| Monster on a Leash | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1991 | |||
| Studio | Schnee Studios and Hollywood Sound Recorders (Hollywood, California). | |||
| Genre | Soul, funk | |||
| Label | Epic [1] | |||
| Producer | Emilio Castillo | |||
| Tower of Power chronology | ||||
| ||||
Monster on a Leash is an album by the American band Tower of Power, released in 1991. [2] [3] It peaked at No. 19 on Billboard's Contemporary Jazz Albums chart. [4]
Huey Lewis cowrote "How Could This Happen to Me" and "Keep Your Monster on a Leash". [5] Tower of Power employed a 10-member lineup for the recording of the album. [6]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [7] |
| Chicago Tribune |  [6] |
The Baltimore Sun wrote that "it's not the band's brassy bluster that makes it worth hearing, but the rhythm section's refried soul grooves." [8] The Washington Post opined that "except for a few tracks ... the combination of Tom Bowes's rather generic R&B vocals and some uninspired lyrics is sorely outclassed by the group's surging horn arrangements and incessant dance grooves." [5]
All songs written by Emilio Castillo and Stephen "Doc" Kupka unless otherwise noted.
Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. There have been a number of lead vocalists, the best-known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success. They have had eight songs on the Billboard Hot 100; their highest-charting songs include "You're Still a Young Man", "So Very Hard to Go", "What Is Hip?", and "Don't Change Horses ".
Small World is the fifth album by American rock band Huey Lewis and the News, released in 1988. It was also their last album release on Chrysalis Records in the USA.
Emilio Castillo is an American saxophone player and composer, best known as the founder of the band Tower of Power.
Ain't Nothin' Stoppin' Us Now is an album by Tower of Power released in 1976, the band's first record on Columbia Records. Ron Beck takes up the drummers spot after David Garibaldi exited for a second time.
Tower of Power is the third album release for the Oakland-based band, Tower of Power. This is their most successful album to date, which was released in May 1973.
T.O.P. is a 1993 album by the soul/funk group Tower of Power. It was the last album to feature founding trumpet player and band horn arranger Greg Adams and vocalist Tom Bowes. It also features a reunion with saxophonist Lenny Pickett, who shows up on a few tracks.
East Bay Grease is the debut album by the soul and funk group Tower of Power, released in 1970. The band was one of the early music groups to be signed by Bill Graham's Fillmore Records, which released the LP.
Bump City is the second album by the soul/funk group Tower of Power. The album cover is derived from a sketch by David Garibaldi. It's also their first album for Warner Bros. Records. With Rufus Miller now gone, Rick Stevens took the reins as the sole lead vocalist for this album.
Soul Vaccination: Tower of Power Live is the second live album by the soul/funk group Tower of Power. It was recorded live in California during their 1998 world tour at two venues: The Fillmore in San Francisco and the Fox Theatre in Stockton.
Back to Oakland is the fourth album by Bay Area based band Tower of Power, released in early 1974 on Warner Bros. Records. It was voted by Modern Drummer magazine as one of the most important recordings for drummers to listen to. The cover photography was by Bruce Steinberg at San Francisco–Oakland Bay Bridge, San Francisco, California.
Urban Renewal is a Tower of Power album recorded in 1974 and released in 1975. It's also the last album to feature lead singer Lenny Williams, who would leave to continue a successful solo career. Plus drummer David Garibaldi left temporarily, although he does appear on the song "Willing To Learn" which was the first single released on the album. David Bartlett takes the reins as drummer for this album. Also conga player Brent Byars left after the previous album Back to Oakland, with Carter Collins taking over for him on this album.
In the Slot is a Tower of Power album released in 1975. It was their last studio album for Warner Bros. Records. It also marked the debut of new vocalist Hubert Tubbs. David Garibaldi returns to the drummer's throne after being absent from the previous album Urban Renewal, although the drummer from that album, David Bartlett, does appear as a background vocalist on this album, as does Garibaldi's next successor, Ron Beck. "Ebony Jam" and "Drop It in the Slot" were sampled on the Beastie Boys' 1989 album Paul's Boutique.
We Came to Play! is an album by Tower of Power released in 1978. It marked the debut of singer Michael Jeffries, who would stay with T.O.P. through the mid-1980s. Steve Cropper produced this album. This album features Victor Conte, the future founder of the controversial BALCO, on bass, and who is also the cousin of band guitarist Bruce Conte. Drummer Ron Beck takes a lead vocal spot on "Love Bug", which features founding T.O.P. drummer David Garibaldi on second drums. Garibaldi would return to the band on the next album, but neither Conte, Bruce or Victor, would after this album.
Back on the Streets is an album by Tower of Power released in 1979. This was their last album with Columbia Records. The title derives from the song "Back on the Streets Again" from their debut album East Bay Grease. David Garibaldi returns to the drummer's spot a third time, only to leave after this album, again. It also marked the debut of bassist Vito San Filippo and guitarist Danny Hoefer. This would be Hoefer's only album as a member of Tower of Power.
Live and in Living Color is a 1976 live album by Tower of Power and is their last album on Warner Bros. Records. It features a few of their biggest hits and some gems from their first album East Bay Grease. David Garibaldi left the band again after this album.
Direct is a 1981 live in-studio album by Tower of Power. It was their only album for the direct-to-disc record label Sheffield Lab. It also marked the return of original guitarist Willie James Fulton, not heard from since 1972's Bump City, and the last album to feature saxophonist Lenny Pickett. Mark Sanders plays drums on this album. Between this album and their 1987 comeback album Power, they would record the sessions that later became the Dinosaur Tracks CD. Besides that, save for the original single release of "Simple as That", this would be their last new release until 1987. It contained mostly songs from their previous albums, but included new material as well.
Power is a studio album by Tower of Power released in 1987 on the A&M Records-distributed Cypress Records label. It was released a year earlier with additional and/or different songs in Europe under the title T.O.P.. This was the only album to feature vocalist Ellis Hall, a protégé of Ray Charles, who also plays keyboards and rhythm guitar. Hall was unique to TOP as he is thus far the only blind lead vocalist of the group. It also marked the final departure of original guitarist Willie Fulton, and the return of original bassist Francis "Rocco" Prestia. It also marks the debut of trumpeter Lee Thornburg, saxophonist Richard Elliot, and drummer Mick Mestek.
Souled Out is a 1995 album by Tower of Power on Epic Records. It marked the debut of lead vocalist Brent Carter and drummer Herman Matthews, who, coincidentally, is a distant cousin of original TOP vocalist Rick Stevens. Founding member, baritone saxophone player Stephen "Doc" Kupka graces the front cover of the album. Jeff Lorber co-produced this album with band leader Emilio Castillo.
Step Up is a studio album by Tower of Power on Mack Avenue Records. It was recorded over the course of the 2010s, and was released on March 20, 2020. This album is the last Tower of Power album to feature lead vocalists Ray Greene and Marcus Scott, and is also the last album to feature legendary bassist Francis Rocco Prestia before his death a few months later.
