Mohamed Rouane محمد روان | |
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Background information | |
Born | Belouizdad, Algiers |
Genres | |
Occupation(s) | composer, musician |
Instrument(s) | Algerian mandole, oud, guitar |
Labels |
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Mohamed Rouane (born at Belouizdad, Algiers in 1968) is an Algerian musician and recording artist, well known in his own country for his performances of flamenco and "Casbah-style jazz" and especially for his use of the mondol. [1] [2]
Beyond the business of being a musician, he is a creative force in Algeria, and his mondol playing credited with raising Algerian music to "higher spheres" in world music. [3] In a feature article, Aljazeera called him an artist with the ability and mastery to be brilliant, able to render the mondol into a respectable instrument. [4] He calls his style of music Casbah Jazz, and fuses jazz with Algerian musical forms to create something new. [5] He has been popular enough to be a repeat instructor and performer at Algerian music festivals. He is also known as a teacher and guest performer at musical festivals in Algeria and Europe, performing not only in nearby Netherlands and France, but as far away as Poland. [6]
His music has been described as a fusion of chaabi with jazz, performed on an Algerian mandole. [5] [6] He has made it his personal mission to change the reputation of the mondol, from an instrument that he couldn't carry in public on the street because of its low reputation to one known on the world stage as an Algerian instrument, one capable of transmitting both Western and Arab feelings. [4] He was inspired by the music of Sheikh M'Hamed El Anka (the "Master of Chaabi", to whom he dedicated his music) and his mondol playing, and Rouan looks to Chaabi to be part of the soul of his own music. [5]
Rouane attended the Municipal Conservatory of Ghermoul in 1992, but gravitated away from Andalusian classical music toward flamenco. [2] In 1992 he started the group Triana Algiers, which lasted a few months. [2] [7] He worked at a hotel in Tunisia as an instrumentalist for three years. [2] In 1995 he started another group, Méditerranéo, in Algiers, playing gypsy-style flamenco on guitar. [2] [7] He had good success with the group and recorded two albums with them. [7] He developed a reputation as being a good singer a well.
He left Méditerranéo in 2000, starting a solo career. [2] Much of this work is performing instrumentals on his mandole, an effort to increase knowledge of the instrument internationally. [4] His Casbah Jazz records feature his playing lead on a mix of tunes, fusing melodies and rhythms from jazz, chaâbi, tindi (Tuareg music form), andalusian, flamenco, berouali, karkabo and kabyle. [5]
Common to all his later music is his use of the mandole as a lead instrument. Much of the music he does are instrumentals. Rouane has said repeatedly that his use of the mandole for his music is a tribute to the Chaabi musician El Anka, the musician who helped develop the instrument as it is used today in Algeria. Although Rouane blends different musical forms with jazz, he draws the "soul" of his works from Chaabi for inspiration.
When his first album came out, He was disappointed to hear it called a work of tourism. [4] His second album was different. [4] It was a part of his "project in spiritual music," in which the story told by his mondol is reflective, moving toward "spiritual purity." [4]
His last album was published in 2008. [2] In March 2017 he announced in an interview that he was working on a new album. [8] During the music festival at Djemila (13th Arab Festival of Djemila) in the summer of 2017, he was reunited on stage with Selma Kouiret, a singer from his trio Méditerranéo. [9] The two also performed together in Algiers in July 2017, her singing and him accompanying with his instrument. [9]
Algerian music is virtually synonymous with Raï among foreigners; the musical genre has achieved great popularity in France, Spain and other parts of Europe. For several centuries, Algerian music was dominated by styles inherited from Al-Andalus, eventually forming a unique North African twist on these poetic forms. Algerian music came to include suites called nuubaat. Later derivatives include rabaab and hawzii.
Rachid Taha was an Algerian singer and activist based in France described as "sonically adventurous". His music was influenced by many different styles including rock, electronic, punk and raï.
El Hadj M'Hamed El Anka, also known as Hadj Muhammed Al Anka, El-Hadj M'Hamed El Anka, was considered a Grand Master of Andalusian classical music and Algerian chaâbi music.
