hope and resilience. His poetry invites readers to lower their guard and appreciate the insights he offers, demonstrating the power of humor and levity in exploring complex human experiences. [16]
Mischa Willett is married to Amber Willett, [17] [18] a choreographer, and together they reside in Seattle, Washington. As a practicing Anglican, Willett's faith plays a significant role in both his personal life and his writing, with religious themes often appearing in his work. The couple's shared passion for the arts and their strong spiritual foundation contribute to a rich and vibrant personal life, which in turn informs and inspires Willett's poetry and essays.
Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
René Karl Wilhelm Johann Josef Maria Rilke, shortened to Rainer Maria Rilke, was an Austrian poet and novelist. Acclaimed as an idiosyncratic and expressive poet, he is widely recognized as a significant writer in the German language. His work is viewed by critics and scholars as possessing undertones of mysticism, exploring themes of subjective experience and disbelief. His writings include one novel, several collections of poetry and several volumes of correspondence.
Thomas Gray was an English poet, letter-writer, classical scholar, and fellow at Pembroke College, Cambridge. He is widely known for his Elegy Written in a Country Churchyard, published in 1751.
Philip James Bailey was an English spasmodic poet, best known as the author of Festus.
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead".
The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse. These poets were not formally affiliated and few were highly regarded until 20th century attention established their importance.
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Amores is Ovid's first completed book of poetry, written in elegiac couplets. It was first published in 16 BC in five books, but Ovid, by his own account, later edited it down into the three-book edition that survives today. The book follows the popular model of the erotic elegy, as made famous by figures such as Tibullus or Propertius, but is often subversive and humorous with these tropes, exaggerating common motifs and devices to the point of absurdity.
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The Duino Elegies are a collection of ten elegies written by the Bohemian-Austrian poet Rainer Maria Rilke. He was then "widely recognized as one of the most lyrically intense German-language poets", and began the elegies in 1912 while a guest of Princess Marie von Thurn und Taxis at Duino Castle, on the Adriatic Sea. The poems were dedicated to the Princess upon their publication in 1923. During this ten-year period, the elegies languished incomplete for long stretches of time as Rilke had frequent bouts with severe depression—some of which were related to the events of World War I and being conscripted into military service. Aside from brief periods of writing in 1913 and 1915, he did not return to the work until a few years after the war ended. With a sudden, renewed burst of frantic writing which he described as a "boundless storm, a hurricane of the spirit"—he completed the collection in February 1922 while staying at Château de Muzot in Veyras, Switzerland. After their publication in 1923, the Duino Elegies were soon recognized as his most important work.
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Willett is now an accomplished poet and is so at home on a college campus that he is a professor at Seattle Pacific University.
Poet Mischa Willett is exploring the elegy. More than that, he's modernizing it.
Willett's specialty is nineteenth-century British Poetry of the Spasmodic School
Poems playful, at times, epigrammatic, conscious of things Italian
Willett gives us a stripped-down Rilke for the 20th century; Throughout his career, Willett has evinced a taste for the English Metaphysical poets and...syntax reminiscent of John Berryman
Willett teaches English at Seattle Pacific University. He specializes in 19th century British poetry and also teaches Shakespeare, C.S. Lewis and the Inklings, and creative writing
He brings religion down from the clouds in poems like "The Help"
Adept at engaging the reader with music and humor, keen to the ironies of modern culture
The influence of Richard Wilbur, with his love of elegance and Italian culture, seems particularly strong
[Amber Willett is]...a fan of Shakespeare and married to an English literature professor