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| "Monkey Man" | |
|---|---|
| Song by the Rolling Stones | |
| from the album Let It Bleed | |
| Released | 5 December 1969 |
| Recorded | April 1969 |
| Genre | |
| Length | 4:11 |
| Label | |
| Songwriter(s) | Jagger/Richards |
| Producer(s) | Jimmy Miller |
"Monkey Man" is a song by English rock band the Rolling Stones, featured as the eighth track on their 1969 album Let It Bleed .
Mick Jagger and Keith Richards wrote "Monkey Man" as a tribute to Italian pop artist Mario Schifano, whom they met on the set of his movie Umano Non Umano! (Human, Not Human!). [2] [3] Recorded in April 1969, the song's introduction features distinctive vibraphone, bass, guitar, and piano. Richards plays main riff and slide guitar solo, Jagger provides vocals, producer Jimmy Miller plays tambourine, Nicky Hopkins plays piano, Charlie Watts provides drums, while Bill Wyman plays vibraphone and bass. Wyman's vibraphone is mixed onto the left channel together with Hopkins' piano.
Classic Rock History critic Matthew Pollard rated "Monkey Man" as the Rolling Stones' 9th best deep cut, particularly praising the "vibraphone chimes at the beginning [that] give the song its espionage-esque vibes, and Richards’ awesome slide solo [3]
The Rolling Stones performed "Monkey Man" often on their 1994–1995 Voodoo Lounge Tour. A recording from their 2002/03 Licks Tour is included on Live Licks (2004).
The distinctive piano progression in the introduction is used as the opening theme "Playing With Fire" on the Stereo MCs' 1992 album Connected .
Let It Bleed is the eighth British and tenth American album studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
Jamming with Edward! is a 1972 album by three Rolling Stones band members accompanied by Nicky Hopkins and Ry Cooder.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
“Ventilator Blues” is a song by the English rock band the Rolling Stones that is included on their 1972 album Exile on Main St.
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"No Expectations" is a song by English rock band the Rolling Stones featured on their 1968 album Beggars Banquet. It was first released as the B-side of the "Street Fighting Man" single in August 1968. The song was recorded in May 1968. Brian Jones' acoustic slide guitar on the recording represents one of his last major contributions before leaving the band.
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"Let It Bleed" is a song by the English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards and is featured on the 1969 album of the same name, the first example of a Rolling Stones title track. It was released as a single in Japan in February 1970.
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"Jigsaw Puzzle" is a song by English rock band the Rolling Stones, featured on their 1968 album Beggars Banquet.
"All Down the Line" is a song by the English rock band the Rolling Stones, which is included on their 1972 album Exile on Main St.. Although at one point slated to be the lead single from the album, it was ultimately released as a single as the B-side of "Happy."
"Dear Doctor" is a song by English rock and roll band the Rolling Stones featured on their 1968 album Beggars Banquet.
"Loving Cup" is a song by the Rolling Stones, which appears on their 1972 album Exile on Main St.
The Tin Man Was a Dreamer is a studio album by English musician Nicky Hopkins, released in 1973 on Columbia Records. While Hopkins had long been well known for his distinctive, melodic style on piano and Wurlitzer electric piano, the album provided a rare opportunity to hear him sing, unlike his earlier solo releases The Revolutionary Piano of Nicky Hopkins and Jamming with Edward! The album was co-produced by Neil Young's regular producer, David Briggs, and featured contributions from George Harrison, Mick Taylor, Klaus Voormann and Hopkins's fellow Rolling Stones sidemen Bobby Keys and Jim Price.