Miliana is a commune in Aïn Defla Province in northwestern Algeria. It is the administrative center of the daïra, or district, of the same name. It is approximately 114 kilometres (71 mi) southwest of the Algerian capital, Algiers. The population was estimated at 44,201 in 2008. The town is located south of the Dahra Range, on the wooded southern flank of Mount Zaccar Rherbi, five kilometers north of the Chelif River, and overlooking the Zaccar plateau to the west.
Chaabi is a traditional music of Algiers (Algeria), formalized by El Hadj M'Hamed El Anka.
Hacène Zermani, known by the stage name Takfarinas, is an Algerian Kabyle Yal musician. Takfarinas took his surname from the ancient warrior of North Africa Tacfarinas who fought against the presence of the Romans in Algeria. Since 1979 Takfarinas has lived in France. However, his songs promote and celebrate the Kabyle culture into which he was born. Takfarinas is perhaps best known for his voice which covers a wide range and the 'takfa' which is based on a traditional lute like instrument which he has modified by adding a second neck. Each neck provides a distinct sound, one neck is feminine and the other masculine. Nowadays the takfa has been replaced by an electric half-drum mandole. Like the takfa this has two fingerboards. The advantage of this new instrument is that it is able to create the large concert sound which he now needs.
Reda Tamni, known by his stage name Reda Taliani, is an Algerian raï singer and musician. He is a longtime resident from Aubagne, Provence, France. His music blends chaabi, raï and traditional musical styles of the Maghreb, and many of his songs depict the realities and aspirations of the Algerian youth.
Abdelkader Chaou is an Algerian musician who is well known in Algeria for his own style of chaabi music, both as a singer and a mondol virtuoso. He is considered important enough as a musician that he was recognized nationally at a tribute concert in 2013, an event that was a "tribute from his peers for a rich career."
Boudjemaâ El Ankis, also known as Mohammed Boudjemaâ, was an Algerian performer of chaâbi music, who also played the mondol.
The Algerian mandole is a steel-string fretted instrument resembling an elongated mandolin, widely used in Algerian music such as Chaabi, Kabyle music and Nuubaat.
Hsissen was an Algerian singer.
Hadj M'rizek was an Algerian songwriter, lyricist, composer, poet and painter.
Hadj Bouchiba was an Algerian songwriter, lyricist, composer, poet and painter.
Sid Ali Kouiret was an Algerian actor.
Amar Ezzahi was an Algerian singer and mandole player. He was the figurehead of Chaabi, the traditional music of Algiers.
Mohamed Abdennour is an Algerian composer, arranger and instrumentalist, active in France and playing a fusion of different musical forms mixed with chaabi.
Abdel Kader Haiboui, better known as Kader Japonais, is an Algerian Raï singer and production artist. He was born in the neighborhood of Bab-El-Oued, Algiers, Algeria.
Zawiyet Sidi Amar Cherif, or Zawiyet Sidi Daoud, is a zawiya school located in Boumerdès Province in Algeria.
Information on this Facebook page is from the book "Guide Nomad Algiers 2015", Publication date 1 January 2015 ISBN 978-9961970027. https://www.amazon.fr/gp/aw/d/9961970020/ref=mp_s_a_1_2?__mk_fr_FR=ÅMÅZÕÑ&qid=1501859523&sr=8-2&pi=AC_SX236_SY340_QL65&keywords="Guide+Nomad"&dpPl=1&dpID=51o3%2BCj42AL&ref=plSrch#productDescription_secondary_view_div_1501859568152
ABDELKADER BENDAMECHE President of the National Council Arts and Letters, Algiers, 21 July 2014
(translation:...Mohamed Rouane. ...approaching as many styles as the tindi (flamenco music), flamenco and jazz, with instrumentations inspired by the chaâbi, a fusion that it called "Jazz Casbah"...ambassador for the Algerian Mandole,...has multiplied international tours by sharing the stage with renowned musicians in Poland, the Netherlands and other countries.)