This article relies largely or entirely on a single source .(January 2012) |
Mixes | ||||
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Remix album by | ||||
Released | 1992 | |||
Recorded | 1988–1991 | |||
Genre | Pop rock | |||
Length | 62:06 | |||
Label | MCA Records MVCM-142 | |||
Producer | Duncan Bridgeman, Zeus B. Held | |||
Transvision Vamp chronology | ||||
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Mixes is a 1992 remix album by the British band Transvision Vamp that was released on the MCA Records label in Japan on CD only. [1] The album contains extended and remixed versions that originally appeared on a variety of formats together with exclusive mixes and rare US promotional releases.
The twenty-page booklet contains an essay in Japanese and the lyrics in both Japanese and English.
The CD booklet contains a number of errors relating to remixing credits. These are:-
Transvision Vamp were an English pop rock band. Formed in 1986 by Nick Christian Sayer and Wendy James, the band enjoyed chart success in the late 1980s, particularly in 1989. James, the lead singer and focal-point of the group, attracted media attention with her sexually charged and rebellious image. The band had 10 UK chart hits and also enjoyed considerable success in Australia. Transvision Vamp's top single was 1989's "Baby I Don't Care", which reached number three in the UK and Australian charts.
A maxi single, or maxi-single, is a music single release with more than the usual two tracks of an A-side song and a B-side song.
"Lighters Up" is a single written and recorded by rapper Lil' Kim appearing as the first single off her fourth album, The Naked Truth. It was produced by her ex-boyfriend, record producer Scott Storch. The song has a similar tone to Damian Marley's Welcome to Jamrock. It was released on August 30, 2005. The album was originally due to be released September 13, but was delayed until September 27 because Queen Bee Entertainment felt that sales would not hold with the single "Lighters Up". The single debuted at number 100 on the Billboard Hot 100, then quickly climbed up to number 31. The single had a moderate chart performance in the United Kingdom, peaking at number 12 on the UK Singles Chart.
"Tell That Girl to Shut Up" is a song written by American singer-songwriter Holly Beth Vincent and originally recorded by her band Holly and the Italians in 1979. A cover version by UK pop rock band Transvision Vamp was released in 1988 as the second single from their debut album Pop Art. In Australia, "Tell That Girl to Shut Up" was released in 1989 as the third single from the album, following the 1988 release of "Revolution Baby".
"I Want Your Love" is the third single from the English rock group Transvision Vamp, released in 1988 from their debut album, Pop Art (1988). It was the band's first UK top-40 hit, reaching number five in July 1988. It also peaked atop the Norwegian Singles Chart the same year and reached number one in South Africa the following year.
Little Magnets Versus the Bubble of Babble is the third and final album by UK pop rock band Transvision Vamp. The album was released in 1991, two years after their UK No. 1 album Velveteen.
Diana Extended: The Remixes is a remix album released by American soul singer Diana Ross in 1994. The album includes six tracks that were reworked by some of the biggest names in the industry at the time, covering Ross' career as a solo artist and as a member of The Supremes, with Frankie Knuckles updating "Someday We'll Be Together" from 1969. The album also contains a remix of "Chain Reaction", originally released during Ross' time at RCA. The seventh track is "You're Gonna Love It", a track from the album The Force Behind the Power. The version on Diana Extended: The Remixes is a short remix available previously on a 12" single.
Anthony Doughty is an English rock musician. He was a member of a number of punk bands in the late 1970s, including Peroxide Romance, The Outpatients and The Moors Murderers. In 1986, he and Dave Parsons joined fellow musicians Wendy James and Nick Sayer to form Transvision Vamp in which he adopted the pseudonym Tex Axile. After they split up, Doughty joined a band called Max with Matthew Ashman, Kevin Mooney, John Reynolds and John Keogh in which he played keyboards. They released a Trevor Horn produced album, Silence Running in 1992.
"Thank You" is a new jack swing song by American R&B/soul group Boyz II Men, released as the third single from their second studio album, II (1994). The song was co-produced by Dallas Austin and Boyz II Men. It did not perform as well as its predecessor and reached a peak position of #21 on the US Billboard Hot 100 and the Hot Singles Sales on March 18, 1995, and March 25, 1995, respectively, and also reached #17 on the US Billboard Hot R&B/Hip-Hop songs. "Thank You" performed moderately well in the UK eventually peaking at #26 on the UK Singles Chart. The song also peaked at #17 on the New Zealand RIANZ singles chart, #27 on the French singles chart and #33 on the Australian ARIA Singles Chart. The album version of the song is a cappella, consisting only of sounds created by the human voice, bringing to mind one of their first hit songs, "Motownphilly".
Baby I Don't Care is a budget compilation album by the British pop rock band Transvision Vamp comprising all their singles, selected album tracks and extended versions. It was released on CD in 2002 on the Spectrum Music label.
The Complete 12"ers Collection Vol. 1 is a 1990 compilation album by the British band Transvision Vamp that was released on the MCA Records label in Japan on CD only. The album contains extended and remixed versions together with selected b-sides that originally appeared on a variety of formats.
"(I Just Wanna) B with U" is a song by English pop rock band Transvision Vamp released as the lead single from their third and final studio album, Little Magnets Versus the Bubble of Babble (1991). It was also the first of their singles to be co-written by Wendy James. After a two-year gap since their previous single, "Born to Be Sold", "B with U" reached number 30 on the UK Singles Chart and number 16 in Australia.
"If Looks Could Kill" is a song by English alternative rock band Transvision Vamp. It was the second single taken from their third album, Little Magnets Versus the Bubble of Babble (1991), and served as the band's final single. Released on 10 June 1991, the song reached number 41 on the UK Singles Chart and number 38 in New Zealand.
"Landslide of Love" was the third single to be taken from English pop rock band Transvision Vamp's second album, Velveteen (1989). It was a top-20 UK hit in 1989, spending five weeks on the UK Singles Chart and peaking at number 14.
"The Only One" was the second single to be taken from Transvision Vamp's second studio album Velveteen. It was a UK Top 20 hit in 1989 and peaked at #15, spending a total of six weeks on the chart. The sleeve design was similar to that of the previous single "Baby I Don't Care", this time featuring the band against a panelled backdrop printed with a large photo of Marilyn Monroe.
"Revolution Baby" is the debut single by Transvision Vamp and was originally released in August 1987 when it only managed to reach #77 on the UK Singles Chart. After the band's breakthrough in 1988 with the release of "I Want Your Love", "Revolution Baby" was subsequently reissued in September of that year, this time reaching #30 in the UK and #24 in Australia. The sleeve design differed radically between the 1987 and 1988 issues as did the track listings.
"Sister Moon" was Transvision Vamp's fifth single release and the final single to be taken from their debut album Pop Art. It was a minor hit on the UK Singles Chart in 1988, peaking at #41.
"I Wanna" is the first single from French music producer and DJ Bob Sinclar's studio album, Made in Jamaïca, released in 2010. It features Balkan duo Sahara and Jamaican musician Shaggy.
"London's Brilliant" is a song by former Transvision Vamp lead singer Wendy James. It was released in 1993 as the second single from her debut solo album Now Ain't the Time for Your Tears and was written by Elvis Costello and his then wife Cait O'Riordan. The single was unsuccessful upon release, peaking at a low number sixty-two on the UK Singles Chart.
"Wherever Would I Be" is a song by American rock band Cheap Trick, released in 1990 as the second single from their eleventh studio album, Busted (1990). It was written by American songwriter Diane Warren and produced by Richie Zito. "Wherever Would I Be" peaked at number 50 on the US Billboard Hot 100.