Moods | ||||
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Studio album by Paul Quinichette | ||||
Released | 1955 | |||
Recorded | November 4 & 22, 1954 Fine Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 40:40 | |||
Label | EmArcy MG 36003 | |||
Producer | (not stated) | |||
Paul Quinichette chronology | ||||
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Moods (also referred to as Moods Featuring Paul Quinichette) is the 1954 debut album by American jazz saxophonist Paul Quinichette featuring compositions and arrangements by Quincy Jones released on the EmArcy label. The tracks were recorded on two session dates in November 1954 with two different line-ups, an (almost) regular jazz sextet with flutist Sam Most as second horn player and two guitarists. The second session featured an Afro-Cuban combo with Herbie Mann on flute and also on tenor saxophone and Latin percussion instead of a drum set. The difference between the two sessions was preserved in splitting the album with the later recorded Latin jazz session on the LP's A-side, the more straight ahead approach on the other. [1] [2]
Paul Quinichette was an American jazz musician who played the tenor saxophone. He was known as the "Vice President" or "Vice Prez" for his uncanny emulation of the breathy style of Lester Young, known as "Prez". Young, who affectionately called everyone "Lady ****", called him "Lady Q". He was also capable of a gruffer style on his own.
Quincy Delight Jones Jr. is an American record producer, musician, composer, and film producer. His career spans six decades in the entertainment industry with a record 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992.
EmArcy Records is a jazz record label founded in 1954 by Mercury Records, and today a European jazz label owned by Universal Music Group. The name is a phonetic spelling of "MRC", the initials for Mercury Record Company.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Allmusic awarded the album 3 stars with its review by Scott Yanow stating, "The mixture of straight-ahead and Afro-Cuban jazz works quite well". [3]
All compositions by Quincy Jones except as indicated
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Herbert Jay Solomon, known by his stage name Herbie Mann, was an American jazz flutist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet, but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard No. 1 dance hit for three weeks in 1975.
The flute is a family of musical instruments in the woodwind group. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute can be referred to as a flute player, flautist, flutist or, less commonly, fluter or flutenist.
Samuel Most was an American jazz flutist, clarinetist and tenor saxophonist, based in Los Angeles. He was "probably the first great jazz flutist", according to jazz historian Leonard Feather.
Charles Phillip Thompson was an American swing and bebop pianist, organist, composer, and arranger.
Joseph Barry Galbraith was an American jazz guitarist.
Bob Cooper was a West Coast jazz musician known primarily for playing tenor saxophone, but also for being one of the first to play solos on oboe.
Joe Puma was an American jazz guitarist.
Wendell Marshall was an American jazz double-bassist.
Sarah Vaughan, sometimes incorrectly referred to as Sarah Vaughan with Clifford Brown, is a 1954 jazz album featuring Grammy Award winning singer Sarah Vaughan and influential trumpeter Clifford Brown, released on the EmArcy label. It was the only collaboration between the pair. Well received, though not without some criticism, the album was Vaughan's own favorite among her works through 1980. The album was inducted into the Grammy Hall of Fame in 1999.
Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.
This Is How I Feel About Jazz is the 1957 debut album by Quincy Jones. Jones arranged and conducted three recording sessions during September 1956, each with a different line-up, from a nonet to a fifteen piece big band. Musicians on the album include Art Farmer, Phil Woods, Lucky Thompson, Hank Jones, Paul Chambers, Milt Jackson, Art Pepper, Zoot Sims, and Herbie Mann. The bonus tracks on the CD release include compositions by Jimmy Giuffre, Lennie Niehaus and Charlie Mariano.
This is a Herbie Mann discography. Mann spent his early years recording for a number of jazz oriented record labels, and signed with Atlantic Records in 1961. He recorded with them through the 1960s and 1970s, including their subsidiary Cotillion Records, where he ran his own imprint, Embryo Records, in the 1970s, for his records as well as other musicians. Mann also ran two independent record labels, Herbie Mann Music in the 1980s, and during the 1990s, Kokopelli Records. Minor reissues are not noted.
Afro is an album by trumpeter Dizzy Gillespie recorded in 1954 and originally released on the Norgran label.
Flute Soufflé is an album by jazz flautists Herbie Mann and Bobby Jaspar featuring tracks recorded in 1957 for the Prestige label.
Jam Session featuring Maynard Ferguson is an album by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded in early 1954 and released on the EmArcy label. The album was Ferguson's first 12-inch LP and was released on CD compiled with Jam Session featuring Maynard Ferguson as Hollywood Jam Sessions in 2005.
Introducing Joe Gordon is the debut album by American jazz trumpeter Joe Gordon featuring tracks recorded in late 1954 and released on the EmArcy label.
Maynard Ferguson's Hollywood Party is an album released by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded in early 1954 and originally released on the EmArcy label as a 10-inch LP but reissued as a 12-inch album. The album was released on CD compiled with Jam Session featuring Maynard Ferguson as Hollywood Jam Sessions in 2005.
Salute to the Flute is an album by American jazz flautist Herbie Mann featuring tracks recorded in 1957 for the Epic label.
Flute Suite is an album by American jazz composer and arranger A. K. Salim featuring flautists Frank Wess and Herbie Mann recorded in 1957 for the Savoy label.
The Beat Goes On is an album by American jazz flautist Herbie Mann released on the Atlantic label in 1967. The album features tracks from seven separate sessions recorded in 1964, 1966 and 1967.
Quincy's Home Again is an album by Quincy Jones with performances by Harry Arnold's Orchestra. The album was recorded in Sweden in 1958 and released by Metronome. The album was also released in the U.S. as Harry Arnold + Big Band + Quincy Jones = Jazz! by EmArcy.
Jazz Abroad is a split album by American jazz drummer Roy Haynes and Quincy Jones with tracks recorded in Sweden in 1953 and 1954 and released by EmArcy.
Introducing Jimmy Cleveland and His All Stars is the debut album led by American trombonist Jimmy Cleveland featuring tracks recorded in 1955. It was released on the EmArcy label.