"Circle in the Sand" is a song recorded by American singer Belinda Carlisle for her second studio album, Heaven on Earth (1987). It was written by Rick Nowels, who also produced it, and Ellen Shipley. "Circle in the Sand" was the third single released from Heaven on Earth in May 1988. It reached number seven, becoming Carlisle's fourth and last top-10 hit in the United States. It also charted at number five in Canada, ending the year as the country's 69th-most-successful single.
"Secret Love" is a song by musical group the Bee Gees. It was released as the lead single from their 19th studio album, High Civilization (1991), on 18 February 1991 by Warner Bros. Records. It is an up-tempo song with a Supremes style similar to the 1986 Diana Ross hit "Chain Reaction", which was also written by the Bee Gees. The single reached the top 10 in several European countries, but was not released as a single in the United States.
"Real Love" is a song by American singer Jody Watley from her second studio album, Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100, "Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached No. 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the Billboard Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James.
"Tell That Girl to Shut Up" is a song written by American singer-songwriter Holly Beth Vincent and originally recorded by her band Holly and the Italians in 1979. A cover version by UK pop rock band Transvision Vamp was released in 1988 as the second single from their debut album Pop Art. In Australia, "Tell That Girl to Shut Up" was released in 1989 as the third single from the album, following the 1988 release of "Revolution Baby".
"I Want Your Love" is the third single from the English rock group Transvision Vamp, released in 1988 from their debut album, Pop Art (1988). It was the band's first UK top-40 hit, reaching number five in July 1988. It also peaked atop the Norwegian Singles Chart the same year and reached number one in South Africa the following year.
"Baby I Don't Care" is a song by English pop rock band Transvision Vamp and the first single taken from their second album, Velveteen (1989). It was released in 1989 and remains their highest-charting single, peaking at number three in both the United Kingdom and Australia. It was ranked at number 25 on the Australian end-of-year chart for 1989. The song was later featured as the title track on the band's 2002 compilation album, Baby I Don't Care.
Velveteen is the second studio album by English rock band Transvision Vamp, released in June 1989 by MCA Records. The album includes the single "Baby I Don't Care", which reached number 3 in the United Kingdom and Australia. Velveteen reached number 1 on the UK Albums Chart and number 2 in Australia, where it became the 39th best-selling album of the year.
"Into the Great Wide Open" is a song by American rock band Tom Petty and the Heartbreakers, included as the third track on their eighth studio album, Into the Great Wide Open (1991). Released as a single in September 1991, the song reached number four on the US Billboard Album Rock Tracks chart but stalled at number 92 on the Billboard Hot 100. Internationally, the song peaked at number 23 on the Canadian RPM Top Singles chart and found moderate success in Belgium and Germany.
"You Came" is a song by English singer Kim Wilde from her sixth studio album, Close (1988). It was released on 4 July 1988 as the album's second single. The song was written by Wilde and Ricky Wilde, after the birth of his first child, Marty.
"Four Letter Word" is the fourth single from English pop singer Kim Wilde's sixth studio album, Close (1988). The song was issued as a single in November 1988, marking Wilde's last release of a track written by her father and brother, who had written the majority of her early hits together. "Four Letter Word" became Wilde's third consecutive UK top-10 single from Close, reaching number six. It also peaked within the top 10 in Belgium, Denmark, Ireland, and the Netherlands. An extended version as well as a "late night" remix of "Four Letter Word" were released on the 12-inch and CD singles.
"I Get Weak" is a song by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Diane Warren and produced by Rick Nowels, the song was released as the second single from Heaven on Earth in January 1988. "I Get Weak" reached number two on the US Billboard Hot 100, number four on Canada's RPM 100 Singles chart, and number 10 on the UK Singles Chart.
"You Keep It All In" is the second single released from English pop rock group the Beautiful South's debut album, Welcome to the Beautiful South (1989). It reached number eight on the UK Singles Chart in October 1989 and number three in Ireland. "You Keep It All In" was also a hit on American alternative rock radio, peaking at number 19 on the Billboard Modern Rock Tracks chart in early 1990.
"Hit That Perfect Beat" is a song by British synth-pop band Bronski Beat from their second album, Truthdare Doubledare (1986). It reached number three on the UK Singles Chart in January 1986 and entered the top 10 in several European countries, Australia, and South Africa.
"Into Your Arms" is a 1989 song by Australian duo Love Positions, consisting of Robyn St. Clare and Nic Dalton. In 1992, Dalton joined American alternative rock band the Lemonheads, who covered the song on their sixth studio album, Come on Feel the Lemonheads (1993). The song was released as the album's lead single in October 1993 by Atlantic Records and reached number one on the US Billboard Modern Rock Tracks chart, remaining atop the chart for nine straight weeks, a record at the time that they shared with U2. The song also reached number 67 on the Billboard Hot 100 and charted in Australia, Canada, and the UK; in the latter country, it was a top-20 hit.
"No Souvenirs" is a song by American singer-songwriter Melissa Etheridge, release as the second single from her second album, Brave and Crazy, in August 1989. Despite peaking at number 95 on the US Billboard Hot 100, the song experienced more success internationally, reaching number 30 in Australia and number four in Canada, where it became Etheridge's highest-charting single until "I Want to Come Over" reached number one in 1996.
"The Lover in Me" is a song by Scottish singer Sheena Easton for her ninth studio album of the same name (1988). Released as the album's lead single on 11 October 1988, the song became Easton's first top-20 hit in the United Kingdom after a seven-year hiatus. The song was also Easton's final top-10 single on the US Billboard Hot 100.
"Love Train" is a song by English singer Holly Johnson, released on 9 January 1989 as the lead single from his debut solo album, Blast (1989). It was written by Johnson and produced by Andy Richards and Steve Lovell with additional production by Stephen Hague. The song reached No. 4 in the United Kingdom, spending 11 weeks on the chart, and was certified silver by British Phonographic Industry (BPI) in February 1989. In the United States, the song reached No. 65 on the Billboard Hot 100.
"(I Just Wanna) B with U" is a song by English pop rock band Transvision Vamp released as the lead single from their third and final studio album, Little Magnets Versus the Bubble of Babble (1991). It was also the first of their singles to be co-written by Wendy James. After a two-year gap since their previous single, "Born to Be Sold", "B with U" reached number 30 on the UK Singles Chart and number 16 in Australia.
"If Looks Could Kill" is a song by English alternative rock band Transvision Vamp. It was the second single taken from their third album, Little Magnets Versus the Bubble of Babble (1991), and served as the band's final single. Released on 10 June 1991, the song reached number 41 on the UK Singles Chart and number 38 in New Zealand.
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