Momma Don't Allow | |
---|---|
Directed by | Karel Reisz Tony Richardson |
Written by | Karel Reisz Tony Richardson |
Starring | The Chris Barber Jazz Band: Chris Barber Monty Sunshine Pat Halcox Ron Bowden Lonnie Donegan Jim Bray Ottilie Patterson |
Cinematography | Walter Lassally |
Edited by | John Fletcher |
Production company | |
Distributed by | British Film Institute |
Release date |
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Running time | 22 minutes |
Country | United Kingdom |
Language | English |
Momma Don't Allow is a 1956 short British documentary film co-directed by Karel Reisz and Tony Richardson, and filmed by Walter Lassally. [1] Produced by the British Film Institute Experimental Film Fund, [2] it was first shown in February 1956, as part of the first Free Cinema programme at the National Film Theatre. [3]
The film depicts a performance of The Chris Barber Jazz Band (with Ottilie Patterson) at The Fishmonger's Arms, a trad jazz club in Wood Green, North London. [4] It features extensive footage of skip jiving by the audience on the club's dance floor.
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most critically acclaimed works. Many British actors have accrued critical success and worldwide recognition, such as Audrey Hepburn, Olivia de Havilland, Vivien Leigh, Glynis Johns, Maggie Smith, Laurence Olivier, Michael Caine, Sean Connery, Ian Mckellen, Joan Collins, Judi Dench, Julie Andrews, Daniel Day-Lewis, Gary Oldman, Emma Thompson, Anthony Hopkins and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the fourth and fifth highest-grossing film franchises.
Johnny Speight was an English television scriptwriter of many classic British sitcoms.
Nineteen Eighty-Four is a British television adaptation of the 1949 novel of the same name by George Orwell, originally broadcast on BBC Television in December 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. It starred Peter Cushing, Yvonne Mitchell, Donald Pleasence and André Morell.
John Gregson, born as Harold Thomas Gregson, was an English actor of stage, television and film, with 40 credited film roles. He was best known for his crime drama and comedy roles.
Nice Time is a 1957 documentary film made by Alain Tanner and Claude Goretta in Britain and included in the third Free Cinema programme at the National Film Theatre, London in May 1957. It won the Experimental Film prize at the film festival in Venice and much critical praise.
Frank Launder was a British writer, film director and producer, who made more than 40 films, many of them in collaboration with Sidney Gilliat.
Denis John “Jack” HildyardBSC was a British cinematographer who worked on more than 80 films during his career.
Trevor Griffiths is an English dramatist.
John Barry Foster was an English actor who had an extensive career in film, radio, stage and television over almost 50 years. He was best known for portraying the title character in the British crime series Van der Valk (1972–1992) and Bob Rusk in Alfred Hitchcock's Frenzy (1972).
Colin Gordon was a British actor born in Ceylon.
John Leonard Duncan Mackenzie was a Scottish film director who worked in British film from the late 1960s, first as an assistant director and later as an independent director himself.
Michael Leighton George Relph was an English film producer, art director, screenwriter and film director. He was the son of actor George Relph.
Stephen Woolley is an English filmmaker and actor. His career has spanned over three and a half decades, for which he was awarded the BAFTA award for Outstanding British Contribution to Cinema in February 2019. As a producer, he has been Oscar-nominated for The Crying Game (1992), and has produced multi-Academy Award nominated films including Mona Lisa (1986), Little Voice (1998), Michael Collins (1996), The End of the Affair (1999), Interview with the Vampire (1994), and Carol (2016). He runs the production company Number 9 Films with his partner Elizabeth Karlsen.
It's Great to Be Young is a 1956 British Technicolor musical comedy film about a school music teacher, starring Cecil Parker and John Mills.
O Dreamland is a 1953 documentary short film by British film director Lindsay Anderson.
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers.
Together is a 1956 film about two deaf people in the East End of London, directed by Lorenza Mazzetti, in collaboration with Denis Horne, based on his short story, "The Glass Marble." The two main characters are played by artists Eduardo Paolozzi and Michael Andrews, who were friends of the filmmaker. The film, produced by the British Film Institute Experimental Film Fund, was first shown as part of the first Free Cinema programme at the National Film Theatre in London in February 1956, along with Tony Richardson and Karel Reisz's Momma Don't Allow, and Lindsay Anderson's O Dreamland.
Stuart Legg was a pioneering documentary filmmaker. At the 14th Academy Awards in 1941, Legg's National Film Board of Canada film Churchill's Island became the first-ever documentary to win an Oscar.
The BFI Production Board (1964-2000) was a state-funded film production fund managed by the British Film Institute (BFI) and "explicitly charged with backing work by new and uncommercial filmmakers." Emerging from the Experimental Film Fund, the BFI Production Board was a major source of funding for experimental, art house, animation, short and documentary cinema, with a continuing commitment to funding under-represented voices in filmmaking.
Fun at St. Fanny's is a 1955 British comedy film directed by Maurice Elvey and starring Fred Emney, Cardew Robinson and Vera Day. The film revolves around the teachers and students of St Fanny's private school, particularly the pupil Cardew the Cad who is kept at the school for many years after he should have graduated so that the dishonest headmaster can claim his inheritance. It was based on a radio show which was written by and starred Robinson. The film's sets were designed by art director Norman G. Arnold.