Basie Reunion | ||||
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Studio album by | ||||
Released | 1958 | |||
Recorded | September 5, 1958 | |||
Studio | Van Gelder Studio, Hackensack, New Jersey | |||
Genre | Jazz | |||
Length | 40:15 | |||
Label | Prestige PR 7147 | |||
Producer | Bob Weinstock | |||
Paul Quinichette chronology | ||||
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Basie Reunion is an album by Count Basie Orchestra members led by jazz saxophonist Paul Quinichette featuring tracks recorded in 1958 and released on the Prestige label. [1]
The first two tracks are correctly identified on the CD reissue; the original LP issue has the titles reversed (although Ira Gitler correctly identifies the titles in his liner notes). In 1982, Prestige issued this session as a gatefold LP paired with For Basie as Basie Reunions; this issue also has the track titles reversed.
Review scores | |
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Source | Rating |
Allmusic | [2] |
Allmusic awarded the album 4½ stars and reviewer Ken Dryden stated, "While this session isn't meant to substitute for the original recordings by Count Basie, the consistently swinging performances make this meeting of mostly Basie alumni worth purchasing". [2] On All About Jazz, Derek Taylor wrote "Brimming with talent from bands past and present the one-shot aggregation places a premium on expansive individual solos and relaxed first-rate swing ... This disc a winner on a variety of fronts: as an opportunity to hear Basie alum paying inspired homage to their employer, and as a rare opportunity to hear Washington cut loose in the company of his peers. Recommended wholeheartedly to any and all hepcats still practicing or reformed". [3]
Paul Quinichette was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q".
Wilbur Dorsey "Buck" Clayton was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window.
Frederick William Green was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years.
Joseph Dwight Newman was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods.
George Holmes "Buddy" Tate was an American jazz saxophonist and clarinetist.
Nathaniel Pierce Blish Jr., known professionally as Nat Pierce was an American jazz pianist and prolific composer and arranger, perhaps best known for being pianist and arranger for the Woody Herman band from 1951 to 1955. Pieces by Pierce were predominantly created for use in big bands.
Count Basie at Newport is a live album by jazz musician Count Basie and his orchestra. It was originally issued as Verve MGV 8243 and included only the tracks 1-7 and 13. Tracks 9-12 originally included in Count Basie & Joe Williams/Dizzy Gillespie & Mary Lou Williams at Newport.
Eddie Jones was an American jazz double bassist.
Robert Stanley "Bobby" Donaldson was an American jazz and R&B drummer.
This is the discography for jazz record label Prestige Records. Not all original releases are included. Others are listed by the Jazz Discography Project. The earlier New Jazz/Prestige 78rpm releases and the 100/200 series, are omitted. Prestige also released albums on several subsidiary labels including the New Jazz, Bluesville, Moodsville and Swingsville labels.
Lester Rallingston "Shad" Collins was an American jazz trumpet player, composer and arranger, who played in several leading bands between the 1930s and 1950s, including those led by Chick Webb, Benny Carter, Count Basie, Lester Young, Cab Calloway and Sam "The Man" Taylor.
Moods is the 1954 debut album by American jazz saxophonist Paul Quinichette featuring compositions and arrangements by Quincy Jones released on the EmArcy label. The tracks were recorded on two session dates in November 1954 with two different line-ups, an (almost) regular jazz sextet with flutist Sam Most as second horn player and two guitarists. The second session featured an Afro-Cuban combo with Herbie Mann on flute and also on tenor saxophone and Latin percussion instead of a drum set. The difference between the two sessions was preserved in splitting the album with the later recorded Latin jazz session on the LP's A-side, the more straight ahead approach on the other.
Basie Meets Bond is a 1966 album by Count Basie and his orchestra. The album is a collection of musical pieces originating from the first four James Bond films; Dr No, From Russia with Love, Goldfinger and Thunderball. The album was Basie's first for United Records, and was produced by Teddy Reig.
Basie Jazz is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1954. Selections from this album were also released on the 1956 Clef LPs The Swinging Count! and Basie Rides Again!.
The Count! is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1955.
Basie Rides Again! is an album by pianist/bandleader Count Basie recorded in 1952 and originally released on the Clef label in 1956. Selections from this album were previously released on the 1954 Clef LP Basie Jazz.
All the Cats Join In is a song written by Ray Gilbert, Eddie Sauter and Alec Wilder, and first recorded by Benny Goodman. It later was a track on an LP with the same title by trumpeter Buck Clayton.
Copenhagen Concert is a live album by American trumpeter Buck Clayton recorded in Copenhagen, Denmark in 1959 and released on the SteepleChase label as a double LP in 1979. A similarly titled Copenhagen Concert was recorded by Dizzy Gillespie with Leo Wright in 1960.
For Basie is an album by American jazz saxophonist Paul Quinichette featuring tracks recorded in 1957 and released on the Prestige label.
Like Basie!,, is an album by American jazz saxophonist Paul Quinichette featuring tracks recorded in 1959 and released on the United Artists label.